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muted

Morvern Callar

6.8

/10

12219 人评分

2002•1 h 37 m•United Kingdom

After her beloved boyfriend's suicide, a mourning supermarket worker and her best friend hit the road in Scotland, but find that grief is something that you can't run away from forever.

Drama

演员 (19)

Samantha Morton

Kathleen McDermott

Paul Popplewell

Raife Patrick Burchell

Boy in Room 1022

Welcoming Courier

Guy with Hat's Mate

Gypsy Taxi Driver

Andrew Flanagan

Rick, the American Courier

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评论

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05/02/2026 03:25

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05/02/2026 03:25

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05/02/2026 02:25

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05/02/2026 02:25

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05/02/2026 02:24

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05/02/2026 02:24

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🍬Playyyy

29/05/2023 13:00

source: Morvern Callar

MmeJalo

23/05/2023 05:46

I have to admit that I stuck this one out thinking something would have to happen, besides the dead body in the first scenes... and her disposal of him. I was wrong. It was a cinema verite of Betty hits the Beach encased for the first part by Mordant Morven. I really don't care what young lassies from Scotland do these days, who thy screw, what drugs they take. Visually, the stroll through the Cabo de Gata in Andalucia was pleasant and surely the high point for me. The nadir was the chop shop for her dead boyfriend. As the movie came to a close I had two thoughts... 1. That's all there is? 2. Now I see why her boyfriend killed himself. Rename it. "Bare Bitch Boredom, or What I did on my trip to Spain." I'm such a sucker for sticking these things out.

Gabbie Vington Drey

23/05/2023 05:46

My wife and I watch a film every night with no distractions, and mostly artsy films that require thought. I have tons of patience for films that are slow to blossom. My wife has double the attention span that I do. All that being said-- this film is just plain empty and BORING! It went nowhere. Never blossomed. It started fairly strong with a promising plot...then she bakes cookies...goes to Spain....she sulks, she stares....the credits roll. Uneven, full of holes, false starts & dead ends. We FF'd through several extended sequences of her just staring off into space. Artificial depth was implied when she played with the mud and cried. Zzzz...... It's like a beautifully shot chick-flick that's pretending to be deep or artsy. You never get to know nor understand Morvern at all. About halfway through you just don't care anymore. We just wanted to see at least one of the plot lines develop. Don't waste your time on this. I'm shocked it scores so high.

Aayushi

23/05/2023 05:46

For me, the most notable thing about this film was the scarcity of dialogue. It is a brave move on the director's part for sure, but for a film that tells a story of personal awakening (of sorts), the infrequent speech means we can never be sure of what Morvern is thinking or feeling. We don't get much help from the camera either - the film is exquisitely shot, but many of the scenes have a confrontational, tense and opaque sense of aesthetics - there is not enough variation in feel to tell the story of someone who changes their life completely. My reading of Morvern Callar (as a film and a character) is of a woman who escapes from a humdrum, ugly life. Through personal awakening, art and good fortune, she comes to embrace a more bohemian and expansive existence. In short, she learns to live. It's a big story and a big theme - yet we never really understand how and why Morvern comes to change her entire outlook on life. Neither do we hear enough from her to mitigate the more unpleasant sides of her character - her frequent (and occasionally sociopathic) lack of emotional response, her selfish excess, her deliberate mistreating of her friend. I suspect she is supposed to be a hero of sorts, but she could equally be an anti-hero or even something in between. We just never find out enough about her - in her words, anyone else's words or the director's shooting of her. I'm glad that the film has made me consider questions like this, and as an intellectual exercise it's therefore quite enjoyable. As entertainment, as statement or as spectacle however, it's quite badly flawed.