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muted

Til Ex Do Us Part

4.8

/10

351 درجہ

2018•1 h 29 m•Canada

Kyle and Sophia reconcile after separation. Sophia is framed for assaulting Claire, Kyle's ex-lover. Claire stages attacks on herself to frame Sophia. When her ploy unravels, Claire directly attacks Sophia, her romantic rival.

Thriller

کاسٹ (15)

Lee Shan Gibson

Detective Tucker

Sharon Crandall

Patrick Rinehart

Inmate counselor

Christina McInulty

تجویز

جائزے

Awa Trawally

24/10/2023 13:03

Till Ex Do Us Part

chaina sulemane

21/05/2023 19:14

Moviecut—Til Ex Do Us Part

Dzidzor

28/04/2023 05:05

One has to feel for poor Kyle Ridley, the sensitive husband of Sophia and father to young Emma. Everything goes wrong for Kyle in this domestic melodrama. The film opens with the moment when Kyle and Sophia plan to renew their vows after a brief separation. Then, the dam breaks and the lives of the couple are deluged. First, Kyle is led to believe that in his one-timer with his neighbor, Claire Johnson, she was impregnated. Then, he makes the stupid mistake of spending more time with Claire, even introducing young Emma to her, distancing himself even farther from his wife. Claire gives helpful advice to Emma in matters of the heart. Next, Kyle punches out a man who flirts with Claire after he has viewed a lurid internet video of her. Young Emma then has the undignified experience of having to call her mom and say, "Dad's been arrested!!!" The circumstances become especially dire when Sophia herself is arrested and eventually charged with the attempted murder of Claire, after Claire intentionally did a "brake job" on Kyle's beautiful car, which she then nearly totaled. In the final stretch of the film, it is entirely up to Sophia to research the identity of Claire, after Sophia's friend Rachel, who has the goods on Claire, is drowned by Claire. But the resilient Claire never gives up by relying on her personal strength to find the truth and preserve the value that is most lauded in the film: the importance of family.

Anni

28/04/2023 05:05

Started watching this because I thought the director was Danny Boyle (Slumdog Millionaire). Seconds into the movie I realized that either Danny Boyle was slumming it (no pun intended) or there are two directors named Danny Boyle. This hot mess of a movie was in fact, directed by Danny J. Boyle, not Danny Boyle. But the worst thing about this movie isn't the directing, it's the godawful script that seems to have been written by a robot being fed Harlequin Romances and Hallmark movie scripts. We were transfixed by the awfulness of it. Skip it. Do literally anything else with your life, but do not watch this movie.

Bansri Savjani

28/04/2023 05:05

A couple reconcile but later finds out when they were temporarily separated a neighbour he slept with tells him she is pregnant. The neighbour lady gets attacked and gets text messages threatening her. She is staging things to make his wife look like she is after her. Not too different from the typical Lifetime wacko thriller but it's a moderately diverting watch.

user8543879994872

28/04/2023 05:05

Fairly routine made for tv thriller. Story line extremely far-fetched. First of all Kyle is a seriously dim husband, who simply takes psycho Claire's word for it when she shows him a pregnancy test stick and an ultrasound. Secondly the stupid little twerp of a daughter Emma who went ballistic at Sophia for embarrassing her on her stupid sweet sixteen, when stupid clearly stupid Kyle was at fault for not consulting with Sophia before gifting the car to Emma. Thirdly how on earth can a realtor be such an expert in covert actions i.e. Hacking computers, and doing all the other stuff which ended in Sophia being arrested by yet another lifetime dumb detective on stupid evidence? The smartest person in this comedythriller was poor Rachel. And things didn't turn out too good for her in the end. And now the fun fact this is the second LMN movie where Anna Van Hooft fakes pregnancy, the other one being My Baby is Gone (2017)

Zahid Mohammd

28/04/2023 05:05

Kyle, supposedly a kind, caring, honest person, goes off the deep end when his neighbor says she is pregnant and the baby is his. He believes her from the start and doesn't bother with details that level headed people would have demanded, simple things like: evidence that the baby is his, proof that she is pregnant (and showing a pregnancy test is not proof- she could have pulled it out of someone's garbage.) Instead, he immediately goes to his wife (with whom he is getting ready to get back together) and tells her about it AT HER OFFICE DURING THE WORK DAY! And Emma (Kyle and Sophia's beautiful daughter) never seems to get too upset when she finds our about the "baby" and the trouble it is causing. She is more concerned with getting a boy to like her and getting a convertible for her birthday. Besides Kyle there seems to be some other dumb ones in this movie. The only reason to watch this would be to marvel at the stupidity built into the characters.

Mirinda

28/04/2023 05:05

I don't think I've ever seen a movie that is this bad in quite so many ways. It really is kind of spectacular. As fkopun-27429 put it, it might just be the worst movie I've ever seen. It's almost worth watching for that reason. First, the script is truly awful--the dialogue, especially. The characters seem to be explaining a film rather than actually participating in it. But the director has to take equal blame. As each scene begins, the characters seem to be standing in place, waiting for the cameras to roll. As if they were in the midst of doing nothing (except trying to make a movie) each time we come upon them. I think my favorite scene was where one of the characters is at home, looking in a mirror (in her living room) applying makeup. She steps away from the mirror, revealing the reflection of a mysterious intruder. Only he's standing about two feet behind her (he must've been *really* quiet!) However, she only seems to notice him when she goes back to looking in the mirror. This is followed by the most exposition-laden conversation possibly ever recorded on film. Or whatever they shot this on. There's a weird, static quality to every scene. And I don't mean static in a stylistic, Wes Anderson kind of way. This lifeless feel is aggravated by the movie's unnaturally uniform lighting. But there are also some truly bizarre visual moments in the film, too. There's one scene in which a woman is out jogging at night, then glances across what appears to be an open field. CUT TO what she supposedly sees: her neighbor's house. And through the living room window we see two (uniformly lit) people having a conversation. Seems straightforward enough. Only it looks as if they used some kind of optical effect to paste a rectangular section of an interior scene of the two people talking onto the outside of the house. Everything is out of scale, and it looks as if someone chainsawed a hole in the house so that we could watch two (uniformly lit) giants chatting. There are a number of scenes that are marred by small flubs or physical errors that would have caused any other director or editor to discard that scene, but they've been left in because, I'm assuming, that was the only take they had. The music is obviously just lifted from some library of canned mood moments. It's as if everyone involved in this film was told, "Okay, people, we've only got four days to write and shoot a feature movie. I know that's not much time, but we're just going to have to do the best we can to get through this thing. If anything goes wrong, we'll fix it in post. Let's get to it!" I had the impression that the actors were all quite capable, but they're struggling with the awful dialogue and the badly staged scenes. I felt sorry for them. I gave it two stars because I thought the live sound was pretty good.