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The Phantom of the Opera at the Royal Albert Hall

8.8

/10

10736 درجہ

2011•2 h 17 m•United Kingdom

A disfigured musical genius, hidden away in the Paris Opera House, terrorizes the opera company for the unwitting benefit of a young protégée whom he trains and loves.

Drama

Musical

Romance

کاسٹ (19)

Carlotta Giudicelli

Monsieur Firmin

Monsieur André

Slave Master - Hannibal

Shepherd - Il Muto

Philip Griffiths

Monsieur Lefevre

Stephen John Davis

Don Attilio ("Il Muto")

Passarino ("Don Juan Triumphant")

Heather Jackson

Wardrobe Mistress

تجویز

جائزے

Aziz_Lamyae

24/09/2023 16:40

The Phantom of the Opera at the Royal Albert Hall_720p(480P)

user982872

24/09/2023 16:16

source: The Phantom of the Opera at the Royal Albert Hall

Suraksha Pokharel

23/09/2023 16:14

source: The Phantom of the Opera at the Royal Albert Hall

Addis Zewedu

05/09/2023 16:00

I have not yet gotten the chance to see this show live but I have always loved the music. I was excited when I heard the movie was being made but found it to be pretty disappointing. My biggest complaint with the film is the casting decisions. The phantom was terrible at singing and Christine was pretty weak too. That was that until I was on Netflix recently and came across this gem. I found myself getting teary eyed ten minutes in mostly as a reaction to how grand and powerfully this is executed. Every performer is kicking some serious ass and the stage production is mind- blowing. The sound it great as well as the editing and lighting. And if that wasn't enough there's a special 25th anniversary event at the end that is sure to be any Phantom of the Opera's fans wet dream. Watch this video!

Kéane Mba

05/09/2023 16:00

I just this version of Phantom of the Opera last night with one of my dearest friends and I have to say I thoroughly enjoyed it! Pretty much this is the best version I have seen so far! Everyone did a fabulous job at portraying their characters especially Ramin and Sierra. Towards the end of the show, my friend and I completely lost it because of the intense emotions that the two literally put into their characters so well that their performance will tug on your heartstrings. Ramin is by far the best Phantom in my opinion. He blew me away by not just his voice but the emotions he put into his character, showing his character's sensitive side and vulnerability with just a dose of sexuality. I do put him as my favorite above Gerard Butler's Phantom (Gerard was very good in the 2004 movie version, but he didn't have that intense emotion that Ramin has). Sierra was excellent and the best Christine I have seen so far (Emmy Rossum was also very good in the 2004 version, but sounded more classical than operatic to me). Towards the end, Sierra's emotions got the best of me and I did see she fought really hard to stay in character when she sang one last time to the Phantom. I have always been not a fan of Raoul and I still am not,but the guy who played him in this version has an amazing voice and played his character well! I think he exaggerated his performance just a tiny bit, but at least he didn't have an emotional breakdown on stage. For the lady who played Carlotta was hilarious and she is right up there next to Minnie Driver's 2004 version. It was great having Carlotta as the snobbish but sort of comedy reliever that makes the story less intense. All in all, like I said everyone on the stage performed well into their characters and I truly want to see them perform in other Broadway roles as well. Well worth watching on Netflix and be sure to have a box of tissues near you...just in case.

Junior Dekalex

05/09/2023 16:00

The Phantom of the Opera at the Royal Albert Hall was a treat for the eyes and ears, a magnificent production starring Ramin Karimloo and Sierra Boggess, who played opposite one another in the Phantom sequel "Love Never Dies." They not only sang beautifully but were emotional and passionate in their portrayals. The stars were surrounded by a top-notch cast which included Hadley Fraser, Wendy Ferguson, Barry James, Gareth Snook, Liz Robertson, and Wynne Evans. The role of the Phantom has evolved over the years, in one sense influenced by the film starring Gerard Butler. A friend of mine played the role on stage for many years in Germany. When he tried to return to the role some time later, he was told he was not "the Phantom type." This was the first he'd heard of it. Though he's a good-looking man, he's not tall, he's not particularly young, and his portrayal probably lacked the element of overt sex that was suddenly a requirement. At the end of the show, four Phantoms were brought out on stage. The only one I really knew was Colm Wilkinson. There was a young man on the end, very handsome, and I thought, "If this guy is playing the Phantom, who the heck is playing Raoul?" I mean, I would have taken off with this guy in a second. I should add that Michael Crawford made an appearance but was unable to sing anything but the last note of Music of the Night, which was done by the ensemble, because he is also performing Wizard of Oz and had to save his voice. We come now to the music itself. To be fair, Lloyd Webber has written some glorious tunes, no question. He's ripped off some good ones as well. I suggest you check out youtube and put Andrew Lloyd Webber Plagarist in the search box and listen to the first video that comes up. You'll be astonished. Who knew he listened to so much Pink Floyd.

normesi_hilda

05/09/2023 16:00

Andrew Lloyd Webber and Cameron Mackintosh did a clever thing all those years ago by releasing the songs to promote their up and coming new musical. The title track with a soft rock score and the accompanying video was a smash hit. It whetted the appetite. My wife saw the musical in the theatre many years ago. I only saw the feature film with Gerard Butler. Watching this specially filmed staged adaptation to celebrate its 25th anniversary. It is clear that this is a spectacle for the theatre. It is so well presented. Ramin Karimloo is the demented tragic Phantom. Sierra Boggess is Christine whose voice and beauty the Phantom becomes enchanted with. Outside of the better known tunes, some of the songs might test your sensibilities. It really is a case of whether you like mock operatic musicals. The bonus is at the end. Andrew Lloyd Webber pretending to be chummy to the audience. (If you want to see his true face, find a clip of him on the night the Labour Party won the 1997 election with a landslide. His miserable face was a picture.) Sarah Brightman shows the audience she can still reach the high notes after all these years. Michael Crawford turns up from another musical he was doing at the time, unfortunately he did not sing but his popularity is still undiminished. I count myself fortunate that I did see him play the wizard in The Wizard of Oz at the London Palladium.

TheLazyMakoti

05/09/2023 16:00

Having never had the opportunity to see PHANTOM OF THE OPERA live in the West End, I settled on the next best thing; this DVD release of the show's 25th anniversary special, which took place in front of a huge audience at the Royal Albert Hall. It's a vivid, spectacular show full of the requisite sumptuous sets, costumes and damn good singing, and offers pretty much everything you could wish for from a musical. As this is a filmed performance of a live musical, you have to remember it's not quite the same as being there. The cameramen focus on certain parts of the action in close up and miss out other sections; it's as if you're viewing the show through the funnel of somebody else's interest. Sometimes, the bigger picture is lost in favour of a moment of detail. On the plus side, you get to watch the show from the comfort of your own home, so it's all a question of weighing up the positives and the negatives. The singers all give very good performances, particularly Karimloo and Boggess as Phantom and Christine respectively – there's no faulting them. This production includes an encore featuring appearances by Andrew Lloyd Webber and the original Phantom and Christine, Michael Crawford and Sarah Brightman. Values in terms of costumes, effects and scenery are strong, with the only disappointment the lack of the crashing chandelier set-piece; apparently, the effect couldn't be staged within the constraints of the Royal Albert Hall. Never mind – there's enough excellence elsewhere that it isn't missed too much.

jobisjammeh

05/09/2023 16:00

Andrew Lloyd Webber's the phantom of the opera is the world's most successful entertainment event of all time to date grossing about 5.6 billion dollars worldwide and seen by over 130 million people. i personally love this musical, having seen it in London last year and became a "phan" i went on to check the 2004 film adaptation starring Gerard butler as the title role. and absolutely hated it. luckily for me i heard about this special royal Albert hall production released on DVD celebrating the show's 25th anniversary and when i saw it i absolutely loved it. it was spectacular in every sense of the word. the thing that matters most in any production such as phantom is the cast, since one cast member that isn't rightfully cast can ruin the entire show (for instance, butler's casting in the film), but here every cast member was brilliant. ramin karimloo's phantom was exactly what the phantom character needed, having a voice that is intimidating yet caring and tender at the same time, and his acting was also superb. sierra bogges was also perfect as Christine, with a great voice that completely blew my mind away. all the other cast members were also brilliant in their roles, and the casting was ideal in my opinion. the scenery and effects were good, but not perfect. the sets for example was replaced by screens (due to the fact that the royal Albert hall is a concert hall not a theatre, and the sets of phantom are enormous) which was okay, but not as jaw-dropping as in the original London production, also the chandelier effect was barely believable here, instead of rising over the audience like in the original production, the chandelier simply shoots some fireworks and move a little, and at the end of act I instead of crashing down the stage, it shoots fireworks again and turns off it' lights, which might have been effective for the audience sitting in the royal Albert hall, but not very effective for the DVD viewer. still those flaws didn't bother me from enjoying this tremendously. at the end of the show the composer Andrew Lloyd Webber (whose music is nearly perfect in every way no matter how much criticism it received over the years) says a few words about the show and introduces the creative teams and original London company to the stage, which was very exciting. the grand final consisted the original Christine daae, the wonderful Sarah brightman performing the mesmerizing title song with 4 phantoms from the past, present and future was wonderful despite the fact that you could hear her breath a little during the first part of the song, but she hit those really high notes at the end perfectly, then the phantoms performed the iconic "music of the night" for one huge encore. all n all this production was awesome, and the next best thing to seeing the show in person, it proves why phantom is so loved and appreciated around the world and why it celebrated 25 years. a huge recommendation to fans of the musical and i think people that aren't familiar with the stage musical will like it too (not everyone though, if they don't like musicals and don't like this kind of repetitive musicals, which doesn't bother me). Andrew Lloyd Webber's the phantom of the opera: the most successful musical of all time is as timeless and haunting as ever in a sweeping breathtaking production. well done to all the ones involved in it.

Shraddha Das

05/09/2023 16:00

Assuming one likes this musical (and few don't), I believe this is the finest film presentation of all, far surpassing the big budget movie of a few years ago (which I thought was pretty good). As others have said, the staging is magnificent with backlighting and projection enhancing the performances. The singing and acting are superb. Costuming goes beyond the pale. Also, we get the closeups one cannot have in a live performance. We get to see the emotional expression of the actors. There is little time wasted on minutiae as the play goes forward. Some of the highlights are the duet "All I Ask of You" and the magnificent "Masquerade." The three principles are all at the top of their game in this 25th anniversary performance at the Royal Albert Hall. It is a visual and auditory delight and I am excited that the play I have seen numerous times is there for the viewing.