Wicked Stepmother

source: Wicked Stepmother

Trailer—Wicked Stepmother

Wicked Stepmother

For starters, I am not familiar with Bete Davis. But I would prefer her to stick with the shootings, because she suited the role she was intended for and acts really good. "Wicked stepmother" is funnier than most of silly comedy/horror, is quite fast and has funny but effective special effects. This bad-review-bombing isn't deserved by this little flick that doesn't even for one minute take itself seriously! But I suppose this is because of Bete Davis fame who finally didn't get on with the production people - which resulted in the silly plot change. I would sure like it most with Bete Davis (Miranda) starring (I also love the cat!), having no Priscilla in it - but then again: it's good as is. B-movie/stupid horror/thriller-comedy fans, sit down and GIVE IT A WATCH because it is worth it. And don't forget the beer!

One of the most troubled productions in cinema history, resulted in Bette Davis walking off the set after just one week! The film has a young couple shocked to learn that their ailing father has just gotten married to an evil witch (Davis). Lame humor, poor scripting, and cheap production design are just a few of its problems. Feels like more of a TV movie then an actual theatrical release, and a very bad one at that. Sadly Davis' final film. Rated PG-13; Mild Violence, Sexual Situations and Profanity.

Of course this film will never be a classic film, but it does have some catchy and campy scenes and lines and it will keep you wondering "what's next?" Bette Davis looks like she has just risen from the dead both figuratively and literally speaking. In 1981, Kim Carnes sang the hit song Bette Davis Eyes but in this film the then 81 year old Bette Davis could be better associated with the 1980 song Welcome to THE MONSTER CLUB - theme by The Pretty Things. The film is very fractured with scenes jumping all over the place as the witch Priscilla, (Barbara Carrera) places magical spells on anyone she seems to come in contact with, but eh, that's camp comedy for you. I wouldn't call it a memorable camp film, but I wouldn't call it one of the worse in the camp/horror genre that I have seen in the past either. I give it a bare passable 5 out of 10 IMDB rating. It will not be on my purchase list either.

I have a feeling there are two groups-- those who rate this a good example of Bette's acting late in her career (and her willingness to still act at all); and those who find the film so abysmal as to be an embarrassment that mars the Davis legacy. From what I have read, she was quite ill during filming. It probably became too much of a toll for her, but she labored on because she still wanted to act and my guess is she needed the money for her mounting medical bills. Then, there were creative differences over the script and how the project was being filmed. So she walked off. WICKED STEPMOTHER had a rather small budget of $2.5 million. But it only made $43,000 at the box office. So by all accounts, it was a huge bomb and not the type of movie swan song befitting a legend of Davis' magnitude.

In self-defense for this fiasco, writer-director Larry Cohen pointed out that, while every one else in the last years of her life were handing Bette Davis yet another meaningless award, he offered her the thing she sought most: work. Fair enough. But as it proved when this was new, I believe time will increasingly show this employment opportunity for Bette Davis was the equivalent of offering a starving man a meal of coffee grounds and egg shells. David died of cancer in October 1989, and the illness was plainly visible on her in her few scenes here. It is mournfully painful to watch her skeletal appearance in `Wicked Stepmother' if you loved her. Avoid this aggressively. If you liked Davis's 'old-lady' period and want to watch a dignified 'good-bye' movie, seek the warm and bittersweet Lindsay Anderson drama, "The Whales of August" (1987) in which she co-starred with Lillian Gish. It is not only a classy farewell to those two legends, but now Ann Sothern and Vincent Price as well.