Who's That Girl

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source: Who's That Girl

Madonna gives maybe the single most annoying performances in motion picture history. I walked out after about 45 minutes so I cannot comment on the film itself. All I can say is don't see this movie, do something else with your life. Throw a ball to a kid, play some checkers, make a nice pasta salad, ANYTHING other than seeing this movie.

I love this movie!! Sure I love it because of Madonna but who cares - it's damn funny!!! *ALANiS Rocks*. When I first saw this film in the theatres back in 1987, I thought it was all out hilarious! Madonna is so funny and I love her dubbed accent and wacky/funky look. The all-time funniest part is when Madonna(Nikki) screams at a man who is about to get into a taxi. And also when Griffin Dunne(Louden)trips and falls at the apartment interview scene. **ALANiS Rocks**. Madonna's character Nikki steals/shop lifts and fools people throughout the whole movie - her hilarious antics are enough to keep you on the floor the whole time. "Didn't rob nothin', when you rob a store you stick up the cashier. We busted a few tapes, there's a bit of a difference" I love that!!! It's classic. ***ALANiS Rocks***. I don't know why this movie got slammed the way it did. I see nothing wrong with it - course maybe if you're a huge Madonna fan then whatever she does is just awesome. Anyone out there who wants to see some funny, classic entertainment then watch "Who's That Girl?" And another very important fact that of which should be known to all man kind or at least to all that exist, ALANiS will always "rock ya" completely to the end! So does Madonna in this film, and just entirely! Her acting is superb!

This has to be one of the, if not the worst movies I have ever seen. After watching this piece of sh*t I felt as though I should write to Madonna and demand compensation for my time, but now I feel that I should write Madonna and demand a great 80s album (considering she can't record a good album to save her life anymore) in return for this disaster. On to the movie itself, which can be summed up like this: It consists Madonna jumping around acting like a spoiled teenager who lost her way. She is trying to impress this absolute douche of an actor who plays "the lawyer' in the movie. But, the best was the ending. I was staring with my jaw on the ground into the television as the credits rolled by thinking to my self, "That's it? That's the ending? What a piece of sh*t!". If Madonna wasn't a pop icon at the time of this film, this movie would have single handedly destroyed her career. And the funniest thing of the whole situation was that I just watched the damn movie to see where they placed the song "Who's That Girl". Well, guess where they placed it?...................................at the end!

I was actually planning to see this movie when I noticed it in my TV guide but after about 5 minutes decided time is definitely more precious than "Who's That Girl" could ever be worth. Describing how bad Madonna's acting looks like is impossible and the end result is one of the most annoying characters ever captured on film. This crap is an insult to movies and intellect. I almost never! rate a movie I don't see from start to finish, but in this case the former is impossible. 2/10

The first time I watched this movie I was ten years old. I thought it was bad then, and at that age I had no cinematic taste whatsoever. I watched this movie on Cinemax about 3 days ago and was reminded why I hated the movie in the first place. Madonna's character, Nikki, is annoying and obnoxious. There's no way that the main character would ever fall in love with her. The jokes were corny and the dialogue was worse than a t.v. soap opera!! I'm glad that I didn't see this movie at the theatre, or rent it. I feel bad for my parents who had to endure watching it with me! Madonna is not necessarily a bad actress, but in this role she is portrayed as a complete idiot.

I saw this movie the day it opened in NYC, at the Ziegfield. At the time Madonna was not quite the cultural icon she is now. She had a couple of hits, was very good in "Desparately Seeking Susan" and I had tickets to see her in concert at Giants Stadium. "Who's That Girl?" gives Madonna an actual role to play, which is not just a variation of her own personality. She does the madcap/heroine routine better than you might think. Griffin Dunne is very well cast as the man around to witness all the shenanigans. The story involves a huge cat named Murray, a bride-to-be who has slept with every cabbie in NYC, a mean father-in-law, and a key. There are a lot of car chases and cops trailing their path. All the elements of a screwball comedy intact. Sir John Mills is seen briefly. He shares a glass of champagne with the leads and has the greatest apartment on the Upper West Side, complete with a rain forest and everything. Compared to most Madonna movies (the ones I've been able to tolerate anyway), this is fantastic. On its own, its not that bad. 6/10. PS The concert was lousy.

The laughs are few and far between in this dull movie, and I can't help but wonder about how this mess ever got made in the first place. About the only good thing in this movie is the talent of Griffin Dunne, but his best efforts were easily overshadowed by Madonna's obnoxious performance. I was able to sit through this without getting TOO bored, but that's probably the nicest thing I can say about this time-waster.

An ear-splitting movie, a quasi-old-fashioned screwball romp designed to showcase singing star Madonna's comedic attributes. She does indeed go far out on the proverbial limb here playing a beyond-vivacious parolee attempting to prove she was framed for murder (a body was found in the trunk of her car after she ran a red light...big laughs). After an energetic animated credits sequence--which is much more fun than the rest of the picture--we have nothing to look at but Madonna's black mascara and red lips set off by her platinum hair and pale complexion. What else is there? Griffin Dunne seems defeated playing Maddy's keeper, while the poor-choice supporting cast struggles to get laughs with lousy dialogue. It's an unfortunate set-back to the talents of director James Foley, who unwisely allows his star to run rampant in the spirit of the nutty slapstick films from the 1930s (but even Katharine Hepburn in "Bringing Up Baby" had a human side). Wretched. * from ****