Vengeance

Johnnie To's artistic style is beautifully displayed and brought to life in "Vengeance", from stand-offs, to shootouts with a myriad of automatic weapons and handguns-the bullet shells never stop hitting the ground. This stylish, revenge melodrama is one of Johnnie To's best, and is also his first English language film. The third part of an informal trilogy, with "The Mission" and "Exiled" being the previous installments sharing a number of noted cast members (Anthony Wong, Simon Yam, Lam Suet) and locations. The films are primarily connected by themes involving brotherhood and loyalty; fatalism; and group dynamics. All three films also feature artistic, elaborate, over-the-top action sequences. In "Vengeance" an aging and retired French gangster, Costello (Johnny Hallyday), now working as a chef, travels to Hong Kong when his daughter, son in law, and two grandchildren are gunned down in a seemingly professional hit. Though badly injured, his daughter survives and begs her father to take vengeance upon the perpetrators. And so he sets out to do just that, even though he has no idea where to start in this unfamiliar country. Rather conveniently, he happens upon three professional hit men (led by the legendary Anthony Wong) who've just bumped off the unfaithful mistress of their boss. Tentatively, he approaches them and tells them of his needs. Hesitantly, and with little verbal communication, they take Costello up on his offer, which includes payment of cash and his restaurant in Paris. Once hired, he takes individual Polaroid photographs of each hit man and writes their names on each photo. Costello does this throughout his encounters, due to the fact that there is a bullet from days gone by lodged near his brain and causing the Frenchman rapid memory loss. He needs these photos so he knows his friends from his enemies and to never forget his daughter's tragedy. The film's plot serves the fabled Hong Kong director Johnnie To as an excuse to create arresting visual action set pieces with stunning results. Scenes like Costello wandering through the rain in confusion, trying to spot his targets by reminding himself with the Polaroids, look absolutely magnificent. Some of the major action set- pieces, especially one involving Anthony Wong, are positively stunning. But through all the gloom and doom, humor is not forgotten in "Vengeance", with some occasional tongue-in-cheek dialogue delivered completely deadpan by Yam and Wong in particular. Then there are other sequences, such as a shootout that takes place at a picnic area in the woods, where two groups of killers wait for a family picnic to finish. And as night to falls, the families depart and the shoot out begins.The cinematography is visually-striking, and plenty of style to spare. An exquisite, artistic blood bath.

Though this mesmerizing movie is supposedly about revenge, it's really a story about honor. The honor a man carries for his family. The honor he shares among men like himself. The honor he clings to when everything else in his life is gone. It's the sense of obligation that drives men to do the most horrible of deeds and make the most noble of sacrifices. With the deliberate direction of Johnnie To and a cast of smoldering intensity, Vengeance is the sort of film that you can't stop watching. After his daughter and her family are gunned down in China, a Frenchman with the fashion sense of Boris Badenov and a face that gets odder the closer you are sets out for revenge. A stranger in a strange land, Francis Costello (Johnny Hallyday) hires three expert killers (Anthony Wong Chau-Sang, Ka Tung Lam and Sute Lam) to find the men responsible for his family tragedy and help him take his revenge. But a surprise found along the way and a secret Costello is keeping to himself force all four of them to decide what kind of men they are and in what sort of world they're willing to live. The main thing to know about Vengeance, other than that it's quite good, is that this motion picture is dominated by silence. There's very little dialog, less of a soundtrack and even the gun battles are striking for how they echo in the quiet. Except for a few blips of expository dialog, the storytelling here is entirely visual. Director To exhibits a master's touch in framing his actors' movements, expressions and even postures to beam this tale through your eyes and imprint it on your brain. The action scenes here are magnificently realized and striking in their use of space. From a running gun battle through moonlit woods to a shootout in a building, the way events unfold in a linear fashion is far more compelling than the most frenetic blur of jump cuts and camera movement. It captures the athleticism of real human movement without exceeding into the realm of stylized combat ballet. Johnny Hallyday may be the star of Vengeance but I found him too odd looking a duck to connect with. It took me a while simply to get used to the fact that he wasn't wearing some poorly molded prosthetic make up. For me, the standout of the cast was Anthony Wong Chau-Sang as Kwai, the de factor leader of the three killers hired by Costello. He draws your eyes in like magnetic iron and then reflects your gaze back onto Hallyday. Chau-Sang plays Kwai as seeing that Costello used to be the sort of man Kwai has always wanted to believe he was, helping to define both men's characters and giving the viewer a true north upon which to fix their eyes. It's Chau-Sang that elevates this story and banishes all petty and craven motivations and concerns. Now, it doesn't make a lot of sense that in one scene Costello and his killers have the aim of drunken Sleestaks and in the rest they can shoot like Annie Oakley. The secret Costello carries is also more plot device than anything else. Those are minor quibbles, though. Vengeance is a great example of how playing against convention can breathe new life into the most clichéd premise. Instead of being hot and loud and insistent, this movie is cool and calm and attractively implacable. It will leave you wanting to see more work by Johnnie To and Anthony Wong Chau-Sang, which is always one of the highest compliments you can give any film.

If you make a bad spoof of a bad spoof action movie, this would be it. The ridiculously high ratings given even by so-called 'professional' institutional reviewers makes you wonder how much gad zillions of palmed-off cash was paid off to give such a sell-off rating. Everything about it so contrived right down to the really cartoonish acting by Johnny Hallyday and his dark glasses, black coat, upturned collar, hat cocked hat over the brows … so bad it's not even funny. The plot makes no sense, the dialogue is whatchama get out of a 3 year old. The acting is so so bad … much worse than even a school play. The two kids hiding in the close with their hands over the mouths … just about the best acting you can find in this jaw- droppingly bad movie! I wouldn't blink an eye if 'Get Smart' or the 'Pink Panther' suddenly appear and do a tacky caricatured karate chop and high kick. Adding parody to nonsense is still pointless nonsense. Thank god Alain Delon has the simple good sense to run away from this nonsense after reading the script. Johnnie To? Will not bother with any of his other rubbish. It's Johnnie goodnight.

It's the same pre-credit sequence that has kick-started dozens of films over the last few decades: a happy and loving couple are gunned down for apparently no reason in brutal fashion – although in this case they take the next step and include the two young cute children in the massacre to increase the stakes. Now the rest of the film will be about who is the most p*ssed off and desperate for revenge. That guy is Mr Costello, the French father of the critically injured mother, her two children and husband all not surviving the killing. I should point out here that at times the language switches between Chinese, French (with subtitles) and English. The film takes place in Macau but while the Hubby was Asian, the wife – and Costello's daughter – was French. I don't know why I found this interesting but I did, but it doesn't drag you out of the story. In true vigilante fashion Mr Costello eschews the traditional law and order approach to finding the killers, after a chance encounter at a crime scene Costello declines the opportunity to bring a killer to justice and instead tracks down the accused to enlist him and his team to help find his daughter's family's killers. An odd form of ambulance chasing indeed! The new trio of bad guys agree to hop on board after Costello promises them cash and the restaurant he owns. They start using their contacts and trade secrets to get swift results, during the process it becomes evident that the 65ish Costello has skillz of his own – even if they haven't been utilised for quite a while. So why doesn't he track them down himself? Well aside from his lack of inside Macau knowledge Costello's advanced age has caused memory issues in a similar vein to that of the lead character in Memento – he too takes photos and scrawls on them for reminders, meaning he can be a little ineffective once he has a "turn". The plot is reasonably formulaic with only subtle variations on the usual sequence of events – a major shootout is delayed by the arrival of several of the combatant's kids. Vengeance has a couple of nifty battles where various minions are picked off with clean kills while the main characters are lightly wounded with bloody clothes being the only lasting sign, until near the very end of the film where the Reservoir Dogs rule – that of "most/all must die" kicks in. Final Rating – 7 / 10. Take a pinch of SPL, add the core elements of Taken and a dash of Memento and you have a pretty good um… ahhh… Vengeance film. I guess they nailed the title.

Though I agree to a certain extent of why you don't like this movie, you have some pretty weak reasons why. "you barely care about the family murdered in the beginning". You are not supposed to care about the family, you are supposed to care about Costello. You are supposed to bond with him, Kwai, Chu, and Fat Lok as a team. "his amnesia never presents itself at all until the end of the movie, and Fung just suddenly realizes he has it with no explanation how." Costello takes pictures of Kwai, etc. because he cannot remember. The amnesia doesn't get really bad until the end, after having shot at Fung (meaning he knows what he looks like), that he needs the sticker to remind him who Fung was, and since Fung is a smart guy (BOSS!) I'm pretty sure he doesn't need someone to tell him that Costello has amnesia. This movie has many similar themes to other Johnnie To movies, and although it's not his best work, he does a very good job. If you don't like the English dialog because it's not perfect of "silly" go move to HK and help them make a better script and teach them better pronunciation. Also, remember this is a French/Honk Kong production, not an American one, so things like "serious crimes unit" are OK, since most of the target audience doesn't speak English as well as we do. They don't know the difference, and it really doesn't matter. Check out To's other films, like the Mission, Exiled,etc. if you haven't.

As a Johnnie To fan, I have to say, that this is one of his weaker works. But it sill has a standard that some others may never reach (in my opinion that is of course). While there are themes of some of his other movies here too (loyalty etc.) and there are some nice character beats, as a whole there seems something lacking. But not only that, even small details have been done better. One scene for example, where our main character puts a gun together has been done with much more style and class in the Korean movie "A bittersweet life". Also the ending of that scene feels rushed and somehow wrong. The main actors sometimes have to speak English (although it seems that some of them have been dubbed, they still learned phonetically, so it doesn't appear as dubbed) and you can tell, they are not feeling good doing this. While our main character has a flaw, there are still quite a few things that shouldn't have happened quite like they do in the movie (pictures for example, and you will know what I mean, if you watch the movie). And while the flaw is a nice touch, it also almost works against the movie. Again, a good movie in my book, but still quite a bit off ... what I came to expect from Mr. To!

if you ignore all the deaths. Awesome movie. I went into this movie not knowing anything. Grabs you right away. If you don't speak the language, get the dubbed version so you can better enjoy the cinematography (sacrilege to some but I thought I was going to be watching subtitled, but once it got going I decided this was better for an action film). I really enjoyed the interactions with these characters. I mean I really enjoyed these actors. I won't bore you with recaps of the movie because there are plenty here. As a side note this is supposedly part of a trilogy/pseudo trilogy including "The Mission" and "Exiled" but this is my only experience so far. I hope they are just as good...now where to find them? Forget Kill Bill....Enjoy this one!!!

Costello (an overly plastic Johnny Hallyday), owner and head chef of a French restaurant, arrives to Macau on news that his daughter was in terminal condition after being attacked at home by gunmen. The remaining casualties are her husband and their two children. Obliged by his daughter to inflict revenge on the perpetrators Costello disembarks on a mission of vengeance. Unfortunately for him he has no knowledge of who is guilty of the crime, whilst he himself has limited detective capabilities as he has a bullet lodged in his brain which impairs his short term memory (especially in regards to facial cognisance). Per chance he is witness to a murder committed by three contract killers. Instead of handing them over to the police Costello decides to hire them to aid him in his deadly mission... One immediately comes to ask why such a movie ever made it to Cannes (in the main competition to boot). Yes, it is stylish and some of the action sequences have many thought put into them. But all in all the characters are bland, vague and stereotypical, while the script never delves into more cerebral subject matter. Even though the opportunities were ripe for the taking. In one scene it turns out that the killers have families and wives, but this never causes any moral dilemmas to Costello or his crew. In another scene one of the contract killers poses interesting questions: Can you avenge something you can't even remember? This question however only lingers for a while, as soon after we are knee deep in blood and any contemplative course of action is muted out by gunfights. In the end Johnnie To seemed too focused on keeping the movie cool and tried hard not to divert attention from the fact that his sole aim is to make a straightforward revenge action flick. The saving grace of the movie are the thought-out action scenes and small details, which seemed to have consumed all the creative energy the scriptwriter had for this movie. That said the shoot-out in the forest is so lame, pointless and remarkably stupid that it actually had me laughing (never-ending bullets, seven grown men running around a forest with guns, but unable to hit an elephant with them and so on...).

In Macau, a family is attacked by three killers and only the wife survives severely wounded. Her father, the French chef Francis Costello (Johnny Hallyday), travels to Macau to visit his daughter in the hospital and steals the photos of his daughter, her husband and two children from the police department to seek revenge against the killers. Costello stumbles with the independent hit-men Kwai (Anthony Wong Chau- Sang), Chu (Ka Tung Lam) and Fat Lok (Suet Lam) that are under contract with the mobster George Fung (Simon Yam) at his hotel and he hires the trio to hunt down the killers of his daughter's family. They locate the killers in Hong Kong and they travel to kill them. But they have a surprise when they discover who ordered to kill the family. "Fuk sau" is a silly and funny action movie that follows the style of the "spaguetti" westerns, with killers killing each other. The amnesia of Francis Costello and the situations created by his mental problem are so ridiculous and unbelievable that spoils the entertaining story that becomes a comedy. My vote is six. Title (Brazil): "Vingança" ("Revenge")

Johnnie To gives me a wild end of year treat with his tale of French chef who comes to Macao to get revenge for his daughter. She was shot and her family killed in a hit for an unknown reason. The chef, played by Johnny Hallyday, hires three hit men to help him get revenge. The trouble is things are not quite what they seem and complications set in. This is a wonderfully awkward film, awkward in part as the result of the multiple languages being spoken through the film (the mix of English, French and Chinese require that you see this with subtitles. They also create some awkward speaking performances as people are not always comfortable with what they are saying) and partly the result of the way things unfold. It takes awhile for the film to click but once it does the film blossoms into one of the better films of the year. To be certain there is action and twists galore, but the best thing in the film are the actors. Anthony Wong, Suet Lam and Ka Tung Lam are the men Hallyday hires and they are wonderful. You sense the bond between them. Hallyday is a revelation in a role that is at first simple, and then becomes something more. To say that his stoic face hides many things is an understatement. Not to spoil anything, but what first seems like a kick ass attitude soon becomes something else entirely. There is something going on here and Hallyday pulls it off winningly. Its hands down one of the best performances of the year. You go with the film where ever its going because you like Hallyday and his friends.... ...which is a good thing because there are two sequences in the later part of the film that almost derails the film. Both sequences follow in close proximity to each other (one is a weak shoot out in a field and the other is what happens after that) and are going to be the point at which many people either give up on the film or press onward. I kind of gave up, but this being a Johnnie To film and what had gone before was so good I figured that To would pull it out. He did and the film ends with one of the great gun fights of the year.(I blame the sequences on screenwriter Ka-Fai Wai who is one of the best writers in Asia today, but at the same time he often takes things in an odd direction just look at Running on Karma, Himalaya Singh, The Mad Detective or Written By). I think if you're willing to go with the bumps you'll find the film rewarding. I really liked this film a great deal. For those who like more than just straight forward action this is a must. Honestly there is a great deal going on here and it makes you think as it makes you go wow. One of the Better films of 2009.