Trinity Is Still My Name

1972: Trinity Is Still My Name - by Enzo Barboni. With Terence Hill and Bud Spencer. The sequel to They Call Me Trinity ... is almost a remake of it: from bean dishes to burps and sganassones, everything is re-proposed in unison. But perfect is the feeling between the famous couple Hill-Spencer. Rampant sympathy and truly unprecedented or subsequent success: 6 billion lire in takings, 15 million tickets sold and almost two uninterrupted years of screenings in cinemas. The most watched Italian film ever, an absolute record in the history of Italian cinema, still unmatched today.

Trailer—Trinity Is Still My Name

In 1971 Trinity is Still My Name became the most successful Italian movie ever made. It is my favourite Spencer/Hill flick. Now you could say it's more of the same than They Call Me Trinity. But it's also better and funnier.

Quite honestly, after seeing the first film in this series (THEY CALL ME TRINITY), I was a little underwhelmed, perhaps sold out by my own high hopes. That pic was the breakthrough buddy-comedy-western smash that made Hill and Spencer into superstars. I enjoyed it, liked its meandering pace and whimsical attitude, but was not blown away. Now, after having seen the follow-up, I get it. Everything that was kinda shaggy, kinda loosey-goosey about the first film has been finely groomed here and the difference is notable. The story plays out slowly but steadily, with proper amounts of both slapstick and action, not to mention some damn fine slapstick action. Spencer's Bambino is introduced first, duping a group of crooks out of their freshly cooked beans in hysterical fashion. Not long after the thugs have regrouped from the incident, along comes Hill's Trinity to do the same exact thing! These two gags set the tone for things: The two protagonists are never cocky or cruel in getting their way; rather they use their charm, and occasionally, Spencer's beefy fists if necessary. The boys head back home in time to hear their father's deathbed wish, that they work together to find their way in the world, rather than constantly bickering. Their resulting adventures lead them to aid (repeatedly) a lost farming family, pose as federal agents, and get involved in a monks-versus-gunrunners battle. The general spirit of the film is kind and genial, and for this reason it reminded me of the films of Jackie Chan's Hong Kong heyday. Much attention is paid to intricate gags (several involving food); there are numerous well-staged and complex fistfights; even a running bit with a flatulent baby that would have seemed right at home in a JC flick. Terence Hill's Trinity is a happy-go-lucky layabout that is too lazy to even ride his own horse (he prefers to be dragged slowly behind on a makeshift cot). Trinity is handsome, charming, funny … a great character to be sure. Hill is capable of doing intense (e.g., VIVA DJANGO), so his embodiment of Trinity speaks as much to his acting chops as it does his personal charisma. As for big Bud Spencer, as Bambino he is the sour to Trinity's sweet. Perennially grumpy, the character owns an underlying air of geniality that seems at odds with his willingness to swing his fists around. You get the feeling Bambino begins each fight with a big resigned sigh, as if he'd really rather be elsewhere. The two actors had appeared together in films several times before this series, but it was the Trinity and Bambino personas that really clicked with audiences of the day. So if you are curious about the fuss over TRINITY, I'd just as soon recommend that you skip right to TRINITY IS STILL MY NAME to get the full gist of Spencer and Hill at their best. 8/10 stars.

The trinity trilogy would play at least once every summer at the $1 (!) movies. parents in my hometown would use it as a child-watching service in the '80s. the trilogy was great! the opening scene with the gun and boots dragging in the dust is my personal meme for all the spaghetti (w/cheese) westerns. and the gun/slap scene is the hallmark of the trilogy. i enjoyed the hokey group battle action scenes as a kid, but not sure i could watch this as an adult w/out the nostalgia kick. if you have not seen these in 20+ years, put in a little effort to dig them out.

I don't know, maybe it's that I didn't grow up with them, the way others have, the fact that I'm not American, or a variety of factors, but I've never been much for the classic Westerns. As with films regarding historic events, and films further back than a few decades, Westerns are something that I just don't make it a point to watch unless there's something special about it, someone talented at the helm or a major significance to that particular production. I watched this years ago, and I must admit that I didn't pay that much attention on this most recent viewing. It's just not really my genre. Some of the situations, action and dialog are admittedly good in some of these films, though. Technically speaking, this is good. Camera, editing and sound are fine. The fights look convincing enough, it does look as if the punches connect(though I wouldn't guess that they actually did). At one point in the film, an unusual and unexpected group dish out some physical violence. One fight plays a lot like a football game. The humor includes some repeated gags and jokes, and one running toilet humor joke. The dialog has its moments. I recommend this to fans of Westerns and comedies set in the Wild West. 7/10

A great sequel to the film series. Trinity and Bambino are back in another humors adventure. The laughs did not stop with the first film - they flowed right into this second film. This is spaghetti western at it's finest - or should I say funniest? Well worth watching if you liked "They Call Me Trinity". I appreciate good comedy films and I will tell you the Trinity saga is well worth watching. And this is coming from someone who does not like most western films. If you enjoyed the first two films in the Trinity series then you must see "My Name is Nobody" (the third film) because it is just as funny as the first two films. -- NOTHING LOST! 9.5/10

Clearly rushed out when the first film became a blockbuster. Sometimes the actors drop things and pick them up before continuing the scene. There are some very good scenes, the homecoming dinner for example. The movie tires out before the end and the story is not as interesting. You could do a lot worse.

Rarely do sequels with twice as much material and a bigger budget top their predecessors,but E.B. Clutcher's "Trinity Is STILL My Name" surpasses his surprise hit "They Call Me Trinity." Terence Hill reprises his role as the smelly, unwashed, sharp-shooter who prefers to travel on a travois behind his horse. Returning with Hill is beefy Bud Spencer. The first "Trinity" thumbed its nose at all the western conventions and was hilariously funny. Miraculous, Barboni takes the same two protagonists and sticks them into funnier predicaments with just as much laughter. The scene when Trinity and Bambino dine in the elegant hotel dining room is fabulous.

This sequel to "They Call Me Trinity" is a slight improvement on the original; it has a couple of chuckles here and there (like Maltin says, the "restaurant scene" is the funniest) and a LARGE-scale final showdown between the "good guys" (including some monks) and the "bad guys", but still nothing to write home about. Hill and Spencer had obviously perfected their screen personas by that point, but it's a pity nobody sat down to write them a real script; the story in "Trinity Is Still My Name!" meanders and tires before long. I would like to say, however, that it may be the best-dubbed movie ever; no awkward synchronization problems are present, and those who did the voices were obviously enjoying their work. You would SWEAR it was filmed in English! (**)