The Tell-Tale Heart

source: The Tell-Tale Heart

When beauty Betty Clare (Adrienne Corri) moves into the building opposite introvert Edgar Marsh (Laurence Payne), the shy young man seeks advice from his friend Carl Loomis (Dermot Walsh) on how best to romantically approach the young woman. Edgar's attempts at wooing Betty are clumsy, and his feelings unreciprocated, and when Edgar introduces Betty to Carl, he really sets himself up for a fall: one evening, he sees Carl and Betty together in her apartment, and they're not talking about the weather! Enraged, Edgar lures Carl to his home, bashes his head in with a fire poker, and stashes the body under his floorboards, but his guilt over the terrible crime manifests itself as a incessant, pounding heartbeat. A loose adaptation of Edgar Allen Poe's The Tell-tale Heart (a story familiar to me through an episode of The Simpsons), this film opens with a warning for the squeamish, although for the most part the action is far from horrific, revolving around Edgar's obsession with Betty (on whom he spies from his first floor window) and his unsuccessful attempts at getting to first base. Things get far more interesting when Edgar eventually loses the plot: we get a surprisingly vicious murder scene, Ed giving Carl numerous hefty whacks that leave him spattered with blood (gruesome stuff for a film from 1960); the young man's descent into complete and utter madness is handled well by director Ernest Morris, with dripping taps, pulsing floorboards and a ticking metronome pushing him even further over the edge; and in the film's juiciest scene, Edgar clutches the still beating heart that he has cut from Carl's chest and buries it in the garden. I rate The Tell-Tale Heart 6/10, which I might have raised to a 7 if it hadn't been for the trite, cop-out ending in which it all turns out to be a dream (that might just become reality).

This little film has been lurking on my shelves for several years now, but hasn't got played, simply because the quality of the DVD is atrocious. If I say it is on the 'Alpha' label, I am sure there will be those who will fully understand what I am getting at. The picture quality is streaked with lines and spots and makes for uncomfortable viewing. I feel therefore, that I will not be alone in being pleased that this film has now been accorded a respectful release on DVD by 'Pegasus Entertainment' The quality is vastly superior to the 'Alpha' and gives us a golden opportunity to at last, obtain a decent print of this film. As to the film itself, much of it's merits have been already touched upon by previous reviewers. Suffice to say that whilst this is not an earth shattering film it is nevertheless a neat little black and white thriller with some nice touches thrown in, plus good performances from Laurence Payne and Adrienne Corri.

Low budget but spirited adaption of Edgar Allan Poe's short story, this came around the time that American International was doing their own Poe films, ableit in color and with a cast of veteran horror stars. Lawrence Payne is the handsome Edgar Marsh who lives through a real nightmare when he murders a romantic rival and places the dead man's corpse under his floor board. It isn't the smell of rotting flesh that keeps him awake at night but the sound of a loudly beating heart that seems to get closer with each beat. Is it guilt, insanity or real horror approaching? Or possibly all three? Poe's story has been filmed dozens of times, but this version seems the most likely to be true. Various short versions only tell one side of the tale, with an MGM short indicating that the victim was the killer's boss. Even Vincent Price would get in on it by doing a dramatic reading that showed Price in the background bring the terrorized murderer losing his sanity, if he ever had it that is. This version may be cheaply made, but there's a sense of romance in the more complete tale. Payne shows much vulnerability and Adrienne Cori makes a lovely heroine. In a sense, this is more a Gothic thriller with elements of horror, and at times, I think the heart is beating for color like the SIP and Hammer horrors which were breathtaking to look at. A sometimes inappropriate musical score reminds Mr of carousel music, but the period details are excellent. I have seen a musical about Poe's life Off Broadway which touched on his stories (in addition to his madness) but if it ever does make it to the musical stage, this would be a fabulous basis for it.

Excellent everything! I highly recommend this film for Poe fans, and for film noir & horror/suspense films buffs. I started watching it for some background sound tonight, and ended up focusing on this wonderful gem. Enjoy.

"Based upon the Edgar Allan Poe story, 'The Tell-Tale Heart' is the story of a writer (Laurence Payne) who finds himself with a romantic rival (Dermot Walsh) for the affections of a young woman (Adrienne Corri)," according to the DVD sleeve's synopsis. Now, go read the short story… This film fails to fully capture the spirit of the original, filling it out with an ordinary love triangle. The protagonist's fondness for alcohol, tendency for peeping, and collection of dirty pictures are nice touches. There are some nicely staged scenes, and Mr. Morris often employs very good camera angles. The climax is moderately exciting, but the ending is a letdown. **** The Tell-Tale Heart (12/60) Ernest Morris ~ Laurence Payne, Adrienne Corri, Dermot Walsh

Story depicts Poe as a horny, loser who gets jealous that the woman he is drooling over falls for his handsome friend, who actually has some charisma.

This story is one of the all time favorites of mine, whether on film, or in the book, you can't help but be drawn to it. Always have been a big fan of Edgar Allen Poe , going all the way back to childhood. This particular movie i think does the book a lot of justice, although the female lead character is kinda a little over the top obvious , but other than that, hey the movie really works for me, it doesn't really drag, you feel so sorry for Edgar plodding along in the movie after that girl, i kept telling him Edgar don't tell her about you're best friend, why would you do that, guess he doesn't have to much brains with woman at the time. the plot in the movie was great. although a bit worn, but the music, omg was excellent, very creepy, well done, really there ain't nothing hardly wrong with the movie, if you can overlook the female lead's obvious obnoxiousness then you got it made.

This low budget Gothic movie is an adaption of an Edgar Allan Poe short story. I'm not sure if I ever read this one but other reviewers have stated that it isn't the most faithful adaption in any case. Going by what I know of Poe, this isn't exactly surprising as most of his stories were very sparse and to-the-point. The basic premise has a man murdering his best friend through a fit of jealousy due to the said friend copping off with his girlfriend. The murderer is then haunted by the sound of the dead man's beating heart, leading him to madness. While the story is very simple and the cast is very small, I thought the film as a whole was well handled. Laurence Payne is good as the central character Edgar. He seemed to be a somewhat troubled character even before the murder and Payne depicts the man well. I was also pleasantly surprised to see some scenes of gore and violence in such an old movie – the central murder is quite vicious, Edgar later cuts out the dead man's heart and we even have a character fall from a balcony onto a spike! This all adds a welcome schlock factor to proceedings. While The Tell-Tale Heart may not be anything overly special, it does entertain and it has a fairly effective atmosphere at times. For anyone who doesn't mind cheap Gothic productions or who is a Poe completist then this is a film you may enjoy.

The fifth version of the venerable Poe horror tale I have watched: two shorts, one cartoon and two full-length adaptations; the latter both emanated from Britain: for the record, I had watched the 1934 version at London's National Film Theatre in January 2007 during their "Quota-quickie" season. This one, then, is not very well-thought of – but the result (though departing from the original text in most respects) is interesting and decidedly underrated. It starts out with a prologue involving a cocaine-sniffing Poe (also played by suitably austere lead Lawrence Payne) having the story come to him in a nightmare. The anti-hero of the main narrative itself, then, is also called Edgar and he lives in the Rue Morgue(!!): an introvert, he falls for sensuous neighbor Adrienne Corri; however, when he introduces her to his best friend, they start an affair behind his back and, when he finds out, his jealousy turns homicidal.The plot (as reworked by Brian Clemens of "The Avengers" fame) has therefore been fleshed out but also rendered somewhat ordinary; that said, the stylized approach successfully evokes the author's psychological 'landscape' – most memorably, the 'pulsating' carpet above the floorboards where the body is hidden.