The Slender Thread

source: The Slender Thread

Trailer—The Slender Thread

The Slender Thread

Seattle university student Alan Newell (Sidney Poitier) mans the phone at the Crisis Clinic. Inga Dyson (Anne Bancroft) calls claiming to have taken a lot of pills to commit suicide. She had a fight with her husband Mark Dyson (Steven Hill). The phone company traces the number. Dr. Joe Coburn (Telly Savalas) is the supervisor of the help phone. Det. Judd Ridley (Edward Asner) joins in the race to find Inga. This was done at the dawn of the phone help line. That may excuse the bad work done by Alan. The concept does prevent Poitier and Bancroft to have face to face interactions. That is always a disadvantage of phone acting and this one isn't intense. The tracking down of Inga provides a little bit of kinetic energy but it's not compelling. The concept is forward thinking but it doesn't always make for a good movie.

This film has stuck in my mind since seeing in the early 70s, when I was a child. This is only my second viewing, and while I still find the movie quite effective, the overacting of Poitier makes it a little less enjoyable. Bancroft is wonderful, and quite sympathetic, in the lead. As stated in a previous post, this is Pollack's first feature - what an excellent start. The Seattle location filming is beautiful, and it's nice to see the 64 World's Fair site on celluloid. (Of course, for more detailed coverage, there's Elvis's "It Happened at the World's Fair" from 1964.) Just for the sake of curiosity, I wonder if the hotel where she is found, is still standing today. It was a Hyatt at that time.

I enjoyed the film not only for its taught and gripping story line; but also for the director's imaginative filming technique. The Slender Thread is unique in it's actual "threading" of actors, particularly, who become much bigger in life as their careers flourish. I always enjoy the chance to see an actor/actress before they go on to fame. Stephen Hill is one of those. Although not a true film noir; the black and white filming for me adds to the total involvement of the viewer and gives a heightened perspective to the whole cinema outing. I suggest the film highly. The interactions between cast are worth the view.

I saw it years ago (because they don't show it anymore) and I loved it. This is one of the best films I have ever seen. I am not such a big fan of drama, but this mixture of drama and suspense, coupled with a touching homage to the selflessness and compassion of the suicide prevention workers, is simply breathtaking. I also liked the fact that race is never an issue, yet it does loom between the lines (she can't see his color, so, in what sense does it even exist?). Bancroft and Poitier are among my favorite stars because so many of their films are so good. I always want to know: what role does an actor have in selecting his movie roles? Actors are - I hope - not only actors, but selectors of roles. That is a critical role, because there is no good acting in a bad movie.

Sidney Poitier and Anne Bancroft do not have any scenes together in this movie, which is about his attempts to keep her on the telephone long enough to trace the call, since she's just taken an overdose of pills. It may sound stagnant but it never is - there is some great cinematography and location shooting (in Seattle). A lot of the story is flashbacks, as you find out why Anne has tried to off herself. Her performance is poignant and she never overdoes it; Sidney is perfect, as always. Tech credits are first rate - scoring by Quincy Jones, costumes by Edith Head, and a Westmore on make-up. I believe this was the first directing job by Sydney Pollack - he did a nice job. Its okay that the stars never met, they met in real life - Bancroft presented Sidney with his only Oscar, for "Lilies of the Field" two years earlier. And this would make a good double-bill with "'night, Mother", in which Bancroft is on the other end of a suicide attempt.

I saw this title coming up on TCM, read the synopsis, and KNEW instantly that this one I had to see. And like I said, I should have known. Poitier is probably one of the top ten dramatic actors of ALL TIME! I'm not sure I've ever seen a bad film that he was in. This little gem, was tremendous. I don't comment on many film's but when I see one I haven't seen before, and it's as good as this one, I can't restrain myself. Watch it when/if you can, and you won't be disappointed! There are many subplots and twists to this film, and it has many fine performances, including Telly Savalas, and Ann Bancroft. There are small parts, for a young Dabney Coleman, and one of Ed Asner's early ones as well. I am a classic movie buff, with over 800 titles in my library, and I simply love it when I come across a new one that I hadn't seen/heard of before. Like I said, Watch this one when/if you can.

I believe that this was Sydney Pollack's directorial debut. If so, then he certainly gave an interesting insight into his future work. Seattle college student Alan Newell (Sidney Poitier) is working at a crisis hotline center when he gets a call from housewife Inge Dyson (Anne Bancroft), who is reaching the breaking point. Because they can't see each other, it gives the movie a real sense of tension, as implied by the title - even if it drags a little bit at times. A previous reviewer said that Poitier plays his usual role: a morally superior black man in a white-dominated society. That's partly true, but here, he has a job that anyone could have, and his race doesn't really matter (although as the reviewer noted, they could have been subtly talking about race). As for Anne Bancroft, her death six months ago brings her filmography to mind. This may have not been her most famous role, but I would recommend it.