The Scalphunters

Wildly entertaining western romp with the still athletic Lancaster (as a frontier trapper) and Davis (as runaway slave) reluctantly teamed against a band of bandits led by Savalas. I noticed this pic as good time fun during a TV showing as a kid, way way before the nice DVD version, and still have fond memories of an easygoing adventure. Lancaster is exuberant in this, despite being well into his middle-aged years; he still comes across as someone who can outfight any man and rassle a grizzly bear on the side. He also presents an iconoclastic character here, supremely content onto himself, with not much use for civilization OR anarchy (represented by the barbaric bandits). Just leave him to do his own thing; if you don't, you're in for a fight - don't matter who you are, as Savalas and his band find out. Savalas is great as the bandit leader, dangerous blow-hard that he is; though not too intelligent, he's still a lot smarter than the other idiots under his rule (including a bearded Dabney Coleman in an early role). His main squeeze is the cigar-chomping floozy Shelley Winters, hamming it up as much as the otherwise all-male cast. Davis, in an odd contrast, comes across as the most sophisticated of the whole bunch, despite supposedly being a slave his entire life; he also proves to be the most duplicitous; he's not simply honorable and disappoints Lancaster more than once. Maybe director Pollack was sneaking in some commentary on the outmoded superior standing of the white race by this point, though I think it was wishful thinking that Davis could get away with as much as he does here in the 19th century. In all, the actors prove to be good hams to the very end.

"Joe Bass" (Burt Lancaster) is a trapper who has just finished his winter occupation and is heading back east to trade in his furs. Unfortunately, he encounters some semi-friendly Kiowa and they demand his furs in exchange for a black slave named "Joseph Lee" (Ossie Davis). Although Joe Bass doesn't want or need a slave, he has no choice but to allow the trade to transpire since the Kiowa outnumber him 12 to 1. But as they ride off he is determined to get his furs back one way or the other. Meanwhile, the Kiowa fall prey to a band of savage scalphunters who end up taking the furs after killing the Kiowa. So Joe Bass now has a different adversary to retrieve his furs from. Anyway, filmed in 1968 this movie has a not-too-subtle "message" about racism the director (Sydney Pollack) felt compelled to impart. No doubt that decision probably delighted the politically-correct critics during this time. However, regardless of how well-intentioned the motives may have been it was a bit too blatant in my opinion and detracted from the entertainment value this movie may have had. Along with that, the humor just wasn't that funny. Additionally, I thought Shelley Winters (as "Kate") was miscast for her part and neither Burt Lancaster nor Telly Savalas (as "Jim Howie") seemed to fulfill their potential. That said, for all of these reasons the movie seemed rather flat and lackluster to me. In short, it could have been better.

Certainly one of the best westerns ever. I have it in my library and watch it on a regular basis with friends - even those that are ant-western enjoy it! Where are the Lancasters, Savalasas and Davisis today? Maybe Harrison Ford but that is about all

How has a good movie like The Scalphunters become largely unknown over the years while everyone knows what The Matrix is? With a fine cast lead by the legendary Burt Lancaster, Ossie Davis, Telly Savalis and Shelly Winters and with a lot of memorable dialogue and scenes, this is a great comedy western (Minor spoilers). Joe Bass (Lancaster) is a fur trapper who has spent the whole winter collecting furs. When a pack of Indians lead by Two Crows take Joe's furs and leave him with Joseph Lee (Davis), an educated slave, Bass pursues the Indians to get his furs back. The two have a series of misadventures that also involves a party of Scalphunters lead by Jim Howie (Savalis), who take the furs from the Indians and also take Joseph Lee. Bass now has to get both his furs and his slave back. The film works on many levels beside comedy. Some also might consider it a commentary on racial politics. The end of the movie, when Lancaster and Davis become covered in mud and are indistinguishable has some symbolism; the white and black man, while of a different color, are the same people.

Light Western comedy about the particular relationship between a fur trapper and a highly polish slave , including a colour-coded cultural confrontation . It's an entertaining story with a touch of peculiarity , some great characters , a colorful cinematography , an amazing music and is funny enough . Solid western with interesting events , violent fights , emotions , humor , thrills and spectacular outdoors . Forced to trade his valuable furs for a well-educated escaped slave (Ossie Davis) , a rugged trapper (Burt Lancaster) vows to recover the pelts from the Indians and later the renegades that killed them . As the pair forms an uneasy alliance , as when the pelts are in turn and result to be appropriated , they set off in pursuit a band of cutthroats led by a cynic bandit (Telly Savalas) . The trapper will stop at nothing to take back what's his . An amusing enough liberal comedy western that has its fun moments , entertainment , action and some violence . Enjoyable as well as amiable screenplay by William Norton , it is exciting enough and glosses both the interdependence among protagonists and their racial antagonism . This plot about a peculiar conflict between a rough , illiterate trapper and a cultured slave is well worked through a chronic circular premise . Very good acting by the great Burt Lancaster as a fur trapper who sets out in pursuit the robbers . Sympathetic Ossie Davis as Joseph Lee , a slave who helps Lancaster to fight enemies and retrieve the pelts . Perfect Telly Savalas as leader of a gang of Scalphunters who has appropriated the furs . Secondary cast is frankly nice such as Shelley Winters as Kate , Dabney Coleman as Jed , Dan Vadis as Yuma , Armando Silvestre as Two Crows and the Lancaster's best friend , Nick Cravat , as Yancy . Splendid cinematography in Panavision and glimmer Technicolor by Duke Callagham and Richard Moore as is reflected on spectacular outdoors filmed in sighting , gorgeous natural landscapes. As it was shot on location in wonderful natural parks from Durango , Mexico . Lively and rousing musical score by the maestro Elmer Bernstein composing one of his best soundtrack . Professionally produced by a great production company formed by Arnold Laven , Jules Levy and Arthur Gardner . The first Levy-Gardner-Laven movie was 1952's "Without Warning"'; in the decades since, they have produced and directed dozens of additional features and especially Westerns . They are experts on Western genre as cinema as television as they produced and directed several TV series including "The Rifleman," "Law of the Plainsman," , "The Big Valley" . The motion picture was well directed by the recently deceased Sidney Pollack with a thankfully light hand . Sydney was an excellent director , producer and secondary actor with several hits on all kind of genres as ¨The Interpreter¨ , ¨The firm¨ , ¨Out of Africa¨ , ¨Tootsie¨, ¨Yakuza¨ and directed two magnificent Westerns , ¨Jeremiah Johnson¨ and this ¨Scalphunters¨ . Rating : Good , better than average and worthwhile watching . The flick will appeal to Burt Lancaster fans and Western buffs .

Visually striking but odd and unsatisfying western that suffers from long stretches of boredom and not being able to decide if it's a comedy or a serious action film. It also features Telly Savalas as one of the more pointless villains in western cinema, though he does turn in a watchable performance with what little he was given. Shelly Winters is along for the ride too, in an even more pointless role as his floozy. It's as though the studio was nervous about the bare script and needed to pack the production with as much star power as possible. And the script is bare. Burt Lancaster loses his furs to a party of Kiowa indians , who saddle him with unwanted runaway slave Ossie Davis in return. In pursuit of his furs, Lancaster sees them taken over by Savalas' band of 'Scalphunters' and the story plays out until the end as a game of cat and mouse with Davis in the middle. That's it. A nearly two hour film in epic widescreen and the story is as scant as that. Except when Lancaster and Davis butt heads physically and philosophically, the film is a washout. Their scenes together, providing a few good laughs, are the only reason to stick it out till the end. Entertaining in a low key way, Lancaster is always worth seeing, but hardly a good western. A blip on Sydney Pollack's filmography.

This is a watchable and never boring western for sure. It starts out quite strongly with Davis and Lancaster feuding and exchanging their barbed comments as they make their journey. But the movie soon stops focusing on that, and starts to go off in multiple directions, bringing up new characters and themes that never quite seem properly dealt with. Indeed, the climax seems kind of deux ex machina, and then not long afterwards when the credits role you get the feeling that there are still some things that haven't been properly dealt with. But as I indicated, it passes the time pleasantly enough. Those who have seen screenwriter William Norton's "The Hunting Party" will get some extra interest, seeing how Norton took several elements from his screenplay of "The Scalphunters" and reused them in that other movie several years later.

The picture contains some of the clues of the sixties' westerns, such as the denounce of the brutality against the indians tribes, racism, a kind of ironic and dropout anti-hero (Burt Lancaster, excellent, as ever). It is all shaped in a good script, but Pollack fails to get a satisfying work of it, maybe due to an outdated humor, and makes a trivial, though amusing, movie.

The Scalphunters was the first of two films Sydney Pollack directed with Burt Lancaster. In fact according to a recent biography of Lancaster, Burt was literally trying Pollack out on this western before giving him an opportunity to direct the very expensive Castle Keep for him the following year. Personally I think The Scalphunters is a far better film. It's a rollicking good mixture of comedy with some very serious themes involved. It's also the last time Lancaster did any really athletic roles as he was 55 when making The Scalphunters. We all bow to old age at some point. Sydney Pollack actually started his association with Burt Lancaster on the set of The Young Savages where he was an acting coach to some of the street kids who were playing gang members. It was his first introduction into motion pictures, he had previously directed and acted in a number of television productions. Burt is fur trapper Joe Bass who gets an offer from the Kiowa Indians he can't refuse. They'll relieve him of his year's trappings in beaver pelts and he'll get an educated house slave in Ossie Davis. Davis seems born to be a slave, he escapes it from the south, then he's captured by the Comanches who then trade him to the Kiowas and then he's forced on Lancaster. Lancaster is planning to get his pelts back, but a murderous gang of Scalphunters beat him to it and massacre almost the whole band and take Lancaster's furs along with horses and scalps that bring a good bounty. Burt's Joe Bass is not exactly a boy scout, but this crowd truly nauseates him. The Scalphunters are headed by Telly Savalas and his cigar smoking refugee from a bordello of a woman, Shelley Winters. Winters has the best performance in the film, this is her third film with Lancaster with whom she had a self documented fling back in the day. Later on Davis gets captured by The Scalphunters and he has to use his wits to survive among them. But they're going to Mexico where slavery has been abolished. The laughs are mixed in with some serious racial issues all around. Lancaster can't quite accept Davis as an equal, Davis is perfectly willing to go along with The Scalphunters and their genocidal war on the Indians if he'll obtain his freedom through them. And Savalas and his crowd are as mean a bunch as you'll ever see in a film, yet some of the funniest bits in the film involve Winters and Savalas. The Scalphunters is a really funny western that if you think about it teaches some good lessons we could all use.

The Scalphunters is a rare treat that didn't eat up the box office in 1968, but whose critical anointment by Judith Christ as one of the "most entertaining" Westerns of that year began to set it apart as a classic. Want a great story? You're in the hands of Sydney Pollock, and an able team of cinematographers who ably serve up a beautiful outdoor epic. Looking for classic Hollywood stars? Well, the Scalphunters has Burt Lancaster, Ossie Davis, Telly Savalas, and Shelly Winters. This is a memorable classic that addresses race relations, injustices against native Americans, the corrupting influences of property, and the drama of the West in an entertaining way. The story is entertaining, the performances are excellent, and the locales are beautiful. A first-rate film by a Hollywood legend.