The Power

source: The Power

Moviecut—The Power

This story was first televised live during the summer of 1956 on one of the high quality drama series that flourished during the 1950's. Perhaps it was The United States Steel Hour. I was an eleven year old kid at the time and was fascinated with the basic plot. I have searched for information about the original teleplay, but have been unsuccessful. Does anyone out there have any info on the TV broadcast of this story? Several years later, I read Frank M. Robinson's novel, from which the two movies were made and enjoyed the 1968 film version. It had a terrific musical score, featuring a zither-like instrument played with felt hammers. George Hamilton did a fine job in the lead role.

George Pal proved his feeling for good stories one more time after having produced "the time machine" and "Dr. Lao". An intelligent story about the fight between two para-psychological persons, one you don't know and the other not knowing being one. Superb cast, some not important "mistakies", but brilliant tricks and a high quality of suspense make this film a must for every science fiction fan and also for those being interested in "guess who it is" - criminal stories. I can imagine well that some people cannot agree with this comment because the story implicates a lot of knowing about para-psychological phenomenas to construct the logic of the plot, but surely it is well worth it.

Hamilton leads a better than average cast in this very average sci-fi outing produced by veteran George Pal. Signs of the times abound in this 60s feature that, at times, seems like a Bond flick(especially the party scene). Pal's career was in a slump in the mid to late 60s and this was to be his big screen return. The good cast and fine production values cannot save this tired and often confusing tale of telepathy.

George Pal's/Byron Haskin's version of "The Power" (based on the good novel by Frank Robinson, not the baseball player) is actually pretty entertaining and thrilling despite the relatively poor production values - quite a bit of 1960s cheesiness - but still the cast of stalwarts gives it all and it is probably the best George Pal film after 1960's "The Time Machine." Acting kudos go to Michael Rennie, Aldo Ray (!!!) and even, who would have thought it, star George Hamilton. This is one of those films whose concept far exceeds its execution but I still feel somewhat generous as I remembered it fondly from my youth and seeing it about 30 years later found out that it held up pretty well. And a great score by Miklos Rozsa too.

A panel of brilliant professors studying human endurance for the space program discover one of their colleagues harbors transcendental powers and is out to kill each one of them (causing heart attacks by the force of his mind). A good example of the major studio B-picture: most of the budget has gone into the 'idea', presented here with sleek visuals and designs, yet with a middle-drawer cast left to sort out the screenplay, which is distinctly without much power. George Pal produced, with amusing shock effects and editing tricks, but the potentially intriguing plot gets muddled up in dead-end scenes and red herrings. Suzanne Pleshette (as the one female on the panel) looks lovely, yet her character keeps popping up without explanation--and her confusing final scene leaves behind nothing but disenchantment. George Hamilton is the film's star, which should tell you how much thought went into the casting. ** from ****

I loved this movie as a kid and an adult. I thought it was well done and for the negative reviewers who said it was confusing, I understood it as a child. Are you dense or something? Good acting, subtle death scenes, great action, albeit slow, but worth viewing. A nice build up and to the reviewer who said he knew who the bad guy was: Duh! I'm so tired of you losers not taking into account when a movie was made. What movie about telekinesis compared to this then. Um, none. Enjoy a movie for when it was made and take in the effects as well. So many people say laughable effects in old movies. I hate this. They worked with what they had and did good with them. I loved it in '68 and still love it!

This interesting sci fi film stars George Hamilton and Suzanne Pleshette, and features some former stars/near stars who had seen better days: Yvonne DeCarlo, Richard Carlson, Aldo Ray, and Gary Merrill (in a real stepdown from All About Eve). Among the older stars, Michael Rennie has a larger supporting role. The cast, a good budget, and an intriguing script make for an entertaining film about the attempt of one megamind to ferret out who's a threat to him among a group of scientists. One of them has telekinesis, and after the murder of the whistle-blower, played by Arthur O'Connell, Hamilton tries to find O'Connell's old friend, whose name was written on a piece of paper, suspecting him of somehow being involved. This is a neat drama, all the more interesting in seeing the young stars, Hamilton and Pleshette, play against the older Hollywood types.