The One and Only

Directed by Carl Reiner and written by Steve Gordon (who would direct his next script, Arthur, and then die at the age of 44), The One and Only has an unlikeable hero at its core. Andy Schmidt (Henry Winkler) is someone who thinks he's better than everyone at everything he does, out for only himself, even using bit parts as opportunities to ruin everyone else's work, as long as he gets noticed. He falls for Mary Crawford (Kim Darby), a college student who is already engaged. I have no idea why she falls for him, because there's nothing there, despite something that she sees below whatever surface Andy has. Somehow, they get married and she has to learn that being the wife of a starving actor is harrowing. Yet Andy finds something he's good at. He may not have the build for it, but he's great at wrestling. He's brought into the business by little lothario Milton Miller (Hervé Villechaize) and starts working for Sidney Seltzer (Gene Sakes), who drops this knowledge on the audience: "There's two kinds of people, those who put lampshades on lamps and those who put lampshades on their heads." Her parents -- William Daniels and another sitcom star who took over the show she was just a secondary character on, Polly Holliday, who played Flo on Alice -- don't approve. And eventually, she gives up on Andy while they come around on him. They even become wrestling fans when he gets on network TV. And he really learns nothing, being the same person no matter what. The film is well-written -- Gordon was a sitcom veteran and writes wonderful dialogue -- but you end up caring more about the accouterments of the film more than its characters. That said, it has lots of wrestling cameos, including Hard Boiled Haggerty -- of course -- as Captain Nemo, Chavo Guerrero Sr. As Indian Joe, ring announcer Jimmy Lennon Sr., Gene LaBelle -- of course again -- as the world champion, Ed Begley Jr. (not a wrestler, but still good in this) as Arnold the King and "Rowdy" Roddy Piper as "Leatherneck" Joe Grady. Throughout, Andy keeps trying to find a gimmick that works until finding The Lover, a man who believes that everyone should be in love with him. He understands what wrestler Raven preached about your character. It should be 80% you and 20% of the most idealized version of you, the you that you wish you could be. This movie gets a lot of pro wrestling right -- I wrestled for over 25 years in the lowest rungs on the independent wrestling periphery -- and the one part that it gets wrong is that most heels are the most giving and nicest people you'd ever meet. The faces, the good guys? They're usually Andy Schmidt. What's amazing is that this movie came out at the height of Winkler's Happy Days fame and he played a character totally unlike the Fonz. That's brave and while not the best for this film's box office, it was for his career. We're still thinking about him today. The working title of this movie was Gorgeous George, which makes sense, as "Gorgeous" George Raymond Wagner was a huge star in the early days of television, someone who was the kind of star that even casual non-fans would have known. Winkler's parents Ilse Anna Marie and Harry Irving Winkle left Germany in 1939, as they were Jewish people worried about the Nazis. The star told The Wall Street Journal, "At the time, my father, Harry, told my mother, Ilse, that they were traveling to the U. S. on a brief business trip. He knew they were never going back. Had he told my mother that they were leaving Germany for good, she might have insisted on remaining behind with her family. Many in their families who stayed perished during the Holocaust." His Unlce Helmut was one of them. Knowing that, it's astonishing that Winkler dresses in a Nazi gimmick in this movie. But that's very much in spirit of the carny roots of pro wrestling. It's heat. And heat draws money. Oh man! I forgot the best part! Mary Woronov is in this and gets set up with Hervé!

Trailer—The One and Only

source: The One and Only

FOLLOWING HIS SUCCESS as show stealing character, "the Fonz" in the hit ABC Television Series HAPPY DAYS, Henry Winkler embarked on a series of starring motion vehicles. Taking a break from the more dramatic, Henry chose to do this Carl Reiner directed affectionate look at the early video days of guys with names like Gorgeous George, Count Billy Varga and Lou Thesz. DURING THIS PERIOD and for some years to follow, the mere mention of the Pro Wrestling game would never fail to bring a smile to the face of whomever one was conversing. The appeal of the medium where sport & athleticism intersected the dramatic & theatrical had a very wide degree of aficionados from the blue collar to professional, from the laborer to the MD. SO JUST WHO are these guys who get into the "business"? As in most rackets, there is no one single answer. There is not one single slot in which the "typical" grappler fits. Any attempt to pigeon hole the pro wrestler will find himself unhappily frustrated. THE STORY LOOKS at how guys with disparate backgrounds are united in their interest and pursuit of success as a performer. Some are athletic, some are not. Some were football players, others dancers. Bodybuilders and the physically unusual all join with some who have no obvious outstanding bodily attributes. Some were even the products of a solid background in Amateur Wrestling! OUR MOVIE UNITES Henry Winkler (Andy Schmidt) with Miss Kim Darby (Mary Crawford). The two do indeed make for an interesting couple; and it is a pleasure to see Kim Darby in any film; as she has done precious few ever since TRUE GRIT (1969). IN THE PARTICULAR case of the Winkler character, he's an out of work actor and not much of an athlete. He is certainly not a subject who fits the 'ruffian' mode that so many exponents of the pro game. ULTIMATELY, AT FILM'S end, we are all smiling-if not belly laughing; for in spite of some great and truly funny situations & gags tailored to the storyline, it is a call for inclusion o everyone in the family of man. AND, MY DEAR friend, Schultz, that includes even people who wrestle for a living!

The One and only was a great film. I had just finished viewing it on EncoreW on DirecTV. I am an independent professional wrestler, and I thought this was a good portray of what life is like as a professional wrestler. Now this film was made 4 years before I was born, but I don't think the rigors of professional wrestling traveling has changed all that much. Sad, funny, and all around GREAT!!! **** 10+

While this movie isn't a classic by any stretch, it is very entertaining as I remember it. I saw it about 15 years ago on HBO and loved the movie. It was written by the same guy that wrote and directed "Arthur" and though it isn't as funny as that movie, it does show the potential that Steve Gordon reached with "Arthur".

Ah gees...well so many fantastic words you could use to describe The One & Only. Words such as.....er....um...ah..well atleast it's better than Nightshift. Look out for a surprise appearance from none other than Tom Bosley - as the bad guy wrestler Mr.C

Two years before he wrote and directed "Arthur", Steve Gordon had a minor hit with his screenplay for this crackpot comedic vehicle for Henry Winkler, then-star of TV's "Happy Days" as the Fonz. A 1950s college thespian (and all-around jerk) woos a co-ed and gets married without any employment prospects on the horizon; to make ends meet, he turns to the flamboyant world of wrestling, eventually becoming a "Gorgeous George"-like celebrity. Turning likable Winkler into an obnoxious goof-off probably sounded like an interesting idea at the time (and a sure way to separate him from his television alter-ego), but the jokes and situations are often wrong-headed and mean, staged rather sloppily by director Carl Reiner. Particularly crude is a wincing bit involving Hervé Villechaize (of "Fantasy Island") putting the moves on Polly Holliday (Flo from "Alice"). As Henry's beloved, Kim Darby looks a little out of her element--particularly when surrounded by all these TV hams--rendering the romance aspect of the script inconsequential. *1/2 from ****

This movie is a perfect example of a film that divides people into 2 groups.. Those who get the joke and those who don't. People usually attack what they don't understand. This film has a comic style and charm that has been unparalleled since. It's a GREAT comedy.. and a GREAT romance. It's a perfect date movie. A perfect movie for someone who wants a good lighthearted laugh. And if your perspective is too tense, maybe this movie isn't for you, and you may need counseling. It is an injustice that Paramount has kept this film on the shelf since the early 80's, having never seen the light of day on DVD. Yet they feel an Urban version of "The Honeymooners" is a good idea. I find it odd that my two alltime favorite romantic comedies have never been released on DVD. The other being Gene Wilder's "The World's Greatest Lover" which Fox has sat on since the early 80's as well... Yet, "From Justin To Kelly" is in nearly every video store in the country. There is no Justice in the world. Maybe those who took the time to bash this will enjoy "From Justin To Kelly", I'm sure that one is watered enough for them to "get". Sometimes with age people lose their sense of humor... Or sometimes it just goes stale and they find comic satisfaction in reruns of "Full House".

Well I guess it supposedly not a classic because there are only a few easily recognizable faces, but I personally think it is... It's a very beautiful sweet movie, Henry Winkler did a GREAT job with his character and it really impressed me.