The Last Laugh

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Der letzte Mann

Der Letzte Mann is nothing short of the epitome of viewing pleasure. Beautifully shot, the urban landscape in which a noble doorman earns his keep (and humanity) is throughout dream-like, infused with a decidedly ethereal quality. Added to a magical visual backdrop is a haunting musical score, highlighted by sweeping cello chords which cut straight to the heart. With regard to prominent themes, the picture speaks volumes about the fragility of human existence and, specifically, human dignity. The shallow and arbitrary nature of a society bent predominantly on the acquisition and elevation of pecuniary wealth, as well as the perseverance of the individual through it all, is illustrated masterfully through both the zenith and nadir of the doorman's existence, as documented in this truly excellent work of the interwar period.

Emil Jannings is the doorman of Atlantic Hotel. He is proud of his uniform and function, and respected by his community. Based on his age, the manager of the hotel decides to change his function to toilet cleaner. This apparently simple action is enough to destroy him as a human being. He loses his self-respect and the respect of his neighbors and friends. This outstanding movie is another masterpiece of Murnau. It is an authentic study of the vanity and cruelty of mankind. The lack of respect to the elders is also expressed marvelously in this fantastic film. The performance of the great Emil Janning is astonishing. All the plot is based on his character and expressions. I regret only the last part of the plot, where the suffering character gets a surprisingly heritage and becomes 'the last laugh' of the title of the movie. But anyway, this is a remarkable movie. My vote is ten.