The Last King of Scotland

The Last King of Scotland_360P

♡

This film can be judged from three viewpoints: as history, as a profile of Amin, as a fictional thriller. It fails as history, it mentions in passing the coup that threw out Obote, the expulsion of the Asians, and has the Entebbe hi-jack as background, but not in any chronologically consistent time frame. As a profile of Amin it may have been interesting, because Forest Whitaker is incredibly good, and if this was a better film, he would get an Oscar. (He got it - which proves the Oscar voters don't watch the films they vote on.) It ignores relevant historical episodes in the novel, which observed Amin and the history of Uganda from the point of view of the doctor. It tells instead the fictitious story of the Scots doctor and his impossible love life from the point of view of Amin. But the story told is the one incident that Amin was probably innocent of. As a fictional thriller, there is no plot to hold it together. The beginning is taut - it takes cinematic liberties with the novel, but sets up the story. The character of the doctor is well-defined, but becomes lost in the second half of the film which suffers as a result. Why the doctor decides to stay in Kampala is badly explained - seduced by power? Why he befriends no-one is strange. The character of the friend in the novel has been lost because the Scotsman has the affair instead of the black doctor - a ludicrous entanglement which does not seem even faintly believable, but allows the writers of the film to show the ferocity of Amin close at hand. The Man called Horse bit at the end is risible. Finally in 1971, Uganda drove on the left, not right, the number plates were three letters and two or three numbers - and where are the Equator tusks?! In short - if you've never heard of Amin, you may want to spend two hours watching this film to appreciate Forest Whitaker's acting, but the last hour will bore you to confusion. If you know Uganda or have read the book - don't see the film - it will only depress you. And if you want to know why the doctor was so foolhardy - he wasn't.

Forest Whitaker's performance is all the more impressive for making it almost worthwhile to sit through this dreck. "Historical fiction" does not justify changing history. The absurdity begins from the ground up with the imaginary lead character played by James McAvoy. To create a fictional observer for the purpose of giving the reader a point of connection in the book is regrettable, regrettable that white people can't just read a book without a white protagonist to connect to, but at least he was placed in a somewhat passive role. Making up a fake historical actor and crediting this fiction with exposing Amin to the world is irresponsible, lazy and stupid. Not making the actions of this creation believable or even sane is just criminal, and has opened the door for movies like the one they're planning to make with Leonardo DiCaprio as a heroic Enron whistleblower who NEVER EXISTED. The logic of the world does not apply in this film where some Scottish kid thinks its okay to sleep with the wife of a murderous dictator. It doesn't apply where the wife of the dictator desires to sleep with some stupid scrawny irresponsible white boy. For that matter EVERYBODY is lined up to sleep with this scrawny, irresponsible, arrogant white boy, he even has Gillian Anderson licking her comely chops. Let me declare, I do not like James McAvoy. I'm not sure what it is about him, but I thought his Mr. Tumnus in Narnia was creepy and pervy. I think that Kerry Washington would never look twice at him so I can't believe that the wife of a powerful dangerous man like Amin would risk and lose her life for him. I don't believe him as a Doctor, and I just don't see the appeal. His character seems to have far more arrogance than would make sense, and trying to make him look like a badass in shooting the cow was just...there's that word again...absurd. Think about it, you are watching all of these characters bend themselves into knots in order to accommodate this unbelievable main character and there never was such a guy. Gillian Anderson looks incredible and sounds more British than most Brits. Whitaker gives a great expansive magnetic performance, and highlighted, with his incomprehensible pre-Oscar speeches, just how much he was acting. It's a shame the film around him had no reason to exist.

With "The Last King of Scotland," Kevin MacDonald has created a bracing, exciting and totally satisfying thriller. Forest Whitaker gives a titanic performance as Idi Amin, Ugandan dictator who rose to power in the 1970s. James McAvoy plays Nicholas Garrigan, a Scottish physician who travels to Uganda for the adventure and wins Amin's affections, becoming his personal doctor. Garrigan enters into a moral crisis as he begins to realize the kind of man Amin is, and begins to fear for his own life as events spiral more and more out of his control. Whitaker seizes the chance to play this larger than life character and runs with it -- I've never seen Whitaker give so convincing and transforming a performance. However, as good as he is, McAvoy impressed me more. His performance as Garrigan is not as showy, but it's much more textured and subtle, and his character has the bigger arc from start to finish. Gillian Anderson also does terrific work in a small role as a fellow doctor, who understands things about Amin and the African culture that Garrigan does not. Unlike other recent thrillers set in African nations ("The Constant Gardener," "Hotel Rwanda"), "The Last King of Scotland" is not greatly concerned with the geo-political implications of Amin's reign. The atrocities he committed against Ugandans are given only the barest of mentions, and the film sticks almost exclusively to Garrigan and the danger he himself faces. Some may think the film is irresponsible for this reason -- that the plight of one man pales in comparison to the plight of thousands, and I can see where a criticism like that is justified. But the movie packs a powerful wallop regardless, and complaints like this seem like quibbles when up against such an entertaining movie. Grade: A

Life, unlike bad movies, is seldom obvious. In life, murderous dictators don't appear - especially at first - as mustache-twirling Snidley Whiplash figures, cackling madly (although Mussolini came close). The scary truth about monsters is that they are three-dimensional beings, not cardboard cutouts, who just kill a lot of people, but otherwise put their pants on one leg at a time, like you and I, and that makes them so much scarier than if they came from another planet. In the best film of the "dictator genre," Oliver Hirschbiegel's brilliant "Downfall," Hitler appears as a man who is kind to his dog and his secretary (roughly in that order), and the impact of the work is all the greater as we witness what a "real person" is capable of doing. In Luis Puenzo's "The Official Story," Pinochet's reign of terror is depicted through a single act of violence, as a door is slammed on Norma Aleandro's hand; the effect is stunning and "real." In the hands of a less talented director, the story of Idi Amin would be told against mountains of skulls and bones left behind by Uganda's mad ruler in the 1970s. (His total toll is estimated at 300,000.) In Kevin Macdonald's complex, intelligent, gripping "The Last King of Scotland," more than half of the two-hour film subtly implies, hints at the dark forces underneath normalcy while "life goes on." And so, having established real contact with the audience, a jolly and seductive Forest Whitaker then takes our breath away as the mask comes off, and his Amin reaches out from the screen for your throat. Macdonald - whose previous works are documentaries, including the Oscar-winning "One Day in September," about the Munich Olympics terrorist incident - looks at Amin through the eyes of a young Scottish doctor (James McAvoy), a well-meaning, honest humanitarian slowly seduced by the Scots-loving Amin, who appoints him his personal doctor and then adviser. The McAvoy character is fictional (although Amin did have a Scottish doctor), coming from Giles Foden's novel of the same name, but just about everything else in the film is based on fact - so much so that some documentary footage is smoothly integrated into the film. And yet, what's important and outstanding about "Last King" is that just as a painting can surpass a photograph in presenting reality, this film conveys the seduction and horror of a brutal dictatorship indirectly, subtly, unexpectedly. Unexpected - and welcome - are the many flashes of humor, both Whitaker (dictator with personality) and McAvoy (eager pup of a doctor with overactive hormones) making the best of it. The tone is set in the opening sequence, as the frustrated, suppressed young Dr. Garrigan spins a small globe, swearing repeatedly that he will move to the first spot ("the first!") where he points when the globe stops. The first spot turns out to be Canada. McAvoy/Garrigan takes one look, hesitates... and spins again. And so to Uganda... The linear, freely-flowing story-telling is masterful, taking us from the small village where Dr. Garrigan comes to do good and ends up doing well through a chance meeting with Amin, to Kampala, much court intrigue and colorful depravity (even as the fate of a nation is at stake), and eventually to Entebbe. Fun and games, authentic scenery (the film was shot in Uganda), subtlety, psychology, a heart-pounding scene at Entebbe (after the hijacking, but before the Israeli rescue), nudity, sex, violence, harrowing questions about "what would you do," and all - "Last King" is a wonderful compendium of facts and greater truths. Also, a hell of a good movie.

"The Last King of Scotland" is a slickly made powder keg of a film about Idi Amin's (Forest Whitaker) horrific dictatorship over Uganda in the 1970's as seen through the eyes of his fictionalized Scottish doctor (James McAvoy). Whitaker is mesmerizing from the word "go" and brilliantly displays how captivating a character Amin was: charming, theatrical, paranoid, and mad as hell. Director Kevin MacDonald only alludes to the horrors (300,000 massacred) while delivering a music-video style account of the free-wheeling decadence of Amin's regime while he still played in favor to his people. Much of the film runs like the early parts of P.T. Anderson's "Boogie Nights" or any gangster saga from Scrorsese: hyper-edited, smoothly shot scenes depicting humor, violence, sex, nudity, and overly-indulged individuals new to money and power. It would've been more compelling had tighter focus been paid to Amin instead of the highly unlikable doctor character, who for the most part comes across as a flighty, over-educated twit with foggy ideas on good deeds and uncontrollable hormones that lead him to hounding after every marginally attractive married woman he comes across, including a barely recognizable Gillian Anderson donning a British accent, and Kerry Washington as Amin's third wife (duh, doc!). About two-thirds of the way through, MacDonald lets Whitaker loose, and his rampage is awe-inspiring. It culminates in a pulse-pounding white-knuckle twenty minutes that muddle a historical event concerning Israeli hostages with the shockingly brutal finale of the young Scott's stay in Uganda. Again, it would've been more emotionally involving had the doctor been more deserving of our sympathy. Still, Whitaker is fuming and unforgettable. He totally embodies the spirit of the oft-discussed and debated mad dictator, so much so that when the closing credits roll and we see stock footage of the real Amin, you'd swear these were images of Idi Amin playing Forest Whitaker.

Greetings again from the darkness. A true tour de force by Forest Whitaker ... the best performance of the year so far! Somehow Mr. Whitaker captures the madness and charm of Ugandan dictator Idi Amin. Amin was one of the first political rock stars. He used the media to his advantage as his regime slaughtered hundreds of thousands of his countrymen. Also impressive is James McAvoy ("Chronicles of Narnia") who plays the dramatized Nicholas Garrigan, a young doctor who sets out on an adventure to make a difference in a small country and ends up counseling one of the most powerful madmen in history. Scottish documentarian Kevin Macdonald directs the film with only a few lapses in directness, which serve this biopic very well. Watching Amin and the young doctor immerse themselves in the shower of power is both frightening and sickening. Macdonald captures this spirit very well thanks mostly to his willingness to let his two leads do their thing. As Amin laughs and tells Garrigan that "You are my closest adviser", I couldn't help but compare to Kathy Bates telling James Caan (in "Misery") that "I'm your number one fan". The evil and insanity is simply chilling. Whitaker is just amazing as he flips the switch from media darling to cold blooded, ruthless murderer ... and then back again. Just a terrific performance and well worth the price of admission - maybe a couple of times! Good for a laugh is the most unique version of Janis Joplin's "Me and Bobby McGee" that you have ever heard ... guaranteed! See this one for a bit of history and the site of a real monster, but also for one of the best film performances ever.

Gripping, brutal and powerful, 'The Last King of Scotland' is a brilliant dramatic depiction of the life of megalomaniac Ugandan dictator, Idi Amin, perfectly portrayed by Forest Whitaker in his Oscar-winning performance as one of the greatest casting against type roles seen in film. His Amin is capricious and unpredictable, a personality that can seem volcanic one moment and vulnerable a few minutes later. A blunt and brutal tale, and one that is highly engaging from start to finish. A taut political thriller about power and corruption. Macdonald's riveting and incandescent direction caps this fictionalised drama, a truly stunning flick that remains as a highlight of film in 2006.

Forest Whitaker's ferociously charismatic turn as Idi Amin so dominates this intense historical fiction that it is honestly difficult to pay attention to anything else in this 2006 political thriller. Even though he is definitively the emotional locus, he is intriguingly not the protagonist of the story. That role belongs to young James McAvoy, who plays Nicholas Garrigan, a precocious Scottish doctor who ventures to Uganda to satisfy his need for adventure after graduating medical school. By happenstance, Garrigan is called upon to help Amin with a minor sprain after his private car plows into a cow. Impressed by the young man's lack of hesitancy to take action, Amin appoints Garrigan to be his personal physician, a post that seduces the impressed doctor into the Ugandan dictator's political inner circle and extravagant lifestyle. Scottish director Kevin MacDonald brings his extensive documentary film-making skills to the fore here, as he creates a most realistic-feeling atmosphere in capturing the oppressive Uganda of the 1970's. Helping considerably with this image are the vibrant color contrasts in Anthony Dod Mantle's cinematography and the propulsive action induced by Justine Wright's sharp editing. Screenwriters Peter Morgan (who also wrote "The Queen") and Jeremy Brock have developed a sharply delineated character study of Amin, who evolves from a magnetic leader giving hope to his people to a scarifying tyrant conducting murders on an imaginable scale (at least until the genocides in Rwanda and Darfur). It is impossible to over-praise Whitaker's towering performance here. He conveys the dictator's playfulness as well as his unmitigated rage moving from simmering to full boil with a power that is at once bravura and subtle. His relationship with the fictionalized Garrigan turns out to be the plot's essential pivot point, although the contrast between the two can be almost too extreme at times. While McAvoy admirably captures the boyish naiveté of Garrigan, the character is drawn out in rather broad strokes that make his self-delusion all the more contrived as the story progresses. To intensify the political upheaval portrayed, the plot takes a melodramatic turn into an adulterous affair and even folds in the infamous 1976 Entebbe hijacking incident to illustrate Garrigan's increasingly precarious situation. It's all exciting and even downright brutalizing toward the end, but it also starts to feel a bit too Hollywood in execution. Kerry Washington shows genuine versatility as Amin's cloistered third wife Kay, while Simon McBurney oozes cynical suspicion with ease as a British operative. A convincingly Brit-accented Gillian Anderson makes her few scenes count as a weary clinic worker who proves to have better instincts than Garrigan. But see the movie for Whitaker's magnificent work. He is that good.