The King of Kong: A Fistful of Quarters

source: The King of Kong: A Fistful of Quarters

I really enjoyed this movie as did apparently a lot of other viewers. My interest was piqued enough that I wanted to see if I could find details on why Robert Mruczek, the Twin Galaxies Head Referee, resigned shortly after the Funspot tournament (as noted in the credits). I didn't find any information on that subject but I did find that Walter Day of Twin Galaxies has put together a lot of information debunking the "facts" as portrayed in King of Kong (http://www.twingalaxies.com/forums/viewforum.php?f=86). I strongly urge viewers to read the full story before making up their minds about Twin Galaxies and Billy Mitchel. I am not in any way affiliated any of the parties involved in this movie. I'm not really even a big fan of classic arcade games. This just goes to show how interesting the movie and this controversy are.

People do realise that Billy Mitchell is a proven cheater and compulsive lier right? You've all been fooled! Baffled how this rating is so high!

Billy Tempest was one of the Main financial investers for Twin Galaxies. If you really want to waste your time on something. Watch this.. Not much of a story, other than the fact he was a cheater. And he manipulated a good arcade into ruining their reputation as a place to hold arcade world records..

After having worked with video games in a professional capacity for several years, the people shown in the film were pretty accurate representations of the various levels of gaming personality: The contenders, the arrogant zealots, the wannabes, and the know it alls who claim to be the undisputed masters of things gaming. The film was funny in a sad, yet sympathetic way. Steve Weibe is this "average" guy who gets his 15 minutes of fame, only to have it continually disputed by a mullet-haired Billy Mitchell (who bore more than a passing resemblance to Superman's General Zod), who seemed to not defend his titles out of fair competition, but out of insecurity that he might not be known as "the best". The main prize of the whole competition seemed to be not the point of having the highest score in Donkey Kong, but it was more a battle of Steve's point to be credited for a score which he kept earning time and time again, versus Billy's fragile ego. Steve video tapes his high score, Billy contends that it's not credible unless played live. Steve goes to play live in a public place, Billy sneaks out this "top secret" hi-score tape, where the editing and quality are questionable. And yet, that's somehow okay by the judges board. The Twin Galaxies organization also seems very much like a "Boy's Club" looking out for their "bro", and are willing to subvert their own set guidelines to keep their buddy's prestigious spot within the organization. As a gamer, it was very frustrating to watch Steve get his title taken away time and time again, due to frequently changing "technicalities" insisted on by Billy Mitchell, especially when Steve proved it repeatedly, and Billy never bothered to show up to any of these competitions at all (save for one where he skulked in the background like a 12-year old comic book villain), much less even play a game during the run of the whole film. The only game he had at all was just running his mouth, and I'm surprised he didn't start twirling his mustache like Snidely Whiplash. Even if it was the editing that could have put Mitchell more in a negative light, all the editing in the world couldn't remove his preening, skulking, and making arrogant and ridiculous comments throughout the film. He seemed so incredulous that he would be incapable of losing anything he attempted, but it was obvious that he wasn't willing to risk the chance of even the slightest chance of losing. It was very clear that the guy was willing to do whatever it took to not only protect his high score, but his ego and status within his circle of hangers on. Without divulging anything regarding the ending. my theater clapped at the end of the film due so several surprises that take place in the last 20 minutes or so. In a sense, this is the "Rocky" of video game films (complete with "Eye of the Tiger" playing in the background at one point). As a video gamer, I've seen the world portrayed in the film, and there really are Steve Weibes and Billy Mitchells out there, along with the rest of the supporting cast. And for a documentary, it's a lot funnier than what one would expect, though in unexpected ways. For those who enjoy video games, or even the excitement of seeing an unusual competition, it's a worthwhile film, and definitely recommended if you can find it in theaters.

Appreciation of gaming with electronic pinball machines in fluorescent-drenched arcades and dank cellars is an acquired taste, a nerdy world of introverts and con men, dedicated to being the best at eye and hand coordination. And the apex is the game of Donkey Kong, like Pac Man an early but enduring endurance test for only the most committed, some of whom should be committed immediately. Seth Gordon's documentary about the pinnacle of Donkey Kong, peopled by the enigmatic, charismatic, and cagey Billy Mitchell (the reigning king of Kong) and challenger Steve Wiebe, a Seattle family man of normal proportions who doggedly pursues Mitchell's crown after he has lost his job at Boeing and has plenty of time in his basement to follow his dream. While Mitchell provides the romantic grist by wearing a helmet of dark hair, black clothes, and an attitude of mystery, Wiebe represents all the dorky slackers who ever wanted the top score, beyond the reasonable attainment of the goal. The documentary is best at showing how non-geeky some of the gamers are and worst at creating excitement for essentially a solitary competition with little audience participation and no discernible payoff except fame among a small group of devotees. It succeeds in showing how the zealots like Wiebe can consume valuable family time in their lonely quest and how even in this humble sport a savvy player such as Mitchell can make himself a legend by just not competing. Billy Mitchell helps define an essential ingredient of American celebrity: aloof cool. But then, he's no poseur when it comes to swinging the joystick: He's the King of Kong.

If it weren't for the sincerity of it all- or maybe because of it- King of Kong could be conceived of as a mockumentary. But there's no joking with these guys, which sometimes makes it a lot of fun to watch the competition between Billy Mitchell and Steve Weebie (right way to say the name?), where sycophants and idiosyncrasies fly on the former's self-spun empire/network and on the latter just your average suburban housewife and kids going somewhat begrudgingly along the ride. It's a saga though not just about them, but about the world of gaming, of the mind-set that pervades everyone from lawyers to 'Roy Awesome' to little old ladies competing at Qubert, and the nature of competition itself. Not since Rocky- and maybe even better in its exuberance and humility- has one seen a tale of the underdog and the king played out in odds that should seem somewhat silly. But what's so amazing is how first-time director Seth Gordon plunges the viewer into this world, and it's immediately recognizable to anyone over 18 and under, well, 55 to 100- anyone who's ever gone to play one of the "old-school" arcade games like Donkey Kong or Pacman/Mrs. Pacman or even Pong. We see how the players have to not just go into the games haphazardly by luck; like football, there's game-plans and strategies, and like that sport there are also some obstacles that are apart of the nature of the design of the sport. There's a whole incredible facet one takes for granted, for example, about the technology of the machines, which despite being eclipsed many times over by new systems can still be tampered with, as is the case with Steve's first machine that reaches the top score, and then discredited because of a chip possibly (or not) being replaced or implanted in to give leverage at a non-gamer store. Yet the more slippery side-stepping for players is what's even more intriguing. Characterization can be a tricky thing for the documentary director to deal with, but in King of Kong it becomes something of a controversy left by the wayside as Billy surpasses Steve's score with a game he played recorded on videotape- while Steve set his score by an official Twin Galaxies referee (Walter Day, to be exact, who's a character in and of himself)- with more than a few skips right were the score should register. Saying it skims the line of reality and mockumentary comes with the territory- after a while watching Mitchell is like watching someone who's improvising as he goes along, hiding behind his perfectionist guise as a world-class champ and purveyor of fine hot sauces with his fake-buxom wife and lackeys watching every move Steve makes. Aside from it being compelling storytelling as one sees the transformation of Steve from failed baseball pitcher and drummer to a Donkey Kong (and Donkey Kong Junior) champ, making all-time high scores while his kids cry about their poor behinds, it's one of the best kinds of sport-genre features in years. Many times one sees this played out, and it's been parodied in the likes of Dodgeball ("Nobody makes me bleed my own blood" came to mind once or twice looking at Mitchell, and his smart but biased cronies are like classic supporting characters), and the clichés and conventions get the better of the narrative. This time there's no pressure to push it into what's expected: we genuinely care what happens in this battle of the joystick, as Steve sheds genuine tears playing his ass off at all accounts of live events whilst Billy sulks away in his living room hearing the updates on his phone. As far as triumph-of-the-human-spirit stories go, King of Kong is hilarious entertainment, sometimes for all the strangest (Day's would-be musical career) and silliest reasons (what's so special about the Guiness book of records, Steve's daughter asks), but engrossing as documentaries should get- one of the best of the year in fact.

King of Kong (or Billy vs. Steve, basically), is an excellent film about a rivalry that says a lot about competition in our culture. The movie portrays Billy, the Donkey Kong Champion, doing everything in his power to keep his record and to deny Steve Wiebe (wee-Bee) the title of world record holder in Donkey Kong. Steve is an outsider in this culture where Billy is an icon, and at first there are people within the video game community who do not want him to succeed. It becomes kind of a struggle between good and evil, as the powers that be try to hold down those not in power. Suddenly, Steve is the guy you're rooting for, if only just to beat that smart-ass Billy. It is a journey that takes you through the darker and seedier side of the video game revolution of the '80s. If it seems silly to be writing about such weighty issues of good and evil when a movie is about a video game, watch the movie: it really does the job of making you care about what happens to these odd, fascinating people.

Though this geeky arcade fighting flick may remain an acquired taste, The King of Kong feels like one of the more entertaining documentaries to emerge in years. Even though you would think the chief demographic of forty year old virgins and basement-ridden, antisocial, hardcore, old-school gamers would flip the bill, Kong immediately offers so much more on so many different levels of psychological and sociological intrigue that anyone not self-conscious enough to feel embarrassed for investing an emotional stake into a Donkey Kong showdown, (highlighting a bittersweet anti-climax) will find themselves deep inside a world they never thought imaginable. The mock-epic tone, which so many supporting characters delightfully contribute to, feels seized by director Seth Gordon and infused into his charming take on good-vs-evil, letting this potentially inspiring metaphor stretch it's wings into a blossomed, well-rounded quirk-fest far more fun then it's rigorous gaming pedigree would suggest.

I saw this at the Traverse City Film Festival and it was probably the best film of the festival. This excellent film has everything that a movie fan loves to see: the classic hero and villain story, action, suspense, drama, and comedy. Who would have thought all of this would come out of a documentary about Donkey Kong? The story follows Steve Wiebe, a family man from Washington trying to beat the arcade juggernaut Billy Mitchell's world record score on Donkey Kong. The film is perfectly edited by introducing both characters, showing their history in the video game culture, and giving the viewers a sense of which person to root for. It's hysterical the way this simple story is made out to look like an action adventure film. Steve is the underdog, the man that has a big journey ahead of him. But to overcome the challenges and try to claim the title of Donkey Kong master, he must face the opponent Billy Mitchell and his video game minions. This film is one of the most fun times I've had in a theater in long time. The whole audience was involved, cheering on some characters, laughing at others, and applauding many times. It's so much fun to watch an underground culture and see people you didn't know existed. My favorite part in the film is probably when Steve has to show up in person and prove his ability. It's so hilarious, suspenseful, and inspiring. The King of Kong is a terrific film. It's a lot of fun, there's never a dull moment, and it really shows what a great film is supposed to be like.