The Inglorious Bastards

A group of American convicts in WWII Europe escapes in transport and makes their way for the Swiss border. Along the way they encounter German platoons -- lots of shoot outs ensue. Eventually, they come across another American contingent and are mistaken for a special ops team whose plan is to bomb a Nazi train carrying some sort of big fancy weapon. More shoot outs ensue. Leave your hat and your desire for plot logic at the door if you want to enjoy this bargain-bin version of "The Dirty Dozen." Much of this film doesn't make a whole lot of sense, but you won't realize it doesn't make sense until after the movie's over, because while you're watching it it's easy to be distracted by the energy of the storytelling and film-making. One thing this movie has is style. Bo Svenson heads the cast of mostly unknowns, though Ian Bannen (who has an Academy Award nomination to his credit, though not for this) brings some actorly street cred to the film as a general. The movie makes no effort whatsoever to capture the period feel of 1944 Europe. The various pornstaches on display are pure 1978. Grade: A-

Oh my. "A cult classic," I'm told. Oh my. Where does one begin? The acting? The directing? The screenplay? The cinematography? Basically, this looks like a film out of Film 101. Unconvincing, not funny (when it's supposed to be), unrealistic (when it's supposed to be), melodramatic (who WROTE these scenes?). It is easy to see Brad Pitt and gang (and Pitt probably belonged in this version anyway--sigh. What's with the bogus Hollywood accents of Southern folks!) But in this version, verisimilitude is out the window (does ANYBODY believe this is "France, about 50 miles from Switzerland? Pul-eeze. It's a Sergio Leone setting for a World War II "scene"! One could go on and on. Back to the "cult classic" label--always identified by the "literary" and "intellectual" crowd--like they do with the book "Finnegans Wake"! ONe can see where Bo Svenson's career didn't leap forward after this film and can anyone identify anyone else, save Ian Bannon, with another dreadful British "version" of American lingo. But I won't keep beating a dead horse. My time would have been better spent trying to read "Finnegan's Wake"!

We can't deny the fact that some of our American actors travelled overseas to appear in foreign-produced motion pictures. HELL'S HEROES (the video title) stars Fred Williamson and Bo Svenson, who were notably cast together in DELTA FORCE COMMANDO. Italy is by no means similar to Hollywood, and this won't appeal to war film buffs who watch THE GREEN BERETS on TNT. This one gets a lot of credit for actually willing to deliver a good amount of action right until the explosive finish. The violence is rather graphic, noticing soldiers falling out of trains and hitting landfall, but that heightens the reality of the war experience. It isn't rare to find Italian movies sleazy no matter how serious a situation is, and it's best kept that way. Fred Williamson, known for BLACK CAESAR and other "blaction" films, isn't at all a complete waste here, as long as naked broads in the water gain some vengeance in return for him stepping into the party. Well done for an actor known to possess the "mean" image, but he's fair enough as a guy smoking a cigar out to do battle. Enzo Castellari's direction comes to as a surprise for a few "trash" fanatics, just when realizing how he would soon manage to go full force on 1990: THE BRONX WARRIORS and GREAT WHITE. A pretty good war flick from Pizzaland. Remember to take it with caution if you've seen Oscar-winning war battles.

In 1944, in France, the rogue American soldiers Lieutenant Robert Yeager (Bo Svenson), Private Fred Canfield (Fred Williamson), the murderer Tony (Peter Hooten), the thief Nick (Michael Pergolani) and the coward Berle (Jackie Basehart) are transported to a military prison. However, the convoy is attacked by the Germans and they survive and flee with the intention of cross the border of Switzerland. Along their journey, they fight against a German platoon and capture the German prisoner Adolf Sachs (Raimund Harmstorf) that offers to guide them to the Swiss border. When they meet a German troop, they kill them but sooner they discover that they actually were and American commando in a mission headed by Colonel Buckner (Ian Bannen) to steal a German V2 warhead. Lt. Yeager, Fred, Tony and Nick offer to risk their lives to accomplish the mission. "Quel Maledetto Treno Blindato" is the original "The Inglorious Bastards" that Quentin Tarantino repeated the title in his film. The story is a sort of rip-off of "The Dirty Dozen", with delightful characters and non-stop action and hilarious sequences. This B-movie is entertaining parody of movies of war. My vote is seven. Title (Brazil): "O Expresso Blindado S.S." ("The Armored S.S. Express")

It is well set in 1944 France . Five convict soldiers (Peter Hooten, Fred Williamson , Basehart , Pergolani) in WWII French territory led to martial court escape from lock-up and head to Switzerland . They are commanded by a con-lieutenant (Bo Svenson) . They , then , mistakenly attack an allied command suited as Nazis . Shortly after , the motley gang assigned by an Allied colonel (Ian Bannen) pull off a daring assault on a Nazi-held stronghold , the most heavily guarded base . To add intrigue , a female (Debra Berger) and French resistance (Michel Constantine) have joined the ranks of the rag-tag , tough outfit ; besides , a rebel Nazi (Raimund Harmstorf) has also infiltrated the band . After that , they participate on a suicidal task to thwart the Nazi schemes by blowing up a train containing V2 head-rockets in a decisive battle for winning the war . The movie packs noisy action , slow motion explosion , shootouts , bombing and results to be quite amusing . It's well-made war-action/thriller/adventure/ Eurotrash film , it is a standout in its genre : ¨The Spaghetti-Italian warlike¨ . Relentless plot twists , in spite of some flaws , the warlike action keeps you breathless ; dealing with a peculiar band to steal the Nazi's most precious military hardware , and bring it back to the allies without getting arrested again by their own side . Rough , elegant Bo Svenson is fine as the group leader of the motley pack , he leads the misfit band of crooks from behind enemy lines . Remainder cast formed by Fred Williamson , Michel Constantine , Debra Berger (William Berger's daughter) , Enzo G. Castell himself in a brief cameo and Peter Hooten as an assassin convict are nice . The film takes part from American classic movies , just like :¨Dirty dozen¨ , ¨Kelly's heroes¨ and ¨ Where the eagles dare¨ but is actually its origin an Italian movie in similar plot , titled ¨ Hell commandos¨ (1969) . Inglorious bastards¨ had a special remake directed by Quentin Tarantino , in fact several scenes had to be re-scripted and/or shot differently as during filming the Italian Government, in response to increasing activity by the terrorist Red Brigade, drafted a law prohibiting the holding of weapons in case they fell into Red Brigade hands . The castle rescue scenes originally featured a massive shoot out, but were rewritten into the covert attack and escape featured, using knives, catapults and crossbows instead of firearms . The picture was professionally directed by Enzo Girolami Castellari who previously had made another good war film : ¨Eagles over London¨ . Besides , Enzo usually worked with Bo Svenson and Fred Williamson (who is even named as a co-writer on screenplay on deposit at the Copyright Office) in Italian ¨B¨ films such as : ¨Delta Force commando¨ ,¨Deadly impact¨, ¨ Tides of war¨ ,¨Bronx warriors¨, and ¨Warriors of the wasteland¨ .

The Italian industry from the 50's to the late 70's thrived by imitating big Hollywood box office hits and even though The Inglorious Bastards came a good 10 years after the WWII action cycle of the 60's, it's still a welcome addition to the genre. Two years after his spaghetti western masterpiece Keoma, director Enzo G. Castellari gathers a cast of b-movie stalwarts spearheaded by Bo Svenson and Fred Williamson, a couple hundred disposable extras in Nazi uniforms and unleashes hell. There's no sophistication or Spielberg-ian schmaltz here. It's an action-er through and through with a comedic touch and lots of gunplay. Castellari is no hack though and you can see flashes of his directorial brilliance in the slow-motion intercutting shots in the train, which rival anything Sam Peckinpah has done with the same technique. He knows he's not doing Citizen Kane though so he doesn't let his "artistry" get in the way of making an entertaining picture. Not a masterpiece by any means and it will probably seem outdated to anyone used to modern CGI work and Matrix stunts. This is old school action. Tarantino is preparing a remake of sorts for 2009 but The Inglorious Bastards has enough going for it to warrant a watch not just so you can brag to your friends on opening day that you've seen the original. Action fans will get a kick out of it.

To be honest, after hearing a few things about this film and that it's being compared to The Dirty Dozen, I was not surprised at how funny, light and enjoyable this film was. It starts off on a very light and 70's style mood type opening credit sequence with Sergio Leone western-style graphics and a theme song worthy of A Bridge Too Far. And it continues throughout to be a fun filled movie with likable characters and those good old war film shootouts with a guy shooting at a German and the German grabbing his gut and falling to the ground. Let's face it, we love that stuff. It also has a few twists to the plot and a few memorable scenes and lines, you seriously need to watch this if you're any kind of a movie buff.

The great Enzo G. Castellari made (in 1977) a war movie in the style of The Dirty Dozen or The Longest Day. Of course, Castellari had to add his usual tons of slapdash violence and action. This is the kind of war movie they stopped making after Vietnam, so it really has a distinct nostalgic feeling to it. QUEL MALEDETTO TRENO BLINDATO makes war out to seem really fun and exiting, contrary to other war flicks of that period such as THE DEER HUNTER or APOCALYPSE NOW. Instead, it is a harmless, exciting, even ludicrous action film. I challenge anyone to count the number of deaths in this film and send me a rough estimate! The cast was great, the acting pretty good, the action scenes well done (as usual for my man Enzo), and the music was appropriately nostalgic as well. The only thing this film doesn't have working for it, is the fact that many scenes featured the same actors dying over and over again. I found it kinda funny but some of you critics out there might just find it cheesy.

For my 1,000th user-comment on IMDb, I wanted to write about something that I not only enjoyed, but something that summed up or represented my feelings about and tastes in movies. You know, something that has my name written all over it. I considered a number of films - some bad - some good - but in the end, I decided to go with The Inglorious Bastards. Not only is it a great example of the kind of movie I go for, but I've been wanting to write something about it for a while now. And with Tarantino's re-imaging set to open this year, I definitely wanted to get my user comment written beforehand. So here it is, #1,000. As the film opens, a group of WWII era soldiers are being transferred to a military prison to await decision on the many crimes they've committed. Murder, theft, robbery - these aren't your typical, clean-cut, all-American GIs. On the way, the MP convoy is attacked by a German plane and a band of five prisoners escapes. They immediately decide to head to neutral Switzerland and the freedom it offers. On the way, they have plenty of opportunities to kill and maim Nazis. But when they accidentally shoot a group of American paratroopers disguised as German soldiers, the Bastards decide to stand in and complete their compatriots' mission. And what a mission it is - steal a train carrying a V2 rocket. If director Enzo G. Castellari is known for anything, it's action. And in The Inglorious Bastards, he outdoes himself. It's a testosterone injected ride from start to finish! Gun battles, explosions, vehicle wrecks, fights, falls off castle walls, motorcycle stunts - if it involves action, you'll find it here. Castellari somehow manages to keep the film well paced throughout. While the action does admittedly slow a tad in the second act, the film never bogs down and is always enjoyable. The Inglorious Bastards also features some really nice miniature work. The film's finale is especially memorable on that front. The cast is first rate. Fred "the Hammer" Williamson may be third billed, but he's the real star. Williamson's character is appropriately named Fred. Appropriate because he's pretty much playing himself - a cigar-chomping, one-line spewing, gun-toting badass. Surprising to me is that Bo Svenson is able to match Williamson scene for scene. I've never thought much of his other work that I've seen, but here, Svenson is very believable as the in control leader of the Bastards. The rest of the cast provide equally enjoyable performances. It's an excellent job by all involved. While I can see why The Inglorious Bastards might not appeal to everyone, for me, it's a near perfect movie. I've seen some reviews nit-pick the lack of realism. Relax, this was never intended to be a documentary. It's about having a good time and enjoying yourself. Just go with it and quit being so uptight. As for those who complain about the dialogue or the editing, you're obviously not familiar with Euro movie making from the 60s and 70s. Again, just go with it. Like I said, it's almost perfect to me. In fact, I've got no problem at all rating The Inglorious Bastards a 9/10, verging on a 10/10. So here's to 1,000 user comments. For those of you who have read and maybe even enjoyed some of what I've written, I say thanks. And look forward to more to come. On to 1,001!

In a nutshell, Enzo G. Castellari's legendary 1978 Eurocult classic "The Inglorious Bastards," which brought together "Walking Tall" star Bo Svenson, blaxploitation legend Fred "The Hammer" Williamson, and a whole lot of dead Italians is a naked chick war film that was an inspiration for Quentin Tarantino. In fact, there is supposedly footage in Quentin's film borrowed from this one (I haven't seen the new version yet), and Director Castellari (Keoma, Cold Eyes of Fear) is an actor in the new film. To say that the body count in this film is high is a misnomer; almost as many people died in this film as in the whole war. Like The Dirty Dozen, it is about a misfit group of deserters that is charged with an extremely dangerous mission to capture a German rocket. One heck of a bang up ending.