The Iceman Cometh

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source: The Iceman Cometh

Moviecut—The Iceman Cometh

Yuen Biao's leading role and the promise of yet another titanic ding-dong between him and sparring partner Yuen Wah was enough to sell me THE ICEMAN COMETH, a 1989 Hong Kong film that takes HIGHLANDER's central premise and reinvents it with a Chinese spin. Unfortunately, the film is far from the cult classic that it has been advertised as, although it does have much to recommend it. The film features an unlikely combination of comedy and drama, pathos, and more familiar martial arts stunts and action. Unfortunately the subject matter is very dark and the film is often depressing. The central villain is a rapist and at least one scene – a rape in a car – is done in incredibly bad taste, souring the experience of the film as a whole. Clocking in at one hour fifty minutes, the film is also very talky, and much of the dialogue centres around Maggie Cheung as the love interest. Cheung plays an obnoxious hooker, far from her sweet character in the POLICE STORY films. Here she's brash and unpleasant, unappealing to the viewer. Unfortunately much of the comedy centres around her instead of letting the male actors enjoy the type of physical hijinks so beloved of Jackie Chan and Sammo Hung. While Cheung is an immediate detraction every time she's on screen, the film is bolstered by Yuen Biao's typically strong leading performance; he's a far better actor than Christopher Lambert, the man he imitates at times, and he ably handles the dramatic scenes along with the comedic ones – the sequence in which he drinks from a toilet bowl is hilarious, made more so by Biao's acting of the innocent. Biao is matched by Yuen Wah, never more evil than he is here as the villain. I have to say, though, that it's pretty odd to see the skinny Wah stripped to his underwear and showing off his muscles to a hooker. With two top martial artists in the film, you can guarantee some great fights, and the film doesn't disappoint in the action stakes. Sword duels, a great battle on top of a car suspended in the air by a crane, and the top-notch one-on-one at the film's climax, which is set in a museum, certainly add up to counter the movie's deficiencies. The painful final fight is a particular keeper and the best showdown we've seen between Biao and Wah – their later chandelier ruckus in ONCE UPON A Chinese HERO is short and unspectacular in comparison. The film boasts some really good '80s animation that I'd choose over CGI any day. THE ICEMAN COMETH is a very different style film than we're used to from Hong Kong. With a better director and more action, it would have been a classic to rival DRAGONS FOREVER. As it is, it's an unwieldy movie with some great fights but a plodding storyline and Maggie Cheung's worst ever role.

This is a fantasy action film from Hong Kong, starring Yuen Biao as Ming Dynasty royal guard named Fong Sau-Ching, who got frozen in time after a fierce battle with the evil Fung San (Yuen Wah). After many years, both Fong and Fung have been thawed out in modern Hong Kong, where they continue their battle. This movie is chock full of martial arts action, from Yuen Biao and Yuen Wah duking it out in the Ming Dynasty to modern day Hong Kong. It's really smashing and edge-of-your-seat excitement seeing these two martial arts greats do their amazing stunt work. Caught in the middle of the centuries-old duel is call girl Polla (Maggie Cheung), who takes in Fong at her home. Seeing Fong try to assimilate and adjust living life in the modern day was pretty hilarious. But, much of the comic relief came from Maggie Cheung, who gave a rather dramatic but sassy performance at the same time. There were some touching chemistry between the two as well. Yuen Wah as the villain offers up some dark moments in the film as well, being a merciless attacker and all-around bad guy - somebody you would love to root against. I do think, though, that Wah's character was overkill and over dramatic at times. Rounding up the cast of characters are cameo appearances from a host of Hong Kong actors, from Elvina Kong to Elvis Tsui, and from Stanley Fung to Corey Yuen. Fun stuff here! Grade A-

The movie had elements of Highlander and Les Visiteurs and some other time travel type movies, like Demolition Man (though this movie precedes Demolition Man). It is about two warriors from the Ming Dynasty. One is a psychotic killer while the other is an honourable royal guard who has to arrest the killer in twenty days or be executed himself. He chases the killer to Buddha's time wheel, originally designed to force Evil to experience a hundred life times, but used now to escape into the future. They meet, fight, and fall of a cliff and are frozen in ice only to be revived in the 20th Century. This movie goes through all of the stages of culture shock in regards to time travel. Cars being monsters, television, and the old toilet and light switch jokes, which were performed heaps better in Les Visiteurs, but then Les Visiteurs was purely a comedy movie while this movie is more of a typical Hong-Kong action comedy. Then comes the shock of the changes, the Ming Dynasty has collapsed and everything has changed. Women has risen in status to a point where, as Ching is convinced, men are subservient. Then there is the bad guy who fits in with society reasonably well, except that he goes for pearls instead of Rolex watches. I enjoyed it, as generally I like Hong Kong movies. There is little in the way of in-depth themes, or none that I can draw out of it (unlike John Woo films). There is the struggle of Ching to come to terms with the collapse of his empire, but this is something that we don't face, or not on his level. Yes, we find that at times our life simply collapses to a point where everything has changed, but I don't think The Iceman Cometh is design to provoke such thoughts. I think this movie is purely designed to entertain with martial arts extravaganzas. Woo seems to deal more with interweaving thought into his films, especially with the Killer, but we never really see Woo films on SBS. This is a good movie and would watch it again.

Just watched this film for the first time last night. Loved it. It was so funny. And Yuen Biao was awesome as the hero....and Yuen Wah was great as the villain as well...he plays the villain in a bunch of martial Arts films....he's great at it. Highly recommend to watch this with friends late at night.

Opera School colleagues Yuen Biao and Yuen Wah face off in this action/drama film, (oh, and Maggie Cheung tags along for good measure). This film has seems to have slipped off the radar somewhat, but if you manage to see it, you'll find it has some very powerful moments. The scope of the film is huge. We start off in Imperial China (the Ming Dynasty), where we are introduced to the characters of Fong Sau-Ching (Biao), and Fung San (Wah) - perfect symbols of good and evil respectively. As in real life, the two are 'brothers', in that they have trained and lived together as Royal Guards. However, Fung has become corrupted, and is a known rapist and murderer. Fong must capture him within twenty days, or face execution himself. Did I mention that they travel into the future Hong Kong, the year 1989? Well they do via a Buddhist Wheel - a kind of primitive Delorian (but built sturdier). This film is by no means perfect, but it's main draw-cards are the exquisitely choreographed (though all too rare) action sequences, and the overall excellent production values. The performances vary somewhat, (Yuen Wah is maybe a little too comical in his delivery), but the film is ripe with powerful scenes and a surprising amount of subtext, if you're willing to look for it. The most interesting contrast the film makes is between the past and the (then) present. We find that honour, loyalty, and friendship mean totally different things in the modern age, and Biao's character has the most difficulty adjusting to his surroundings. Wah's character however (rapist, thief, murderer) adjust very quickly, and has even managed to adopt the most cutting-edge in fashion. The subtle distinctions drawn between Hong Kong and the Mainland are also of interest - though how relevant they are today I cannot say. Clarence Fok has undertaken a very ambitious task here - a film that deals with so much (in my mind) cannot succeed in every area. However, it does succeed in the most important areas for me, and I can only recommend at least one viewing. It does, however, seem to improve with multiple viewings. The rich visuals and and action sequences alone make this a stand-out from it's era.

Yuen Biao is a highly underrated actor for his time, his acrobatic skill and comic timing are so much better than Jackie Chan, Sammo Hung or Jet Li. This movie trys to do sci fi kung fu and ends up looking cheap n nasty. Similar to Zu Warriors From The Magic Mountain but not as good. Don't get me wrong all the action scenes are awesome no doubt due to Yuen Biao and Yuen Wah, but the story isn't (Ming dynasty guard teleported into the future to capture a criminal). Comedy is different from his usual methods too, not as good in my opinion. Well worth a watch for any fan and if your looking for excellent Biao movie watch Prodigal Son or Kickboxer or Dreadnaught or Knockabout (and plenty others). You wont be disappointed if you like quick action and quick laughs :).

I am a big fan of Yuen Biao, and I had heard that Iceman Cometh was supposed to be *the* Yuen Biao movie, with a great leading performance and some spectacular kung fu. I finally found the DVD a couple of days ago - and unfortunately I was quite disappointed. Yuen Biao is certainly not bad - far from it -, but the movie actually doesn't have that much fighting in it, and the story, while moderately entertaining, does lack a good deal of charisma. The comedy is fair but not great, and there are some really nasty scenes of violence. All in all, not a very well-balanced product. As a Yuen Biao movie, it certainly falls grievously short of classics like Zu Warriors From The Magic Mountain and Prodigal Son. Maggie Cheung is not bad here, either, but doesn't manage to make the movie look better than it is. Iceman Cometh reminds more than a little of the similarly themed 1991 Hong Kong movie Kung Fu Vs. Acrobats (Ma deng ru lai shen zhang), in which Yuen Wah also plays the bad guy, and which I've rated a 6. Iceman Cometh deserves the same grade. But since I had much higher hopes for Iceman Cometh, I can't help being somewhat disappointed.