The Great White Silence

source: The Great White Silence

Explorer Robert Scott harbored high hopes of becoming the first person to reach Antartica's South Pole. Seeking private and public funding for the Terra Nova Expedition, Scott came up short of the monies to fully finance the exploration. He turned to photographer Herbert Ponting to bring still and moving cameras to record part of what later was called the Heroic Age of Antarctic Exploration. The intention was to collate and present the trove of film once Scott accomplished his goal for the explorer to use during his fundraising lectures. Ponting recorded every highlight of the journey beginning with the expedition's departure from England in the summer of 1910. The cameraman seemed to take pictures of everything that moved, from the Terra Nova ship slicing through the thick Antarctic ice to animals living on the icepack. He also recorded setting up the base camp as well as showing the transport of supplies throughout the route Scott and his team were going to take on their journey to the South Pole. After 14 months at Cape Evans, Ponting with eight others left in February 1912 just before Scott began his trip to the pole. He returned to England to get a jump start on the visuals when the explorer came back from his triumphant return. Trouble was Scott was beaten to the South Pole by Norwegian Roald Amundsen and his team by 34 days. Disheartened, Scott and his men trudged back before they were caught in a blizzard and perished. Ponting's photographs and snippets of his movies were made available to the public once the tragedy was known as a financial appeal to pay the bills for the expedition. The photographer then assembled his moving images and produced a dramatic documentary of the ill-fated trip. Since no camera crew accompanied Scott to the South Pole, Ponting filled in the blanks with reenacted painted images. He released "The Great White Silence" in 1924 to a curious English audience. Personally giving his recollections, Ponting continued his lecture circuit in 1933 when he inserted sound. Despite a North American series of lectures, the documentarian died in 1935 at his home in poverty. The British Film Institute worked along with The Scott Polar Research Institute to restore the stunning "The Great White Silence," which has since gained critical praise, including its inclusion in '1001 Movies You Must See Before You Die' reference book.

The fact that Capt. Robert Falcon Scott had the presence of mind to ensure that a cinematographer accompanied his expedition to conquer the South Pole allows us - 100 years later - to enjoy this fascinating documentary. It has been recently restored to commemorate the centenary of the ultimately doomed attempt to reach their southernmost tip of the world before his Norwegian rival Amundsen. Using original imagery from their travels, we see the planning, voyage and initial stages of their journey across Antarctica. We get a true sense of the arduous nature of their travails, the weather at sea and on land as hostile as nature can conjure. Wildlife never seen by most of us at the time of filming; their ponies and tractors; their makeshift wooden huts all have you reaching for a jumper. The shades and hues are brilliantly captured, illustrating just how white everything was as they set off. The story is augmented by a map illustrating their progress as they reach then return from their goal. The frustration I felt whilst the dots on the map gradually brought them to within 11 miles of their food dump before... It's captivating in the truest sense of the word, and is really well worth seeing on a big screen.

The Great White Silence (1924) : Brief Review - In one word, THRILLING! One of the greatest Storytelling I've ever seen for a documentary and One of those Documentaries you Must Watch before you die. When i saw Robert Flaherty's 'Nanook Of The North' (1922), i thought i am done watching great documentaries of old time. I had already heard about 'The Great White Silence' even then but i kept skipping it for some reasons and Today when i am done watching it, I feel ashamed of myself. Nanook Of The North wasn't the end, here is great next chapter in the documentaries world. So, it contains brief cinematograph sequences taken during the Terra Nova Expedition of 1910-1913. The principal filmmaker was photographer Herbert Ponting. The Terra Nova Expedition was an effort, by governments and concerned citizens of what was then the British Empire, to plant the Union Jack on the South Pole by means of men, ponies, dogs, and primitive snowmobiles hauling sledges from a base located on the Antarctic coastline. The documentary portrays expedition leader Robert Falcon Scott and his ship, the Terra Nova, and men as they leave Lyttelton, New Zealand, to sail into the Southern Ocean and its ice floes. This restored version (2011) was in so good quality and the background score was so thrilling that it looked better than many thriller genre classics of 40s and 50s decades. I was hooked to it, i didn't move for a second and i was so immersed into it that i forget i am watching a documentary that released 97 years ago. What a beautiful storytelling it was. The intertitles are so well written and has that narrative values to make a Normal footage as interesting as any feature film. This is a Must See stuff, no matter how old it is and what some duffers have to say in review. You better experience it yourself than making a choice after somebody's review (including mine). RATING - 8/10* By - #samthebestest.

A documentary about the quest to the south pole, where oddly, the best parts are less about the quest, than about the sideshows: The dancing of crew on board the ship is highly entertaining, while the observation of animal life in the Antarctic can be as cute and humorous and informative as later documentaries devoted just to those subjects. The photography of the landscape scenery is so beautiful that the first half of this film or so is worth watching for that alone, but unfortunately it falls away just as the climax begins because they couldn't get any footage of it. What we are left with then is a third act filled mostly with title cards - like reading a book - and while interesting subject matter, and the impossibility of filming the task completely understandable, lessens the filmgoing experience.

"The Great White South" can be an entertaining account of the Terra Nova Expedition, from Lyttelton, NZ to Antarctica. Watch with a mind's eye that can help you step backward in time, to the thinking of 1910. When watching how the story is pieced together, at first I was a little bothered by the light slap-stick splashed between the scenes that were shown. One bit of information about a certain cat was truly void of political-correctness, which made me bristle. But after a few viewings of the movie I came to actually appreciate the humor, partly by understanding the reason for its use. The cinematography and story-telling shared by Herbert Ponting was based on turn-of-the-19th-century knowledge and thinking - a far cry from where society is today. Keeping this in mind helps one enjoy this piece of cinematic achievement more. I was fooled upon first glance that Mr. Ponting might have joined the actual South Pole expedition as they actually set out in November, 1911, to undertake the quest for the frozen goal. There were still images taken at the Pole, not by Mr. Ponting, but by Lt. Henry Bowers, one of the four men selected. The quips actually became comic relief as the story turns quite chilly, with some plot revelations as the four explorers trudge hundreds of miles, over a two-month period. Allow yourself to step out of your own comfortable shoes and into those of these comrades, and you'll appreciate the story much better. It's a slice of significant world history, in which Mr. Ponting was able to capture, during the journey. It's amazing to learn the back stories of the major characters and how events converged with the trek for the South Pole, and why it also took more than a decade for this film to be completed. Cast out what would be today's poor choice of mingling with wildlife (and otherwise meddling with it) and revel in some enjoyable photography, story-telling and cinematography of its time. One footnote: I watched the BFI-restored film, complete with restored colorizing and tinting (first done by Mr. Ponting himself). Oranges, blues, and odd shades of red seem meant to add a sense of time of day in some scenes, or the color of sea water. It didn't disturb me to see this when realizing that the color was as the filmmaker intended. The soundtrack by Simon Fisher Turner (Soleilmoon Recordings - 2011) was a welcome and haunting treat, which rejected the customary organ music one expects with silent films while adding depth to the visuals.

An extraordinary account of the doomed expedition on the Terra Nova by Captain Robert Falcon Scott to the south pole between 1910 and 1913, by cinematographer, Herbert Ponting. This document follows the ship from New Zealand as it lands on the antarctic coastline where the team set up a camp. Here, Ponting films both the people and their actions, along with the wildlife that inhabits the area. Much of the middle section of the film focuses on the wildlife, documenting the habits of seals, penguins and gulls. Throughout these animal parts, the "narrator" (obviously being a silent film , these narrations are provided within inter titles) almost seems to place human characteristics to them (such as stating that a male penguin searches for his "bride"), his observations at times entertaining and occasionally amusing. Unfortunately, some of the practices for capturing footage seems very archaic to modern viewers, as Ponting often interrupts nature to capture certain footage; a practice that I'm sure David Attenborough would be astounded with. Obviously, Ponting did not follow the five men who set off from camp to reach the south pole. As history is now aware, those men never returned alive. With some incredibly stunning images of polar caps, icebergs etc, the film is a beauty to behold. Unfortunately, the film was not really successful at the time, and Ponting died in poverty 10 years after its release. However, the British Film Institute has released the film in a beautiful digital transfer that means that this film of historical importance may live on for future generations to enjoy.

I'd like to be able to say this was a great film but in all honesty I can't. At least half of it is taken up by Ponting anthropomorphising about the animals he filmed. Scott's push for the pole and tragic end are depicted from footage by Ponting but he did not go with them so it isn't any better than modern reconstructions in documentaries. The best bits are the contemporary footage of the early preparations and passage to Antarctica. The choice of music for the soundtrack is pretty dire – the Vaughn Williams score for the John Mills film would have been predictable but would have been better. This is the film as released in 1924 and as such is an important historical artefact so I shouldn't complain too much. However, a better treatment would be to use the best material in a documentary and release it on DVD/Blu-Ray with the full original as bonus material for those who really want to see the whole thing. As a viewing experience for a modern audience it's pretty dull and doesn't tell you what you really want to know.

This silent film was one featured near the beginning of the book 1001 Movies You Must See Before You Die, I didn't know what to expect from reading the title, but it sounded like a worthwhile thing to watch. Basically this is a silent documentary about the Terra Nova Expedition, where the British made an effort to plant the British union jack flag on the South Pole, using a group of men, horses (ponies), dogs and primitive snowmobiles hauling sledges. The expedition started from a base located on the Antarctic coastline, all footage was captured at the time of the event, expedition leader was Robert Falcon Scott, he and his men left from New Zealand and sailed into the Southern OCeon and its ice floes. They safely landed on the icy coastline of Ross Island, filmmaker Herbert G. Ponting followed the men setting up tents, practising skiing and preparing to travel southward toward the Pole. The film ends with the explorers pushing off from their base, but title cards remind the viewer that this story has a tragic conclusion, Scott and the four companions never returned from the Pole, but they said that they would die trying to do what man had never done before. This film is interesting with all the footage of the men going through the many icy landscapes and waters, you also see good footage of the wildlife, including killer whales, seals and penguins, but what is really fascinating to watch is the icebergs and other strange ice structures on the journey, it is a worthwhile silent documentary. Very good!

As an Argentinian, so close to antarctic, being some of their inhabitants also In Patagonia. Having several friends that have been in Antártica, I find this a great documentary, like opening a window 110 years ago. I honor those men that went into the unknown, like the sailors of corvette Uruguay, that sailed in rescue to antarctic a century an 20 years ago