The Duchess and the Dirtwater Fox

The Duchess and the Dirtwater Fox

source: The Duchess and the Dirtwater Fox

Just watched the movie on TV last night (8/21/06). I've seen better, I've seen worse but I did keep watching. I would like to find out the name of the song and where I can get it if possible of the tune that was played while Goldie and George were at the Jewish wedding. If anyone is out there that could help me with the song - that's really what I would like to have. As for purchasing the movie, I probably will not do that. The 10 line minimum is getting to me as I really don't have a whole lot more to say about the movie. I would really have liked to cut to the chase. The movie even on TV had language that wasn't necessary. I am still a fan of older movies. Also there were some funny scenes in the movie. It's nice to see a lot of the character actors as well.

1976 was probably a crucial year in gauging the status of the Western as a feasible Hollywood film genre: apart from well-regarded titles like THE OUTLAW JOSEY WALES and THE RETURN OF A MAN CALLED HORSE, you had to contend with some notorious flops, of both the art-house – Robert Altman's BUFFALO BILL AND THE INDIANS OR, SITTING BULL'S HISTORY LESSON and Arthur Penn's THE MISSOURII BREAKS – and the spoof – THE DUCHESS AND THE DIRTWATER FOX and THE GREAT SCOUT AND CATHOUSE THURSDAY (which I've yet to catch up with) – variety. The star rating I gave to the film in question is an indication that it wasn't, in fact, as disastrous as contemporary (and even more recent, in view of its release on DVD) reviews would have you believe and I'd say it's even worthy of earning a place in my collection…which should, of course, imply that it has rewatchability value. Goldie Hawn, George Segal and his amiably clumsy horse Blackjack are practically the whole show here and this is clearly one of those movies which rely heavily on the charisma (or lack thereof) of its leads for its success or otherwise. The screenplay does have some good lines – including an amusingly protracted stagecoach conversation (supposedly in French) between the two stars which actually incorporates slangy English, French, Italian, Spanish and some Latin, too – but the plot is rather too thin to sustain the film's length. Hawn is a saloon entertainer/hooker with ideas above her station: she gets to wear tarty outfits, sing a bawdy song in an English accent and board the aforementioned stagecoach to become "The Duchess" of the title, an English governess to a host of kids borne by a wealthy Mormon; on the other hand, Segal is a luckless womanizing cardsharp who keeps getting caught cheating and finding himself at the wrong end of the noose; he eventually manages to abscond with $40,000 in stolen loot to the eternal chagrin of a ramshackle band of outlaws. The bag containing the money changes owners more often than these characters take a bath and, along the way, Hawn and Segal finally make love aboard a canoe approaching some deadly rapids, take refuge in a Jewish wedding ceremony and are bound together and left to roast under the baking desert sun. The change in mood towards the end – where Segal is repeatedly shot in the final confrontation with the gang – is far from smoothly handled but the open-ended conclusion nevertheless manages to end the film on a lighter note.

When I had a chance to watch this one, I already had a appreciation for Goldie Hawn. When I finished this film, all I could appreciate in it was Goldie. The comedy was strained at best, mostly terrible. The cast around Goldie is not much support. This film makes many of her other films look much better. I do not understand what about this script caused it to be made. Comedy Westerns had been a vehicle for many Hollywood stars and comedy teams since the 1940's. I understand for this reason why it was made. What I don't understand is why they waste Goldie Hawns Talent with a terrible script. Pee Wee's Playhouse has a better script than this. One thing though, Goldie was a much sexier woman when she was young than her daughter is now. The best scenes in this movie are the ones exploiting that charisma. The rest of it is a sleeper, literally.

"The Duchess and the Dirtwater Fox" is a fairly good film. It's a cross between classic Hollywood and the then more contemporary comedy stylings that were coming into vogue in the late 60s and 70s. That is to say the humor is blue, and less suggestive than it is explicit, yet at the same time very smart. And perhaps because of this the film's tone is probably a little misunderstood. Even though the film was shot widescreen there's a definite TV budget feel about it. There's more coverage than can be expected from a made for TV film, but the shots themselves are typically those used in non-theatrical productions, giving the film a kind of uneven feel. For what the film is the humor is pretty sophisticated, which I think has some of the other commentators (specifically those who gave negative reviews) a bit confused. For a comedy that opens with a dance hall scene laden with sexual innuendo one might not expect the gags to be as sophisticated as they are. A viewer might get the impression that the humor will be blue, but not just blue, but explicitly blue. But that's not the case here. The humor, though suggestive and occasionally profane, is actually pretty smart, and on that score is actually quite funny. Now, if you can accept all that, and like your humor with lots of wit, then this film should entertain. In short the humor is smarter than one would expect. You have to approach watching this film with kind of mindset to really enjoy it :-) If I had one gripe with the film it'd be the ending. As climatic as it was it felt a little flat and open ended. It's also a bit implausible, even for a comedy, but a film like this really needs a happy ending... of sorts. On that score the ending should've been a little more plausible, but it is what it is. If you like your films smart, then try not to be too swayed by the negative comments, and give the film a chance by renting it once. It's not a film that has a lot of big sight-gags, but there's enough here that should entertain. Enjoy :-)

Supposedly a Western, romantic-comedy, this film fails on most levels. Oh, it's not that it's that bad. It's not terrible. It's even mildly amusing in spots. But it had a great deal of promise, and didn't fulfill any of it. George Segal was trying to come off as the lovable rogue, but succeeded only in the rogue part. His character was crooked and churlish. Goldie Hawn did what she did (and still does) best: peg the needle on the cute-o-meter. Her character was pretty non-admirable as well, a prostitute and a con artist. At least the photography of the Colorado countryside was nice, and the direction was unobtrusive. I remember liking this film in the distant past, but a recent viewing made me wonder why. Check it out to see Goldie look cute, but don't expect anything more.

I liked this movie. It is a bit dated and it does lose the thread a bit at times, but generally is funny and spontaneous. I really wondered if some of the humor was unplanned. For example, when the Fox turns the corner on his horse and falls off. It really looks like this wasn't in the original script but it happened anyway. I particularly liked the song Don't touch my plums and especially when Goldie sings it to the Mormon family. Goldie Hawn is at her finest and suits the role she is playing. Watch it when you want to smile or need cheering up and don't want to think too deeply! We watched this by accident on TV last night and I managed to stay awake all the way through (ask my husband, that's amazing!)

if you are a sucker for western romantic comedies...then none will please you more than this one. goldie hawn and george segal make a hilarious couple, fighting and sparing all the way to the love that awaits. good movie to watch with someone you love--pleases both the gals and the fellas.

This western comedy gets off to a smashing start: Goldie Hawn, dressed like a lascivious German barmaid, singing in a San Francisco saloon full of rowdies. It's a Marlene Dietrich bit that out-Dietrich's Madeline Kahn from "Blazing Saddles". Thin plot has a card-sharp in the Old West trying to keep vicious sidewinders from stealing his stolen loot; a dancehall girl gets there first. This is one of those comedies from the 1970s best described as 'bawdy', with some memorable moments: Hawn, pretending to be the Duchess of Swansbury, singing for a drooling Mormon; she and George Segal talking gibberish-French in a stagecoach; the couple floating down a river to the vocals of Bobby Vinton, and later getting tied to stakes in the sweltering desert. Sloppy, yet ingratiating film gets by solely on charisma and energy. It didn't find a sizable audience in theaters, though I would suspect Hawn-buffs will enjoy it on DVD. Raffish Segal also charming, and working effortlessly with his co-star. ***1/2 from ****