The Diamond Wizard

source: The Diamond Wizard

The Golden Age has given us such a varied roster of genres so far on blu-ray, and each film brings something unique to the vintage funhouse. For The Diamond Wizard, I was intrigued by the prospect of period location shots of 1950s England. Nothing brings a setting and an era to life like 3-D photography, and the filmmakers didn't disappoint. It's a poised, polished and very enjoyable police procedural with noir elements. The two male stars (Dennis O'Keefe and Philip Friend) play well off each other and contrast nicely as characters, the brash American (O'Keefe) drawing his Scotland Yard counterpart out of his staid shell, always with a friendly nudge. Margaret Sheridan shines as both romantic interest and a potential lead in the case. She's spirited and playful without being a full-blown femme fatale. The supporting cast is very good, and I especially like how each character, down to the smallest part, is given a little quirk to make them memorable, reminiscent of I, The Jury. Story-wise, it's solid and well-paced. It's also easy to follow. The quaint forensic and investigative techniques are entertaining and informative. There are a couple of twists, but they didn't surprise me all that much. I liked that the action finale didn't outstay its welcome. The 3-D is better than I hoped it would be. The exterior street shots are incredibly atmospheric, while the interiors are always set up to maximize the sense of space just in front of and behind the frame. It has an elastic effect on the visual field, making us forget where the actual screen is. That's the opposite of a gimmick; it's immersive because it draws us in intuitively. I was always aware of the 3-D but never distracted by it (apart from a few fun pop-outs), and loved every second. The English setting makes it a personal favourite, but it would be a top-tier Golden Age 3-D title even without that. The impeccable 3-D is complemented by a fun detective yarn, a polished screenplay, and rock-solid performances. Not to mention another outstanding restoration by the 3DFA, one of their best yet. I couldn't ask for more than that.

This is an interesting 3D with a British touch, and it's a luck that Kino Lorber and the 3D Film Archive have jointly taken the task of restoring it. As explained in the extras, it was shot in 3D but never released that way in its time, as the 3D trend had declined. So now we can enjoy watching it as it was intended to be screened. The story, whether 3D or normal viewing, is interesting enough. A federal agent joins forces with a British Scotland Yard colleague to catch a band of synthetic-diamond makers and rescue the scientist who has joined them. Both agents also doubt if the scientist's daughter is willing to help or only trying to fool them. Contrasting with Philip Friend who effectively plays his less emotional British counterpart, Dennis O'Keefe adds the spark to the pair; he does not only act but also directed this picture, and both jobs he does well. Not only the polarized version is great, also the anaglyphic one (complimentary glasses are included) offers a nice medium-depth effect. The image is sharp if a little grained, and compared to the unrestored version (both shown side-by-side in the extras as usually) contrast is improved - good for the restoration team. The 3D effect is much more apparent with the polarized glasses, though. A sample of the anaglyphic version can be watched at Youtube (see External Links section). An otherwise very British style picture with sober acting, no over-use of 3D visual tricks, more documentary-style than American productions yet with a well balanced amount of action. So good that they have restored it. Another treat for 3D affectionates. More 3D classics coming, please!

This had to have been the second and last noir shot in 3D,but, it was released flat by 1954. Fortunately Bob Fermanek and the 3D archives restored it to it's 3D glory.. Once again they took considerations for 3D fans, who do not have a Polaroid set up, were considered and it includes and anaglyphic version. Both Polaroid and anaglyph version are great. As with ,' I the Jury," Margaret Sheridan shows up in her second 3d noir film. She plays a bigger role Stewardess who works for TWA, who is a daughters of a scientist. It was directed and written and starred Dennis O Keefe. A scientist, played by. Paul Hardtmuth, known to create fake diamonds, is kidnapped by Francis Dewolf and his thugs, one of them is a sneaky member. Played by Alan Wheatley, who portrays himself as a diamond expert. These thugs are trying to force the scientist to make fake diamonds to sell them as real ones, in a huge castle type building. Phillip Friend and Dennis with the aid of sergeant played by. Gundrun Yur, searches for the kidnapped victim. Both Polaroid and anaglyph versions are great. Ratio in its original one by sixty five by one wide screen in the menus Mike Ballew, which for the first time your see a picture of what he looks like .I thought he was a young 20 something person, he's older. He explain the development of the British 3D camera that was invented by Raymond Spottiswood that was used to make shorts and in an improvement to make this film from.. Then there's the before and after restoration demo. Excellent black n white 3d noir.11/11/22.

Likable actor Dennis O'Keefe made a couple of films in England in the '50s. "The Diamond Wizard" from 1954 is his baby all the way - he wrote the original story using a pseudonym (Jonathan Rix), he directed it, and he starred in it. O'Keefe plays Joe Dennison, a Treasury Dept. investigator in England trying to find a gang who stole a million dollars from a treasury vault and also killed his partner. One of the criminals apparently is in England to buy fake diamonds, though they realize he must be coming by ship because he as of yet isn't in England. The Scotland Yard inspector, McClaren, is working with Dennison on the case while also searching for Dr. Eric Miller, an atomic scientist who has disappeared. His daughter, who came to England to join her father, has a broach with phony diamonds, made by her father. So is he somehow involved with the thieves? This isn't a very interesting film until the end, where the location is an incredible castle. The whole end moves at a great pace, is suspenseful and atmospheric. I wish the whole movie had been that way. It's odd in the way it starts out as somewhat light, with both men competing for the missing man daughter's affections, and then has this big ending. Both lead actors, O'Keefe and Philip Friend (the inspector) are very charming. The story is derivative, but I love the idea of the phony diamonds -- there are so many of these today, and they even mention Moissan, whose product, Moissanite is available (and expensive) today.

Also known as THE DIAMOND is directed, written and stars Dennis O'Keefe. American federal agent Joe Dennison travels to London in search for clever fugitives suspected of stealing a million dollars from a U.S. Treasury vault. Dennison will team up with Inspector McClaren(Philip Friend)of Scotland Yard and do double duty helping his British counterpart. The two detectives share in the hunt for a missing atomic scientist Dr. Eric Miller(Paul Hardmuth), who is believed to be deeply involved in a ring pushing fake diamonds. Dennison and McClaren, who Dennison calls Mac), get the idea that solving both crimes may rest with the scientist's daughter Marline(Margaret Sheridan). Plot and pace are top notch. Other players: Michael Balfour, Gudrun Ure, Seymour Green and Alan Wheatley.

An American Treasury agent (Dennis O'Keefe) teams up with a Scotland Yard inspector (Philip Friend) to track down a group of thieves that are creating artificial diamonds out of sugar. This film seems to be a bit of a mystery. The BFI considers it lost, despite prints being readily available -- even on YouTube and Netflix. And then the director is a bit of a debate. Whether the print is the American or English one, the director name is switched. The film itself does not seem to be different in different prints. The plot is pretty good, and the idea of synthetic diamonds is interesting. One has to wonder... could synthetic diamonds be made so well that there would be no real chemical difference?

I liked this movie just fine, but there's no real reason to seek it out - it echoes and rehashes the plot points of dozens of earlier films (and even films about using artificial diamonds to control the economy). The most unusual thing about it is the filmmakers decision to incorporate 3D into the film...which seems absolutely pointless given the prosaic nature of the material and the sturdy, workmanlike lighting, set design and photography on display here. I saw the "2D" version on a TV (of course), and it was pretty obvious where the 3D shots were supposed to go...and they wouldn't have added a thing to the viewing experience except maybe for sheer novelty value. Still, for all its limitations, there's a lot of talent and craftsmanship to be found - the interplay between the hero and his British counterpart is fun to watch; the actors keep up the pace in dialog and exposition heavy scenes that might have otherwise been a drag; the two women in the case are respectively snazzy and adorable; and there are a couple of setups and shots (especially the final chase and shoot out on a wooden escalator) that Hitchcock himself might have approved. The movie's almost total obscurity is perhaps undeserved...a decent time waster, in any case.

Because of cheaper production costs, many Hollywood projects were moving abroad during this time period. This movie appears one of them. Add the 3-D effects from that short-lived craze, and the movie dates itself. Though working through a rather complex storyline, the 83-minutes amounts to a pretty good crime drama. American O'Keefe and Britisher Friend are cops collaborating in good allied fashion to run down a gang of crooks traveling from the US to Britain. Their aim is to buy a million dollars of fake diamonds. Seems the classy Sheridan's elderly father has a formula for creating the fakes that could upset whole economies if spread. So our two cops have their work cut out. Some good touches like action on the escalator and 3-D sparks flying-at-you lend visual interest. Then too, byplay between the two male leads is cleverly scripted and well acted. Production also makes good use of London locations that lend color. And how about that whiz-bang ending that had me thinking world's end. And, boy, I sure could have used more scenes with the delectable Ms Sheridan. On other hand, the plot development tends to get turgid and over-crowded at times. Nonetheless, the sum total is a pretty good thriller deserving of 6 and1/2 stars.

Using the non-de-plume of Jonathan Rix, his grandfather's name, Dennis O'Keefe hied himself over to England and sold this story (with screenplay by John C. Higgins) and ended up as the star and (credited) director of this film that was merely a slight---primarily geography and accents---remake of at least a half-dozen American B-westerns with the plot gimmick revolving around a heroine's scientist father being kidnapped and forced to counterfeit something---diamonds, in this instance---for a gang of crooks. One of the readily available horses-and-sagebrush versions is 1941's "Dude Cowboy" from RKO with Tim Holt, Marjorie Reynolds and Byron Foulger essaying the roles taken here by O'Keefe, Margaret Sheridan and Paul Harmuth. Give "Dude" the edge over "Diamond" on the strength of Ray Whitley's songs.