The Court-Martial of Billy Mitchell

I find it kind of enjoyable in a smooth, Hollywood kind of way. Billy Mitchell did go through the various experiences we see on screen, only not in the particular details shown. The deck is stacked in favor of Gary Cooper as the hero, Billy Mitchell. I read a reasonably balanced biography of Mitchell some years ago and he didn't come across as the idealistic firebrand we see on screen. Rather, as I remember it, he had married well and was something of a social aristocrat, which isn't bad in itself. The story's probably familiar. Mitchell is an advocate of air power and, against orders, blows a test battleship out of the water with out-sized 2,000 pound bombs. For this he's sent to Siberia in Texas. When his friend in killed in an airship accident and other friends expire in a cross-country flight, he makes a public announcement accusing the War Department of being "criminally negligent" and "almost treasonable." For this he gets a court martial, found guilty, and is cashiered. He was evidently correct about a number of things. The day of the battleship was limited. The majority lost by all sides in World War II were sunk by airplanes. No air force ever used 2,000 pound bombs though, with one exception (the Tirpitz) to sink them. Nor did air supremacy ever win a war by itself. Not in World War II -- and not since then. The best scene -- both the most dramatic and the most unintentionally comic -- is the court martial scene. Every participant in the trial has a single dimension. There are the good guys and the bad guys. The bad guys are winning at the start but the tide turns and they lose. The last witness is Mitchell himself. He not only has to undergo the agonizing ordeal of being cross-examined by a particularly slimy and sarcastic Rod Steiger but he must be suffering from an attack of malaria at the same time. Man, does he suffer. He keeps a handkerchief to his face, patting away the sweat. I don't recall from his biography whether Mitchell actually made the predictions attributed to him by the film. They include a surprise attack on Pearl Harbor by planes from aircraft carriers 150 miles off the Hawaiian coast. The enemy will be the Japanese. He also calls for the Air Force as an independent branch of the armed forces. This is, like, 1927, mind you. Steiger keeps making snotty references to Mitchell's "crystal ball." A friend and I made up outrageous Mitchell predictions that might have been cut from the script. The Finns will build an undersea tunnel and fly airplanes that will come out of a Washington sewer and bomb the White House, and so forth. Well -- who knows? Anyway I get a kick out of it. Worth catching if you don't care much about historical accuracy. Oh -- and Kids, in 1941 the Japanese actually DID do what Billy Mitchell said they would. It began what we call "World War II." PS: We won.

Moviecut—The Court-Martial of Billy Mitchell

source: The Court-Martial of Billy Mitchell

The Court-Martial of Billy Mitchell

With a title like that you know what to expect. The last film Otto Preminger made as a director for hire is handsome and well mounted but extremely talky. But it's worth sitting through for Rod Steiger's sarcastic prosecuting council, and has the distinction of containing the big screen's only depiction to date of Calvin Coolidge.

Don't look for for exacting factual screenplay here, rather enjoy Gary Cooper's sensitive acting. I agree it runs more like a play and in that sense is done very well and all the actors perform well. Half the fun of this movie is watching the younger supporting cast and identifying the future stars of Hawaii FiveO, Bewitched, The Nightstalker, and a few others I haven't figured out yet. You'll see better than half the supporting cast on the situational comedies of the 1950's. The cross examination scene with Rod Steiger and Gary Cooper is pretty good too. As much as I like Gary Cooper it would have been interesting, and probably a better movie, to see Cagney as Mitchell.

This movie portrays a riveting historical account that tells the story of a visionary of his era who was wrongfully convicted of speaking his mind and not obeying military policy and procedure of the time. After the movie ended, I was immediately compelled to "google" Colonel Billy Mitchell and learn more about his court-martial. Movies like this are intriguing due to the fact that most people of the modern day do not remember, nor have ever been schooled in military history. Billy Mitchell's accounts and rationale for putting himself in the "hot seat" for the good of out country, despite having the knowledge that in doing so he'd undergo a court-martial, are commendable and honorable. Historically, time has told the truth and validated and, in my mind, vindicated Colonel Mitchell. His vision has led to the creation of the greatest Air Force the world will ever know.

Having fought heroically in World War I, Gen. Billy Mitchell (Gary Cooper) tried to get his superiors to establish an Air Force. When they refused, he disobeyed orders and was sent to Fort Sam Houston, demoted to the rank of colonel. After there are two fatal crashes in which the planes were not properly equipped, Mitchell denounces his superiors and is put on trial for insubordination. While the prosecution tries to prove that he made the statements, Mitchell does everything possible to show that the statements were justified. The movie seems to have even more relevance today, with the story about the Humvees in Iraq that lacked sufficient armor. The army brass could really use some advice from Billy Mitchell. As a side note, it was interesting seeing Elizabeth Montgomery (as the widow of Mitchell's friend who gets killed in one of the crashes) before she starred on "Bewitched".

Otto Preminger's "The Court-Martial of Billy Mitchell" isn't that well known and it's easy to see why. It's something of a dull history lesson about the court-martial of a former general, demoted to colonel for disobeying orders and now charged with accusing the powers-that-be with criminal intent for their disregard of a fledgling airforce. Mitchell himself is played by Gary Cooper, looking stiff in his uniform, and old-timers Ralph Bellamy and Charles Bickford are the men for and against him. Rod Stieger is also on hand, lending the film a touch of gravitas as a hotshot army lawyer, a role George C Scott would play in Preminger's much better contribution to the courtroom drama, "Anatomy of a Murder". Preminger shoots the film in widescreen and visually it is impressive but it's also more than a little on the turgid side.

This is a decent film, for the most part a very watchable telling of a good true story which is worth knowing about. Gary Cooper is solid in the title role (albeit he is apparently nothing like the real-life Mitchell) and the drama moves along at a reasonable pace. But for 17 minutes towards the end it rises above that and becomes mesmerising. What makes the difference? Two words: Rod Steiger. The cross-examination scene, where he goads and scorns Cooper mercilessly, is one of those very rare moments in cinema when a performance holds the screen and burns itself into your memory. No matter how many times I have seen this film, I always spend the first hour or so waiting to relish this particular scene. And I am never disappointed. So watch the film for two reasons: it is good in its own right. A well-played, thoughtful and dignified film about a good man who was ahead of his time. But whatever you do, make sure you don't miss the last half-hour!