The Brotherhood

source: The Brotherhood

Ever Since the "Invention" of the Movies as Story-Telling Organized Crime (Mafioso), was a Vibrant Part of the Experience Loved by Film-Makers and Equally Film-Fans. In 1968 this Film was Conceived by Super-Star and Producer Kirk Douglas and Director Martin Ritt, Bringing to the Screen State-of-the-Art Film-Making about an Insider Story of a "Generation-Gap" with its Disputes and Repercussions. Douglas is an "Old-School-Button-Man" that Finds His College Educated Son (Alex Cord) with Many "Outside" Opportunities, Choosing to Join "The Brotherhood" and His Real Older Brother in "The Life". New Blood, New Ideas, that Coincide with the Now Multi-Ethnic Leaders. Douglas is Vehemently Opposed to the Ventures and Therein Lies this Fictional Story. Douglas is Oddly Cast but Uses His Overarching Style to Bully the Audience on His Own Choice and He has the Last-Word as Producer. "The Godfather" (1972) Rode Coppola's "Fever-Dream" to Glory and is Often Sighted as the "Best Movie Ever". While "The Brotherhood" will Never Receive a Single Vote as Best Anything. It's a Straight-Forward Melodrama with No Intentions of Breaking any New Ground in the Genre. Solid, Well-Played, a Critical and Box-Office Bomb. No Champagne Corks, just Back to the "Drawing-Board". There You will Find Francis Ford Coppola and Mario Puzo. The Rest is One of Movie History's Great Success Stories.

Vince, the younger brother of exiled mafioso, Frank Ginetta, comes to visit his sibling in Sicily, where he has been hiding. Vince has come on a mission although we must wait until much later because we are taken back to get to know Frank's involvement in crime in New York. In flashbacks we are taken to Vince's wedding to Emma Bertolo, the daughter of a prominent mafia bigwig in Brooklyn, where Frank controls the criminal operations. Vince, a man that has gone into the US army and has studied, is also drawn into the illegal activities by loyalty to his brother. Family, among these men matters more than anything else. Vince, who grows disillusioned with Frank, is given the ultimate mission anyone in the organized crime can get. No one can accuse Lewis John Carlino, the screenplay writer, with copying the more famous "The Godfather", which came out later. The film, directed by Martin Ritt, is uneven, at best. The story is about power more than gore and shootouts. Kirk Douglas, the star, produced the film as well as appeared as Frank. Mr. Ritt got the atmosphere right, although the Sicilian locations are just a passing thought. Alex Cord, who made a career on television, is impressive in his take of Vince. Irene Pappas and Susan Strasberg have nothing to do. Luther Adler, Murray Hamilton, Eduardo Cianelli, are among the supporting players.

Not only is this film's story-telling sort of like in a filmed stage play (just people talking all along), but its looks (images and set design) are quite second-rate, like in a low-budget ready-for-TV movie. The acting is extremely poor, over-acting everywhere (compare this with "The Godfather" and its brilliant cast, and its excellent cinematography by Gordon Willis), and Kirk Douglas looks about as Italian as I appear Chinese. All in all, a major disappointment.

Hard to believe it, but Kirk is 102 years old and has been married over 65 years as of today (10/07/2019). Anyway, he is pretty good in this role. "The Godfather" came out 7 years after this film. He does look a little odd with all that jet-black hair, however. Give it a go.

Apparently, when "The Brotherhood" debuted, critics disliked it and the film lost money as the public never embraced it. Now, more than 40 years later, the film has a completely mediocre IMDb score of 6.1. And, I am left to wonder why the film is so maligned. After all, I really liked the film and thought it was exceptionally well made and quite compelling. It's like I saw an entirely different film than the one everyone else saw...or I just have absolutely no taste. "The Brotherhood" is a mobster film that is actually highly reminiscent of "The Godfather". Like Don Corleone from "The Godfather", Frank Ginetta (Kirk Douglas) is a bit of a dinosaur in the mob. While respected and powerful, he doesn't like the direction the organization is going and fights change--choosing instead to hold on to the old ways. The problem is that the longer he does this, the more he makes himself an impediment--one that might just be eliminated. At the same time, Frank's brother, Vince (Alex Cord) joins the family business and does well. In fact, when Frank gets on the bad side of the other bosses, there is talk that Vince should perhaps take his older brother's place. Into the mix comes another reason for the mob to take out Frank. It seems that one of the bosses (Luther Adler) had been responsible for the death of many mobsters many years ago--and Frank just discovered this. To make matters worse, this traitor also was responsible for the death of Frank and Vince's father! What happens next? See the film for its gritty finale. All around, it's a very good film. Kirk Douglas was surprisingly convincing as a Sicilian-American. I have no idea how good his Sicilian and Italian was throughout the film but it sounded good. I'd love to hear what some Italians think of his portrayal. Otherwise, the script is tight and well written, the film is well directed. The only possible negative I saw was if you an Alex Cord fan--he really didn't have a lot to say or do--it was clearly Douglas' film. If you do watch the film, one bit of warning. While you'd expect a mob film to be violent, you might think since it came out in the 60s that it would be very sanitized. Well, there are some gritty scenes--especially when Douglas murders someone--it's VERY vivid and tough to watch.

Brotherhood, The (1968) *** (out of 4) Calm but effective tale of Mafia boss Frank Ginetta (Kirk Douglas) who welcomes his younger brother Vince (Alex Cord) into the "family" but soon the two are at odds. Frank, being of an old school, wants to keep old traditions while Vince wants to move ahead and try new things. Soon Frank starts to battle the heads of the other families trying to get his way. THE BROTHERHOOD was apparently a disaster when it was first released and legend has it that this is the film that made Paramount nervous about giving money for THE GODFATHER. Whether or not that legend is true is beyond me but I think it's fair to say that had THE GODFATHER not been a hit and become known as one of the greatest films ever made then perhaps this 1968 movie might have gained a cult following over time. As it is, THE BROTHERHOOD has pretty much been forgotten over time and that's a shame because it's actually a pretty good movie. I think the film's weakest parts are the opening thirty-minutes or so as we get a few flashbacks and at times they don't make too much since. I think director Martin Ritt loses the story at times and a lot of this is due to some rather silly moments where we're being introduced to the mob and the lifestyle. These early scenes really don't add up to much and I think the screenplay also suffers at building up Frank's character. It's never quite clear what type of leader he is and it's never made clear whether we're supposed to be with him or against him. This changes once the real story kicks into place and that's pretty much your typical brother vs. brother thing that we've seen countless times in the past. This aspect of the story is probably the most unoriginal but it's where all the drama comes from and at times this drama is very high. I thought the second half of the film is where Douglas really came to life as well. Once he character starts to crack under all the pressure is when things really started to heat up and this includes Douglas who finally becomes very menacing. I really loved the way Douglas played the old tradition while being at odds with the new stuff in the family. Cord is also very good in his supporting role as is Murray Hamilton, Susan Strasberg, Luther Adler and Irene Papas. While watching the film you can't help but see a minor influence on the Coppola film but also there are a few bits and pieces in Martin Scorsese's GOODFELLAS. There are a couple extremely memorable moments including a "joke" that Douglas tells before carrying out a hit. Then, when we see this hit, it's quite disturbing to watch and even more shocking is that it's done without gore, blood or even much violence. The ending, which you'll see coming, is also done in a very nice way as there's an added twist that is very effective. THE BROTHERHOOD has many flaws but it's still worth viewing and even if you find it starting pretty slow, just stick in there and you'll be rewarded.

This is a Mafia drama about, among other things, conflict between some heads of the organization wanting to behave on the surface like a respectable modern business, as opposed to another who is ready to resort on occasion to "the old ways" of brutality and violence with opponents. This film died a quick death at the 1968 box office, becoming enough of a concern that some Paramount executives were worried about spending the big bucks on a film adaption of Puzo's The Godfather a few years later. The Francis Ford Coppola film, of course, was a huge hit which has gone on to become a film legend, while The Brotherhood is pretty much forgotten today. But this earlier Martin Ritt directed Mafia exploration, while lacking the drama and epic quality of the Coppola film, still has some things to recommend it. Kirk Douglas is solid as one of the heads of a Mafia syndicate in conflict with other heads of that organization as to how to deal with "finks," as Douglas calls them. The other heads want to stay out of the headlines as much as possible. They also want to expand the business in ways that the more cautious Douglas doesn't like. The Brotherhood precedes The Godfather by having a big marriage sequence in which all members of the family and old members of the Mafia gather for a festive occasion. Douglas plays the gracious host, and is full of ebullience and charm. At one point, though, he takes a few seconds to talk to two torpedoes who have just returned from having Douglas that is the highlight of the production. For reasons of plot giveaways I can't reveal the contents of this tense sequence. Suffice it to say, if the film had had one or two other scenes as potent as this one The Brotherhood might be better remembered today. A minor crime drama, in the final analysis, one distinguished by some good performances, and that gripping scene between Douglas and Adler. made a hit for him. Reassured from them that all went well, Douglas is immediately back to the smiles and charm as party host. Cast in the role of Douglas's younger brother who wants into the organization is Alex Cord. I'm tempted to call him Alex Cord of Wood because that would best sum up his performance. If ever there was a contrast in what is and is not charismatic on screen it would be a comparison between Cord and Douglas. Irene Papas, playing Douglas's wife, is largely wasted in the film, I'm sorry to say. However, playing an old time Mafioso big boss that Douglas respects is Hollywood veteran Eduardo Ciannelli, and Ciannelli is terrific in his part, with one scene that is quite riveting. It's nice to see the character actor with an opportunity to still strut his stuff in a role that was ideal casting for him (you might regard it as the character that he had played in 1937's Marked Woman thirty years before). Also impressive in this drama is Luther Adler as one of the heads of the Mafia. Luther will play a very strong scene in this film with Douglas that is the highlight of the production. For reasons of plot giveaways I can't reveal the contents of this tense sequence. Suffice it to say, if the film had had one or two other scenes as potent as this one The Brotherhood might be better remembered today. In the final analysis, this is a minor crime drama, one distinguished by some good performances, and that gripping scene between Douglas and Adler.

The Brotherhood as a title has a double meaning. It's not just about that Italian fraternal order of criminals that so many films and books have been made and written about. It's about two brothers also, the Ginettas, Frank and Vince. Kirk Douglas is Frank Ginetta a made man, high up in the councils and his younger brother Vince played by Alex Cord who's just back from the Army like Michael Corleone was. But Michael married an outsider while Vince Ginetta is marrying the daughter of another Mafia capo, Luther Adler. Though he's younger than Adler, Douglas is a guy who likes to do things the old fashioned way, the way his dad who was a button man back in the day did them. He also loves hanging around with the ancient survivors of the old Mafia wars among them Eduardo Ciannelli. Adler and Douglas get to be at loggerheads over Cord and the role he should take in the business. The old guys learn something and give Douglas a contract that's going to cause him considerable problems, personal and organizational. What's a good Mafia guy to do when you get a contract. Then Alex Cord is given a contract to make his bones so to speak. The main difference between the Godfather films and this is that the Brotherhood is set in the present, whereas the Godfather films are rooted in the past. By 1968 organized crime at the highest levels was hardly an Italian only concern. You don't see hardly any non-Italians in the first Godfather film and in the second the alliance is pretty wary. The non-Italians dominate the high councils in New York, Val Avery, Alan Hewitt and Murray Hamilton together with Luther Adler outvote Douglas all the time. Martin Ritt shot a whole lot of this film in New York and many of the sites are recognizable to a native New Yorker. Still it's not one of his better films and it took Francis Ford Coppola to do the modern gangster film right. One thing though, Douglas certainly did NOT heed Vito Corleone's advice about keeping your friends close and your enemies closer. Not that the higher ups wouldn't have found out at some point anyway, but when you watch The Brotherhood you'll know that Douglas was the obvious suspect when he makes that fateful hit.

When this movie first came out it was unfairly shunned by critics and the movie industry. But now 31 years later The Brotherhood can now fully be enjoyed by fans as an excellent precursor to the Godfather. Kirk Douglas heads an all-star cast in this excellently written, excellently acted,and most of all excellently made picture.