The Babysitter's Seduction

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9

Trailer—The Babysitter's Seduction

That's what you'll be screaming, albeit in jest, if you stick with this low-intensity mid-90s made-for thriller, which stars the future nighttime soap star as a dimmer-than-a-penlight high school senior seduced by the man whose children she babysits (you might have figured that out from the title). He's no run-of-the-mill sleazebag, though -- he's a sociopath who plugs his wife, stages it as a suicide and then can't quite decide whether he should frame the aspirational lower-middle-class teenager played by sweet Keri or the smug computer hacker (1996 edition), played by stiff John D'Aquino, who was banging his wife. Collins seems to think he's playing against type but his typical narrowed eyes and oily mannerisms render him about as disarming as a used-car salesman turned televangelist. Not that lovely Keri would ever notice, since she's more interested in picking out miniskirts and scoop-neck tops to show off those lovely, barely legal legs and *. Although it's poorly written and acted, "The Babysitter's Seduction" does manage to rise above utter and complete predictability by offering a slight twist on the America's cinematic aupairaphobia. In most domestic thrillers, a hot young babysitter (why aren't men or unattractive women ever hired to tend children?) insinuates herself into a household and whittles away the confidence of the aging (but still beautiful) career woman whose husband and children she gradually lures away. In this movie, at least, Mom is gone within minutes and the babysitter is the one being menaced, although since it's a low-rent ripoff of "The Jagged Edge" you can't credit the filmmakers with great originality. "TBS" also offers a modicum of suspense in that until the end, you never know who's going to save poor little Keri -- her harried single Mom, who's working too hard to save her daughter from the slimy smoothie? Her poorly coiffed ex-boyfriend, whom she blows off so she can attend to Stevie's needs? The tough lady cop, played by Phylicia Rashad, who seems to think that affecting a Clair Huxtable-like knowingness throughout the entire movie will compensate for the inability to keep her mouth shut around the prime suspects in a murder investigation? Or will Keri wise up just in time to save herself? You won't actually know until the last five minutes of the movie, although if Keri Tight And Sheer doesn't keep you interested you may have given up long beforehand.

Ron Felicity run! He's a dirty old man who's also a killer run! You're next if you stick around! I love this movie one of my old favorites. Never underestimate the power of a dirty old perverted married man! Never babysit a man who gives you his dead wife's jewelry and clothes hello! And sure as hell don't stick around.

The main character in this movie is Michelle, an 18 year old girl who acts as babysitter for Bill and Sally Bartrand, a local well-to-do couple and whose life is turned upside down when Sally, for no apparent reason, commits suicide. Bill asks Michelle to help him look after his children, with whom she has a close bond, and she finds herself spending more and more time with the family. Eventually she and Bill become lovers. Then the question suddenly arises; was Sally's death really a suicide? The police begin to find disturbing new evidence that she was in fact murdered, and there are three possible suspects- Bill, who knew that his wife was having an affair, Sally's lover Paul, who feared that she might be about to end their relationship, and Michelle herself, who is suspected of wanting Sally out of the way so that she can move into Bill's life and become the second Mrs Bartrand. Like a couple of other reviewers I felt that this basic plot- one suspicious death, three suspects all with plausible motives- would have worked better as a "whodunit" type mystery, with a greater emphasis on the police's efforts to solve the crime and the unmasking of the culprit coming as the denouement. Unfortunately, the decision was taken to make this as a standard "girl in peril" type thriller, with Paul dropping out of the picture and Bill trying to frame Michelle for the crime. The whole thing just ends up as an average, or below average, TV movie. The film's greatest asset is the presence of Keri Russell, who makes an attractive and appealing heroine, but none of the other actors make much impression. Overall, however, this is a good example of the sort of film which goes to show why TV movies are often regarded as dull and unadventurous. 4/10

A very mediocre crime movie. The dialogues feel totally artificial and bad acted. Similar situations were there in several other movies before. If it was a more interesting kind of stage-managing, I'd turn a blind eye. But this was awfully long winded und uninteresting. Somehow uninspired. I would like to have my time back. It was not a complete rubbish which turns it only worse. If I have a completely no go in my player, I turn it off, give it a 1/10 and reject the trash for something better. But it is just so good, that I hoped it will turn better over the whole runtime until the end. So I waited for the wrong thing. Badly.

I totally love Keri Russell, so I had to check this out if only to see her past "indiscretions" vis-à-vis movie scripts. I enjoyed this film and thought she gave a strong performance aside for a few scenes, though it's a TV movie and some fairly obvious flaws have to be expected. Stephen Collins has always come off to me as a sleazebag, so I guess this role worked for me. Still tough to see him on screen next to a 20-year-old. I'd agree that Phylicia Rashad fell flat as a piece of cardboard compared to the other characters. If you enjoy an occasional melodrama complete with yelling at your television, this is an enjoyable guilty pleasure.

******SPOILERS****** The Babysitter's Seduction stars Keri Russell, (With her then very long curly hair.) who plays teenage babysitter, Michelle. When Sally, the mother of the family Michelle babysits for dies suddenly, Michelle continues to look after the children and help the father, Bill along the way. As time goes on though Bill begins to seduce Michelle and at first Michelle doesn't seem to mind, but soon things take an even bigger ugly turn when the truth of Sally's death, which looked like a suicide at first, unfolds and we find out that Sally was having an affair and when Bill found out about it, he murdered Sally. Now, he's trying to frame Michelle for the murder. Keri Russell is okay in the movie, but some scenes like the one when she found Sally dead and she started screaming were a little fake, but the scenes at the end she was good. Phylicia Rashad who played Detective Kate Jacobs was really bad as usual. She just wasn't believable. The Babysitter's Seduction is a little bit unconvincing, but it's an enjoyable TV movie and if you like these kind of cheesy TV thrillers, then it's most likely that you'll enjoy this one.

This was a fairly watchable film. Stephen Collins' character came across as a very nice person, and as with any good mystery, one kept guessing for a while as to "whodunnit," after the other suspect was introduced. (Although once the killer became known, we entered into silly potboiler territory.) I thought Ms. Rashad made for a good detective. And our heroine was very winning. As for the older man-younger woman hook-up that a few reviewers found repulsive, such an outlook is really a curious state of the times. Our extremely youth-oriented society has brainwashed the masses into rejecting practically everyone who is over thirty; it's as though you either must cease to exist as a sexual being once you reach a certain age, or you must only be confined to partnering with one in your own age bracket. Even if there's a young person of legal, consenting age, people have now been trained to believe -- perhaps because the media has sometimes built the sex offender issue to a fever pitch, and some people think they are doing their "moral duty" -- there is something unethical about an age gap between lovers. I just watched the 1937 movie, ALGIERS, where the young and beautiful Hedy Lamarr was engaged to an older ogre of a man who was much more hideous than Stephen Collins, and yet the alliance seemed fairly natural; yes, in this case, she was in it for his money (an allure for our heroine in "The Babysitter's Seduction" as well, although the babysitter did develop genuine feelings for the man), but that was Hedy Lamarr's choice, just as it was Anna Nicole Smith's in real life, years later. Stepping aside from the lure of the sugar daddy, and entering the realm of genuinely "equal" relationships, it's a pity people have become uptight, and regard age as more than a number. Years back, there was more normalcy about accepting older people as regular human beings.