Sweetgrass

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source: Sweetgrass

In Montana, ranchers are caring for their sheep. They get sheared. They get fed. There are births. After the winter, the ranchers take the herd through the summer pasteurs on public lands in the Absaroka-Beartooth mountains. It is 2003 and it is the last band of sheep. This is a little zen. It brings the audience into the sheep ranch. It takes us into the herd. I don't even want to have the ranchers talk. The main drawback is that it is not necessarily a 100 minutes worth of attention. I got antsy by the midway point. It would be a better hour-long TV show. The scenery is epic. It has beautiful vast vistas and also the gritty small pictures.

The reviewer Brian criticizes this movie for not having a plot. That is like criticizing shoes for not being useful as a hat. Brian, you are a fool. This is a fantastic documentary. Yes, it does not have a plot. OK. It is not supposed to have a plot. But it does provide a view of the interplay between sheep, herders, and terrain that you will never see anywhere else without actually doing herding yourself. Highly recommended (unless you want a movie with a plot, in which case you should seek one out to watch instead of watching this). My children keep demanding to see this movie over and over again. I wish there were more documentaries like this about other things we sometimes hear about but never see.

A documentary on the life of Montana sheepherders, "Sweetgrass" looks for all the world as if it had been strung together from a series of "Brokeback Mountain" outtakes. I guess that's inevitable given the subject matter and setting, but this seems almost like a nonfiction version of that movie - minus the movie stars and gay romance, that is (and it's not as beautifully filmed). What most distinguishes "Sweetgrass" from other documentaries is that there is no voice-over narration to explain or analyze what's going on. And the individuals who appear in the film are every bit as taciturn and tight-lipped as one would expect the people in this particular setting to be. The movie simply chronicles the day-to-day task of raising, herding and shearing sheep without feeling the need to comment on what it's showing us. The drawback is that we never get to know much about the rugged men and women involved in the business, what makes them tick (indeed, they talk to their animals more than they do each other). At some point, however, we do begin to understand the toll all this loneliness, physical exertion and exposure to the elements begins to take on the people who do this job. The result is an admittedly repetitive and frequently tedious exercise in filmmaking that also casts a strangely hypnotic spell over its audience. Perhaps it's the fact that movies rarely just show us people working at their professions that makes this film compelling in its uniqueness. And the image of hundreds of sheep crowding down the main street of town on their way to pasture is bound to stick with you despite any doubts you might have as to whether they are truly fit subjects for a full-length feature.

'SWEETGRASS': Two and a Half Stars (Out of Five) Another of the more critically acclaimed documentaries from last year, this one tells the story of modern day cowboys herding sheep one last time through the Absaroka Beartooth mountain range in Montana in the summer of 2003. It's directed by Lucien Castaing-Taylor (although uncredited), a Harvard anthropologist, and llisa Barbash (his wife) and produced by Barbash. The film has no music or narration and appears to be somewhat randomly edited together with no real story or message to deliver. It's extremely slow paced and lacking any kind of focus. The film follows a family of sheepherders as they make their final summer herd through the mountains of Sweet Grass County. It was filmed in 2001 to 2003 at a time when this was still a way of life for some. There's very little dialogue and what there is contains a lot of vulgar language. The film is not rated but would be rated R due to the extreme amount of F words used throughout. We see the herders at their grimmest and most unlikeable as they toss the sheep around and constantly curse them out. The film is, as I mentioned, very slow and quite dull for almost it's entirety. The scenery is beautiful though and the video is somewhat intimate. It often feels like the herders don't even know they're being filmed as they go about their daily business. It's definitely not a film for everyone and will only please a select audience but if you're into honest documentaries with no other BS you'll probably enjoy it. Watch our review show 'MOVIE TALK' at: http://www.youtube.com/watch?v=003J1CrnYDk

I know a lot of people say this documentary uses the raw filming to tell the story, but it's just too bland. What they could have done was interviewed the cowboys more. Had them show us how they do some of the basic things involved in the scenes. Instead we're stuck watching for nearly 5 minutes straight as a sheep sits there, then is dragged to a separate pen, then the farmer stands there and just looks a while, then drags the sheep a little more. I mean this is not good film work at all. It's boring plain and simple. A lot of the movie is like this. And you will see the o so genius critics rave about it (while they give movies like The Shining, Fight Club, and Sucker Punch horrible reviews). So understand critics are very susceptible to group think while they also like to pretend they see something you don't (when many times they miss the obvious while thinking they're so awesome). So the movie is slow, poorly made, and horribly edited. But what makes it not matter is the scenery and the fact that you're watching an actual sheep drive.

I grew up not far from Big Timber, Montana and the wilderness area where the film was shot is my favorite place on earth. I also love documentaries. With that said, I was surprised I did not like this film at all. I gave it two stars because of the scenery. I am in the minority opinion with regards to the "pure art" of this film. I found it extremely dry and boring. With the exception of the excellent scenery and good camera work, the rest of the film truly stinks. I really can't say enough bad things about it. I wish I didn't have to continue writing more details about how bad the film was, but IMDb has a ten line minimum.

Sweetgrass is a documentary, literally: a document of a particular place, time and events. There's no narration, no host or guide, and seemingly no attempt to edit the footage to tell a story. Each scene appears to be chosen because it illuminates the subject, rather than for drama. The camera records a group of sheep farmers and herders preparing a flock and getting them across the mountains. The focus is on everyday details of animal tending and herding, straightforward and unsentimental. The people working with the sheep seem mostly unconscious of the cameras, just going about their business. It's like seeing into another life. Of course, it's another life that's centered around sheep. If that sounds boring, this probably isn't the film for you, because that's all there is to it, and it's slow-paced. It's very different from Discovery Channel style documentaries that try to teach and entertain. There's no Mike Rowe here to relate everything he's doing to you so that you can understand what's going on. But there's something to be said for just watching things happen. The movie isn't trying to reach out and explain itself to you, and that enables it to draw you in, if you're willing to go along for the ride.

This is like slipping into a pastoral dream. The wind. The constant braying of sheep. The idle bits of conversation between the mostly stoic herders. The crack of guns at hungry bears in the middle of the night. That's all the soundtrack offers. These things bleed together and lay over one stunning image after another, meticulously documenting every stage of the caring for and herding of sheep. From birthing new ones to sheering to feeding and then, eventually, to herding a seaming ocean of the creatures across an epic, punishing mountain range. Through it all we witness the exchange between man and animal as horse, dog, bear, sheep and human play out a slow symbiotic struggle to be and do. In its execution and honesty it's literally on a par with the Maysles Grey Gardens. A true document, artfully done and completely free of artifice.