Stone Cold Dead

source: Stone Cold Dead

The late 70s and early 80s single-handedly brought forward a unique sub-genre of exploitation cinema, namely that of the misogynic serial-killer on the prowl in the sleazy back alleys and red-light districts of big cities; - preferably in and around 42nd Street in New York. William Lustig's "Maniac" is the obvious example, of course, but there are also more obscure titles like "Delirium", "Bloodrage", "Night of the Juggler", or "The First Deadly Sin". They are also known, among cult fanatics at least, as North American gialli. "Stone Cold Dead" perfectly fits into the list as well, what with its grisly plot of a sniper, active in sex district of Toronto and exclusively targeting prostitutes. The underrated Richard Crenna plays the fatigued but dedicated Police Sgt trying to stop the killer, and he has plenty of potential culprits to suspect. The opening sequence, in which a showering call girl is shot death through her bathroom widow is really brute. In fact, all sequences involving the serial killer stalking, photographing, and cold-bloodedly gunning down the victims are very suspenseful. The only problem is this only happens four or five times throughout the movie, and everything else is quite dull and very derivative. Most of the film is just very dark and difficult to follow, and several of the red herring and sub plots are too extended and distracting, like all sequences with the bizarre pimp (played by Paul Williams of "Phantom of the Paradise") and the police corruption. Finally, but worth mentioning for sure, the most misfit but memorable part of the film is Sgt. Boyd's ingenious method to feed his fish at home. Since he's almost never at home due to his demanding street job, he developed a way to feed his fish by dialing a private phone number that sets in motion a sort of Rube Goldberg machine. It's a pretty cool gimmick, I admit, but since there isn't the least bit of humor in the film otherwise, it feels somewhat improper.

Richard Crenna and Paul Williams are excellent, a few supporting actors are also outstanding. The photography is occasionally too gimmicky, but is mostly good to exceptional. The music is great, even when it's not music I love it fits. It establishes a mood, time and place (It's Very, Very Toronto, not NYC or LA...) nicely. There's some lovely editing, lighting and the sound design and recording is vastly above par for the era, and pretty good for today's technology and sensibility. A lot of it is filmed in real locations, and it's a lovely slice of 70's TO. Sets stick out like a sore thumb, and the occasional covering of a brand with gaffer tape is too obvious also. The snowstorm seems like a mistake as well they had to go with for budget/schedule, and there are a few radio VOs to explain things that are just very oddly/badly done. Some key supporting actors are just awful and similarly stick out, which is all too bad. But most disappointingly, for much of the film there's no plot to speak of, and the story rambles for no good reason. The serial killer plot is poorly done, unlikely, and while the ending is somewhat interestingly done, in the final analysis I think unnecessary and too clever by half. I feel instead that this film would have worked much better with Richard Crenna going after a single murder in the same awful place full of crime and the immorality that eats at him, and trying to pin it on Paul Williams much as he does already.

Stone Cold Dead (1979) ** (out of 4) Richard Crenna plays Sgt. Boyd who is out trying to solve a group of bizarre killings where a sniper is taking out women involved in the sex business. As he grows closer to the killer it's very possible that someone he has a connection with might end up on the hit list. If you're a fan of 70s cinema then you probably know about 42nd Street and the various types of sleazy movies that would play there. Snipers, pimps, dirty cops, hookers and drug use were just some of the subjects that would be covered in those types of films and all of those elements are on display in STONE COLD DEAD but sadly the film tries to be too mainstream and it just doesn't work. STONE COLD DEAD has a lot flaws including the fact that it's just never brave enough to cross the line into a darker territory. The film plays around with various dark elements but it never crosses the line to where the film would be more memorable. It really comes across as a watered down version of something you'd see on 42nd Street and it's anyone's guess why they didn't try to push the envelope further. What really kills the film though is the fact that there's really not any suspense and none of the characters are all that detailed or interesting. Crenna gives a good performance as he always does and he certainly helps carry the film. Both Paul Williams and Linda Sorensen are good in their supporting parts as well. I will also say that the reveal of the killer is another plus as I certainly didn't see it coming. STONE COLD DEAD certainly isn't a bad movie but at the same time there's just nothing here to separate it from the dozens of other films out there like it.

It's a rare thing for a Canadian film to be released on the Blu-ray format, and it's even rarer when it's an older movie such as this one. If you do see this movie on the Blu-ray format (as I did), you will see that unlike a lot of other Canadian movies of its era, it's pretty well made on what wasn't a lavish budget. There is some genuine atmosphere here, coming from well chosen creepy locations, skillful lighting, and clever camera angles. The acting is also pretty good, not just with Crenna and Williams, but also by the unknowns in the cast. As a bonus, there is also some good music on display. Unfortunately, despite these good ingredients, the movie stumbles enough in a key area that as a result it doesn't work. And that is with the script. The narrative of the movie is frequently at a muddle. The story seems to be starting at chapter two or three instead of right at the beginning. There is also frequently juggling between many characters and various plot threads, so sometimes there is a long time before one particular plot thread is returned to. Another problem with the story is that it's pretty easy to figure out who the "Sin Sniper" is long before the "surprise" reveal. While this isn't a terrible movie, it's too muddled to be as effective as it wants to be. I would only recommend the movie to (very) forgiving people who are fans of grindhouse B movies from this era.

Another well plotted thriller, sees a prostitute hating nut taking out his victims with a fancy rifle, silencer attached. That's not all, our nut has a camera mounted on his rifle, so at the point of shot, he takes a series of photos until they are, as the title refers. Obviously typecast, is Sly's good mate, caring cop, Richard Crenna, out to bust this pimp, Kurtz, and awesome piece of acting from Paul Williams, who just outdoes the others. His women, including one of his favorites, are being taken out. Again this is a highly constructed thriller, where your guesses to to the killer will waiver from one to another. Some real American style violence, one scene with a disgruntled black pro who takes it in the neck, some blood cascading out, is a little sick. Her john, (a professor) staggered, trying to plug the flow of blood, apanic, becomes an informant for Crenna in the case, who keeps the poor guy's spit clean reputation intact. There are some scenes you don't expect to see in a film, like this. Still quite hot looking, 50's pro (Belinda Montgomery-great in the part) where time has worn her through this profession, becomes romantically involved with Crenna. She suggests to him "Lets do something that I haven't done for ages". They go ice skating, Crenna, not a good skater, by any means. Also we get to see the time activating gadget for feeding his fish which starts with a phonecall. Crenna's female friend, who's working undercover, to try and bust his arch rival, Kurtz, is fun too. She takes her undercover role a little too seriously, her demise near the end, came as quite a shock in it's first viewing. Stone Cold Dead is a solid rate thriller, that does tend to fall a bit into sleaze here and there. But we learn a little bit more about people in this flick. How many other films like this, do that. A must for psychological thriller fans, good performances, all round. The actress who plays Montgomery's daughter is creepy as.

This movie actually had some money behind it. It had name stars and could pay for the music rights to "Fire Down Below" by the Silver Bullet Band. It's too bad they didn't spend more money on scriptwriters, because the plot is truly muddled. Richard Crenna plays a cop driven to clean up the city's drug and prostitution rackets, facing off against Paul Williams as the least intimidating pimp in the world. The movie is supposed to be about a sniper who is picking off prostitutes, but that character disappears for about 40 minutes of the film, shows up again briefly, and then disappears again until the climax. The film goes for maximum gritty with ample violence and nudity, but they could have focused it into a more coherent plot.

A crazed sniper is killing prostitutes in Toronto. Using a camera mounted on the rifle, the victims are photographed as they're gunned down. Boyd (Richard Crenna) is a police sergeant who suspects high-level (but physically diminutive) pimp, Julius Kurtz (Paul Williams), of being behind the slayings. Harboring an intense distaste for Kurtz, Boyd would like nothing more than to lock him up and throw away the key, but are these cases ever that easy? "Stone Cold Dead" is a grimy amalgamation of giallo, crime drama and exploitation archetypes. The sniper's appearance and M.O. are straight out of a giallo, as is the terrific music that pops up whenever they're in action. I also loved the scenes in the culprit's darkroom, whispering voices running rampantly through a damaged psyche. The addition of the camera mount to shoot pictures and bullets at the same time is certainly an inspired touch. Psychological aspect aside, it ensures that the various murder scenes lack a feeling of repetition. The atmosphere of the film is one of grunge and decay. Lensed in a cold, distant style suiting the material, there's an ample amount of sleaze on display as we're treated to the underbelly of Toronto. Kurtz dealing with his girls and Boyd's quest to bring him down get as much screen time as the hunt for the killer. Paul Williams gives a standout performance as Kurtz, a classy type who actually shows a level of compassion and respect for those under his employ. His character is supposed to be scum, yet I actually found him more likable than Crenna's hard-ass sergeant. Boyd isn't all bad, however, as he makes sure that his pet fish are taken care of when he's too busy to come home. How? By rigging up a contraption that feeds them when he calls his house. Genre favorite Michael Ironside shows up in one of the briefest roles ever as an ill-fated cop. Tease. I was going back and forth between two characters when it came to determining the sniper's identity. I managed to get it right about 15 minutes before the reveal. The revelation scene itself is a winner, as the individual playing the guilty party gives an impressive performance. While it isn't perfect, this seldom-seen little cheapie has a lot going for it, especially if you're into gialli. It's also quite similar in overall feel to another seedy Canadian flick from the period, "American Nightmare", only this one's actually worth watching!

Hard-nosed detective Boyd (Richard Crenna in fine rugged form) and street smart undercover vice cop Sandy MacAuley (well played with sassy aplomb by Belinda J. Montgomery) work together to catch a sniper who's picking off prostitutes. Boyd's investigation puts him in the path of smooth pimp Julius Kurtz (a surprisingly credible and effective portrayal by Paul Williams) and high class call girl Monica Potter (a sharp performance by Linda Sorensen). Writer/director George Mendeluk relates the compellingly sordid story at a steady pace, offers a vivid evocation of Toronto's lurid urban underbelly, maintains a grim'n'gritty tone throughout, and delivers a satisfying smattering of tasty gratuitous female nudity. Moreover, there are sturdy supporting contributions from Alberta Watson as the forlorn Olivia Page, Chuck Shumata as Boyd's fed-up partner Sgt. Tony Colabre, Andre Cousineau as pathetic junkie Bernice Carnival, and Monique Mercure as helpful shrink Dr. Bouvier. Dennis Miller's slick cinematography gives this picture a glittery neon look. Paul Zaza's pulsating score hits the funky spot. Worth a watch.

Contains Spoiler!!! Just to see Paul Williams, Julius Kurtz, playing a big time city pimp should make "Stone Cold Dead" worth watching. With the always reliable Richard Crenna, Sgt. Boyd as the Toronto cop with an obsession for putting Kurtz away and off the streets to make the city safe. Some deranged sniper has been offing prostitutes and at the same time photographing them and sending the photos to the police to taunt them and make them feel helpless in catching him. Sgt. Boyd thinks that it's Kurtz that's the killer and is out to get the goods on him. You would wonder why Kurtz would kill his own employees and hurt his prostitution business? Does Boyd know something? Fairly good whodunit with a surprising performance on the part of Paul Williams as the cool pimp with a heart of gold when it comes to taking good care of his "ladies" even though he can be rough some times but as everyone watching the movie knows Julie doesn't really mean it. A very effective and sympathetic scene in the film is when Kurtz is at a funeral of one of his murdered "ladies" and Sgt. Boyd arrives uninvited hassling him. Kurtz then quietly tell him "Can't you see that I'm here to pay my respects". It just made me wonder who was the good guy and who was the bad guy in the movie. Sgt. Boyd gets really involved in the murder case when one of the hookers murdered by the sniper turns out to be a woman undercover detective who's also a good friend of his and it all becomes very personal with him. The ending of the movie is made to shock and surprise and it does very convincingly with the audience not seeing it coming. "Stone Cold Dead" has that rough and gritty look to it more because of it's small budget then it's filmmakers artistic talents in movie realism with better then average acting from it's supporting cast of Linda Sorenson, Monica Page, and Alberta Watson, Olivia Page, then you would usually see in a B-Movie.