Star Trek Into Darkness

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source: Star Trek Into Darkness

No lie, this was one of the worst movies I've seen in awhile. Thin, dull plot that's already a rehash from a prior film. Paper thin characters. Zero intellectual or emotional depth. There was nothing challenging about this story, nothing thought provoking or even intriguing. Basically, bad guy wants to blow some *beep* up and after a bunch of explosions and hand-to-hand fights and crappy one liners, he's stopped by our heroes. The end. This kind of formula occasionally produces an awesome movie or two, but those movies are usually fresh and intelligently made in some way that makes them stand out. This movie was not intelligently made, not at all. Seriously, the writing here seemed like a seventh-grader's rendition of how adults are supposed to act: the Uhura / Spock 'fight' was like a scene you'd overhear in a middle school hallway or something. It was laughable. The few moments that should have been stirring sucked because they were just straight rips from Wrath of Khan. On screen, it seemed like explosions, gunfire, and lens flare dominated probably 80% of the shots, and the effects looked like something from a B-grade Xbox game. There was so much CG "action" that it all ended up being pretty boring. I never felt any sense of danger. Worst of all was that constantly swelling score with the same series of notes over and over and over again. You know what I'm talking about. I mean, damn, it was cool the first couple of times, but when the 18th minor protagonist triumph was accompanied by this same bombastic progression, I was curled up in a fetal position. Please, just make it stop. Beyond all of these issues, Star Trek was never supposed to be about endless violence and effects and one liners. It seems like Abrams has turned the series into a moderately more upscale version of Transformers, and it's too bad. There was so much more that could have been done. So yeah, this movie sucked. A lot. I can't believe the rating it has on here. I'm starting to wonder if most of the voters work for the studios or if they've received lobotomies or something...

So it seems JJ Abrams has traded in too many lens flares for too many closeups. The working title of Star Trek Into Darkness could probably have been "Chris Pine's Facial Pores". Seriously JJ - there is such a thing as long and middle shots too you know, and what's more - if you use them - when you *do* use a closeup, it has more dramatic effect, just sayin'... Anyway, directorial style flaws aside, my big gripe with STID is that it's "just another" sci-fi movie. What always set Trek apart was that Roddenberry created an enlightened future, a refreshing change of pace to most sci-fi, and the conflict therefore had to come from cleverer places. But with this reboot every character is constantly bickering, I frankly left the theater with a headache as if I'd just been to a teenage kids birthday party. I can get bickering, and grit, and violence from *any* sci-fi feature, and sadly now it seems like Trek has followed suit and lost its original edge. It's not until the very final minute where a little bit of the original Trek feel is re-established, but for me that was far too little, far too late. There's some giant plot holes too, if you're actually thinking about what's going on. It seems like Abrams hoped that if he put enough glitz and dazzle on the screen, most people would entirely miss the fact that they are there. I guess his gamble was correct, since the film is currently standing at an 8.4 IMDb score. It's not all bad. Benedict Cumberbatch is an incredible, intense villain and the film is worth seeing for his performance alone. And as with the first, the rest of the cast is exceptional. There's nothing wrong with the acting, music, or look of this film... just a lot wrong with the script and the tone of the whole thing. If you're not a Star Trek fan, you'll likely enjoy it... it's big, frenetic, popcorn munching silliness. But if you are a Trek fan, particularly of the quieter explorations of the human condition that TNG did so well, then you might be pretty disappointed.

Viacom/Paramount have got to pull the JJ Abrams team (writers Damon Lindelof, Roberto Orci, Alex Kurtzman) from the next one ... anyone could do a better job First and foremost the Abrams team did not make Star Trek either with their 2009 film or this one, and if they get to do the next one after the under-performance of Into Dreckness it won't be until 2017 that it sees a release since Abrams, et al, are off to do what they do to the Star Wars franchise for Lucas and Disney *Spoilers* Into Darkness is a typical action-adventure Mission Impossible kind of thing (it's what Abrams does), but this one is even more hackneyed and grasping than their first effort. They don't respect the source material and couldn't come up with any ideas so the reverted to the Plot Scrambler again and trot out an amalgam of forger female characters and a stupid new secret society found only in the novels and comic books and long after the audience has figured it out reveal that Brit actor-of-the-moment Benedict Cumberbatch is indeed KKHHHAAAAAAAAAAANNN The stupid brewery is still there as if Abrams wanted to thumb his nose at those who called him out on how dumb it was the first time ... and that idiotic little rock-monster sidekick is still around Viacom/Paramount ... quietly let the deal the for the 3rd installment by Abrams and his team go kaput and hire Dean Parisot to do the next one since he's arguably done the best one already anyway (GalaxyQuest)

this review definitely contains spoilers!!! we park the enterprise at the bottom of the sea (awful) - we stop a volcanic eruption floating on hot lava (awful) - we design our ships (awful) all those pipes (awful) - the earth is a dark, dull and rotten place (awful) - captain pike miraculously recovers just to get killed (awful) - the clingons look (awful) the new bathlets (awful) - we battle at warp speed, collapse, and are orbiting... - earth (awful) - and quite a coincidence! - the whole of starfleet academy watch two friendly ships battle (awful) - in orbit (awful) - surprise! one of them goes down (awful) everyone unprepared (awful) - i think the story ends here, not that it matters where is the science fiction in it? i'm outta here...

While I gradually came to accept 2009's Star Trek as mindless fun, I remember sitting in the theater when I first saw it and just getting this sinking feeling, like a balloon with the air slowly being released. My reaction was the complete opposite this time around. Into Darkness surpasses its predecessor by leaps and bounds. This is a movie that should appeal as much to most Trekkies as it will to general audiences just looking for a cinematic thrill ride. JJ Abram's inaugural foray into this franchise kind of seemed to leave loyal fans in the dust in the rush to attract a wider demographic. Even before Abrams, I'm pretty sure there were complaints that Trek movies had become too much about space battles and the like and had gotten away from going boldly where no one has gone before. I feel like the writers of Into Darkness must have taken some of those criticisms to heart and set out to address them in what I think is a fairly clever way. The people behind this film got to have their cake and eat it too: they made the most action-packed Star Trek movie ever, but at the end of the day, it's also a reaffirmation of the core ideals of Star Trek and is a lot more reverential to the canon. Having said that, however, the question still remains whether it's possible to craft a movie that is actually about seeking out new life and new civilizations rather than simply paying lip service to that concept. Of course, not all Trekkies will agree with my assessment, but it's impossible to please everyone and fanboys are notoriously difficult to please. In my opinion, though, it's one of the best films I've seen this year.

JJ, you really are destroying a large piece of scifi history. Star Trek was never an action based show/movie. It was always a story that had supporting action elements. This movie is completely devoid of any cohesive story and is an action junkies dream come true. Kirk in the original series was confident, capable, intelligent, suave, etc.... The new and improved JJ version of the character is a moron. Don't get me wrong, I really like the choice of actor, but the character portrayal which is dictated by the writers and directors is everything the original Kirk was not. Space ships crush under pressure....its physics dumba**es...the Enterprise is not a submarine. I could go on and on, but I find it all a bit depressing. Star Trek is after all just a piece of fiction. ...now lost to time to only be remembered by a new generation as bad fiction.

I am a huge Star Trek fan, and really did enjoy the first instalment of this re-boot when it came out a few years ago. So it was with very high expectations that I went to the theatre on Saturday night to see "Into Darkness". I saw it in 3-D IMAX. Well, what a disappointment. And it is pretty much completely the fault of the director, Jar Jar Abrams. Abrams is a classic example of someone that got too popular too quickly, as sooner or later his inexperience and immaturity were going to screw it up for him… unfortunately, Into Darkness is where he finally messed up (although some might say Super 8 was that film). Basically, Abrams only knows how to make one thing: "Lost". Everything else he has done since then has essentially been Lost, re-badged. The style of this one-trick-pony has just become tiresome, and oh so predictable. Injecting drama into everything is hardly the right formula for a sci-fi action flick, but it is like he couldn't help himself. The resulting plot and dialogue was so very lame. I can't remember the exact lines, but let me paraphrase some for you: Kirk: "Spock! Damn you, why can't you feel any emotions???" Spock: "I do Kirk! But I hide them coz my mother died and I was so sad". Kirk: "You have always been my bestest friend!" Spock: "Don't die Kirk! You are my bestest friend too!" Basically the entire film was ruined with terrible dramatic scenes and tears and just really uncomfortable acting – this definitely ain't how Star Trek should be. Abrams over-played the Kirk-Spock relationship so much I was almost expecting them to have sex. Seriously. And of course there are some completely useless and WTF characters e.g. Dr. Carol Marcus. I know she was in the original, but in this one she basically had no role other than large *. Here is praying that Abrams doesn't get to direct the next one….