Slow Dancing in the Big City

source: Slow Dancing in the Big City

It has been a long time since i have seen this movie. I thought the story line was very good and the dancing was also. It was a sad love story, story of illness and dancers strength and courage to follow their dreams. Paul Sorvino is a great actor and is good in everything i have seen him in, he has come a long way in his career since then.Hector Jaime Mercado who played Roger Lucas the dancer and I grew up together and I remember the dreams of a dancer first hand.To me this was a very good movie and cast. I would love to see it on T.V. again after all these years, I think people will enjoy to see it again also. Thank You for letting me put in my input on "Slow Dancing in the Big City"

That's an interesting analogy that comes from New York Post columnist Paul Sorvino to dancer Anne Ditchburn who is struggling to stay afloat after discovering that her dancing has basically threatened her health. She is very driven, but fragile, and this is how Sorvino compares her to the very busy insect that only lives for one day. Sorvino's character is a 70s version of Ernest Borgnine's Marty, certainly an odd leading character for an art house film that got hardly any attention. It's more interesting as a character study than as a film, showing Sorvino's impact on everybody around him as his awkward but gregarious character falls in love with Ditchburn pretty much upon meeting her when she moves into his apartment building. In small doses, characters like Sorvino are amusing and certainly good for a laugh or to create anecdotes about, but he becomes a little grating with his excessive cheeriness and interference in her life. She is obviously grateful for his caring (you'd have to be pretty cold-hearted not to be), but his daily intrusion into her life has her frustrated at one point, but that changes slowly as he is there for her as her health crisis arises. Still, it becomes clear that his actions could be considered stalking, and you're never sure if all the marbles rattling around in his brain match. Good performances by Hector Mercado (as a fellow dancer who is her sincere confidant), Nicolas Coster as her old lover, Anita Dangler as a bar maid obviously in love with Sorvino, and Thaoo Penghliss as the very strict ballet director aide in this being interesting if a bit contrived and sometimes depressing. Sorvino's character is far too well-meaning, but his good intentions are the type that get victims of it into trouble. His devotion to a street kid never is fully developed, especially in a scene where he encounters the kid and a group of youngsters spray painting subway cars in the docking station. So in watching this, I enjoyed it for the occasional sweetness, vintage New York location footage in areas that were not often explored and a moody photography that helped give it some style. It seems that some key scenes may have been either edited out or possibly never even written because this jumps from situation to another scene without resolving what we've just seen. Under the direction of John G. Avieldsen (fresh off of "Rocky"), it's an interesting failure, but two hours of a leading character who is a constant pain in the neck is difficult, even if there is a bit of reality to him.

I read with interest the only posted comments on this movie. The author of that comment set herself up as judge, jury, and executioner. She even suggested the movie be watched by film students so as to learn how not to make a movie. Don't you just love it? This is her OPINION. What about my opinion? I thoroughly enjoyed the movie. Paul Sorvino does his usual excellent job of character acting and for Anne Ditchburn's first time out, she did a credible job. Who cares about what exactly her affliction is? The point is she continues on and fulfills her dream. Hey it's only a movie! Oh! maybe because there was not one 'F' word in the movie it didn't measure up to her standards of 'real life drama'. My suggestion, see the movie yourself, make up your own mind.

When you read about this film you wanna cringe. I have seen it countless times and yet I cringe myself! So what is the attraction here? I think that for me, it's the offbeatness of the romance. I find it super refreshing to have an oddball coupling between this NYC Jimmy-Breslin-like columnist and a down-on-her-luck (health-wise) ballerina. You feel embarrassed for Paul Sorvino at his unsubtle approach to wooing this woman. Like the guy in the bar who can't take a hint. He's a bit overweight (at least as a would-be suitor for a ballerina. Hope that doesn't sound unkind) and possibly a tad too old for her. Nice change of pace from Greek God wooing Super-model. The Bill Conti score has stuck in my head all these years later, which is a pretty good sign. However some of the acting is just dreadful. A subplot involving a young Puerto-Rican boy befriended by Sorvino's character is just hilariously bad. But the opening scene where Ditchburn is warming up to Carole King draws you right into this story. Good luck finding it. You'd think that Lifetime would be re-airing this or even WE, but I haven't seen it on in quite a few years.

I only saw this movie once as a teenager when we had "ON" pay television (before SelectTV, and then inevitably, cable). It was the last showing and I stayed up until 2 am to watch it. Needless to say, after all these years it has stuck in my mind. I loved Paul Sorvino as the lonely, heart of gold newspaper guy and Anne Ditchburn as the vulnerable ballerina. In my minds eye I remember it as a quietly executed romantic film. This is one to watch on a rainy day curled up in a blanket with a cup of tea. After my first and only viewing I had hoped to see it again, and waited patiently, looking for a listing in the TV guide week after week. Unfortunately, after approximately 20 years I am still waiting. I sincerely wish that they would re-release this film again. Perfect for die hard romantics.

It's gratifying that this movie has so many fans. As I remember it, it was a critical and financial disaster, but is still worth seeing. It has one of the greatest sets ever constructed for a movie......New York City. There's something about NY.that always adds to my enjoyment of a film shot there. It would make a good trivia party game to name all the films shot there. I'll start, "Prince of the City," "Raging Bull," "Malcolm X," "Mean Streets." Your turn. Paul Sorvino is always on the verge of super stardom but can't come up with the right vehicle, like Brando in "Streetcar", or Al Pacino in "Dog Day Afternoon, but he's incapable of giving a bad performance. Several things about the film annoy me. Sorvino's character with his non stop manic babbling and joking can be a real turn off. But he did the role as written or directed, and I'm surprised this wasn't noticed during filming. Anita Dangler as the cloying Franny, is a bit too cloying, but she gives a good performance as the waitress who shares Sorvino's bed only when he needs a body there, and knows there is no hope for a future relationship. She also has a steady stream of meaningless babble that she knows will further alieanate him, but she can't help herself. He's probably the first man she's had that didn't use her for a punching bag, and spoken with a semblance of kindness to her. Anita Ditchburn who I'm told is a ballet star in Canada is a strange young lady. She plays the role with almost one expression...a constant pout. The plot is as phony as Hollywood can get. A reporter who wouldn't be caught dead at the ballet, falls in love with a dying ballerina. Are you kidding me!? An adorable little Puerto Rican kid is also in there somewhere. But guess what. I've seen it a few times and I still love the movie. Give it a viewing. You'll enjoy.

I recognized the title, it stars Paul Sorvino, so it sounded intriguing when I saw it was on "Flix". I just finished watching it so I came here to see if other folks thought the movie was as bad as I thought it was. Why is Paul Sorvino's character in love with this ballerina? He sees her and is instantly smitten--no matter how annoying she is, he can't help but love her all the more. Yeah, they were going for Jimmy Breslin--that was pretty obvious. I kept waiting for the story to make sense--to see a reason behind all the dreck--but I was sadly disappointed. I thought Paul Sorvino was attractive in a "husky" kind of way (that's the description given for Flix) and all the "I've seen the X-Rays" nonsense was over the top--"You could bleed to death", etc...."I....can't....walk".. "No--I want HIM to carry me out for my bow". I really don't understand why the film makers didn't see how bad it is/was. I think "The Turning Point" was out the year before so they saw an audience for "Ballet dancer as protagonist" type movies, but forgot that you really need a plausible storyline or, if you're doing a "character study", you need to make your characters three dimensional and believable. They failed miserably on both accounts. And I couldn't tell what type of accent the ballet dancer was trying to affect. At times it seemed slightly Russian, at times, slightly British--nothing consistent. I guess they figured that after Turning Point, all you had to do was get a pretty ballerina...women LOVE to watch pretty ballerina's in pain for their art, dying (maybe) and falling in love.

This is a wonderful movie. I've only seen it twice, and I've been looking for it again for ever. I'd buy it if I could find it. While it's sad, it shows three things -- how much a man can love a woman, how hard some people want something and how hard people work to overcome their limitations.

I saw this film years ago and it was John G. Avilsden's first film after ROCKY. I for one was blown away at the time and there is some great dancing in it and a good love story. Also, the soundtrack is awesome (I have the original on vinyl 33) and should be re-released on cd. Would also like to see the film released on dvd--alomg with Avilsden's other neglected work: THE FORMULA Brando/Scott. This was Paul Sorvino's finest hour on screen and I remember coming out of the cinema extremely moved--true, you may love this film or hate it-depends what kind of a soul you have. Slow Dancing never even turns up on Tv --What happened to this movie and are there any other fans of it out there?