Slow Burn

Here's a film that might have been a classic. The story had all the elements. But the direction could have been better and the main actress wasn't up to the material. The supporting actors didn't help either. With a different cast and a different director this might have been great. That being said, it is still worth a look.

if it would not be for sign of "low budget" in some scenes, and a certain "too close" resemblance of "the usual suspects", this feature would be an excellent thriller in itself. the cast are remarkably well chosen for their respective on-screen characters. one of the best roles for Ray Liotta, LL Cool J, Mekhi Phifer and Jolene Blalock, played accordingly as well. there are 2 main problems that create a certain let-down for this production. first one is regarding the first 10 minutes or so where the plot is a bit as "all over the place" and might loose the viewer's interest (certenly almost did mine). second one is the one scene that contains an explosion and where the cgi effects are VERY bad( while that is not important to the plot at all, somehow will affect your impression and visual perceptions since the suspense about around there is great- kind of a "let down" for a few moments). also i might add that at times the plot seems rushed-off, but maybe because is trying to pull the exact same dialogs-camera work-twists as in "the usual suspects"( one of the best suspense movie EVER!). all the action happens in one night. starts with the "crime" and works its way back by means of "flashbacks". a minor difference is the fact that the director inserts those flashbacks of Jolene Blalock breasts as well ( is obviously only a commercial attempt at targeting larger audiences. however those scenes are "ok" and she looks great indeed). Ray Liotta plays in Chazz Palminteri with the exception that here, this particular character is more extensively developed ; he is the central one after all. i will not say who the other "guys " are but there are enough twists that will keep you guessing until the end 5 minutes or less. just like "usual suspects" makes perfect logical sense( i really respect that first and fore-most in any respectable thriller). while the resemblance to the best thriller is too MUCH to be "respected" as an original feature in itself, i give credits to the whole cast for being able to pull it off with enough style as not to "disappoint". a good positive point as well would be that the movie never slows down as the "b" features generally do, by having "fill-up" scenes in its middle parts. enough said, i am going in circles on this title since it is a rip-off( there, i said the word again, hehe) and the original score keeps pupping up in my head, the resemblance is just way to great; overwhelming actually even if completely different in details( only Nora Timmer character, the woman, is more developed here in comparison). it is a good watch nevertheless, and will not disappoint you if you can "pass" the explosion scene without loosing any interest... so the plot gets 10 stars( while i will ignore the similarities, they are different in context itself and do make perfect sense overall ), the acting gets 10 as well( i can not think of anyone that was playing "badly"), the soundtrack gets an 8 ( great musical choices but not consistent, again a sign of low budget),the camera work gets a 10( great achievement for a low budget), the script gets a 5( 1 for originality in essence and 10 for consistency), and finally the cgi effects get a more then deserved 1 star. did i miss something?

"A ripoff of 'The Usual Suspects'". Oh , look at me. My eyes are rolling. Rather than use any intellectual energy, the clueless feel that the only way to summarize a movie, is to compare it to another movie. Let's see, the documentary reminds me of "the Holocaust". Instead of Jews, there are migrant Hispanic workers. Instead of Germany, it's California. Instead of Hitler, there's the former-lieutenant governor, Gray Davis. Instead of concentration camps, there are lines at the DMV. See, almost the same. For dolts, any movie with a twist and characters "aren't who they seem to be"...bingo (!), it just like "The Usual Suspects". "The Usual Suspects" is a better movie, but "Slow Burn" is a lot of fun. It keeps you guessing, and that really upsets many movie goers. It certainly upset a lot of people who posted on this forum. Lots of discussion of why a white woman was used, rather than a black woman. If a black woman was cast, it would have been a different movie. I prefer Chinese women and, if Zhang Ziyi was cast, it would have been a different movie. For a mixed-race actress, Jennifer Beals would have been perfect. Unfortunately, she is too old to play an ingénue but, for the rapidly aging Roy Liotta, more appropriate.

Ray Liotta as a DA running for Mayor who has trouble when one of his best and brightest assistants turns herself in for shooting someone in self defense. Complicating matters is a drug lord who shows up to tell Liotta things are not as they seem. Bad make up job on our leading actress aside this is a good but not great little thriller that would have fared better as "made for cable original" where the expectations wouldn't be that high. Give it points for twisting and turning, take one or so back for being only a step or two above most direct to video releases. Worth a look but late on a Saturday night where this would be perfect fare before bed time.

In the opening scene of "Slow Burn," an assistant district attorney (Jolene Blalock) is found wandering the streets of the city, disheveled and confused, informing those who find her that she has just killed a rapist in self defense. The alleged attacker (Mekhi Phifer) was a man she supposedly met one night in a record store and who then proceeded to stalk her for weeks thereafter. Suddenly, into the head D.A.'s office strides LL Cool J, as a friend of the deceased who has a considerably different story to tell about the events leading up to the murder as well as an entirely disparate take on the couple's relationship. Things get even more dicey when we discover that the D.A. (Ray Liotta) and the assistant D.A. have been conducting a torrid affair of their own for a number of years now. "Slow Burn" fails on so many levels of rudimentary storytelling and film-making that it's hard to know where exactly to begin in compiling a list of its shortcomings. To start with, there's something inherently self-defeating and pointless in constructing a narrative from two widely conflicting viewpoints - a la "Rashomon" - when one of the supposed eyewitnesses is already dead and, thus, unable to personally relate his side of the story. How does it enhance the verisimilitude of the tale if most of our information has to come filtered down to us through a secondhand source, a person who wasn't even present at the events he's describing - unless, of course, he was hiding in a nearby closet during all those "intimate" moments he is able to recount in such juicy and exhaustive detail? Either that or the murder victim was one of the chattiest, kiss-and-tell gossips in the history of the movies. And why does it take till the closing reels for the supposedly intelligent professional investigators to smell a rat in that setup? Eventually, the twist-and-turn plotting leads to so much incoherence and confusion that you might well wonder if the filmmakers themselves understood what it was they were doing. Beyond the clumsy, inscrutable storytelling, "Slow Burn" also suffers from some of the most overripe dialogue this side of "The Black Dahlia." With such knee-slapping howlers as "She stood there like a tangerine, ripe and ready to be peeled" and "She walked in smelling like mashed potatoes and every guy within thirty feet wanted to be the gravy," the script could easily win First Prize in a Bad Film Noir Writing contest. It's hard to believe at such times that the film isn't actually intended to be a parody (the acting sure suggests it on occasion). On second thought, perhaps it would be best to stick with that notion; it just might go down easier that way.

I thought this was a great movie. It reminded me of the Kevin Spacey's movie "The Usual Suspects". Yet I haven't seen a web site that recommends it if you watched this movie. I have recently watched "The Prestige". And I felt this movie had a Prestige ending. I was still putting the pieces together hours after the movie had ended. I was nearly going to skip this movie, because it was a 2005 film. And thought it must be crap. Otherwise I would have heard of it before. I only became aware, as it was coming up as a new release in the UK. So I surfed the web looking for a trailer. The first 45 minutes of the movie lays the foundation. With only one twist about the 20-min mark. But after that the movie picks up and the twists keep on coming. Then there's a fast ending that leaves you wondering what just happened. Even though I have said that this movie is like "The Usual Suspects" it is different and takes it to a higher level.

I rented this movie because of the actors involved - Ray Liotta, LL Cool J, Taye Diggs, Mekhi Phifer and the great Bruce McGill. However, the movie basically bored and confused me simultaneously. To put it simply, it's just too messy. The movie touches on some interesting subjects and has some potential - but the end result is, well, quite a mess. Slow Burn seems to be quite inspired by "The Usual Suspects" - which is by no means a bad thing. But it all just gets too convoluted. I lost track of the tricks the movie tried to pull to surprise the audience toward the end. It seemed pretty forced as did all the flashbacks throughout the film. I will, however, give the movie credit for "hiding" the bad guy really well - I didn't guess who it was, despite being a big movie buff. The actors all do their jobs just fine, though I think LL Cool J was somewhat miscast. All in all I would not recommend this movie. I guess there is a reason it was held back for 2 years ;-)

I remember growing up on films such as The Firm, The Pelican Brief, The Client, The Fugitive, films with enough plot twists and turns to keep things fresh and interesting. I was more than pleasantly surprised to see excellent performances from an otherwise pieced-together cast of Ray Liotta, Taye Diggs, LL Cool J, Mekhi Phifer, Chiwetel Ejiofor, and of course Jolene Blalock. I enjoyed every minute of this film whose score and choice of background, and especially credit, music made it all that much more memorable. Personally, I love films in, around, or about the city. Without giving anything away, Slow Burn deals with corruption and a little gang-related mystery; all the while providing that sense of empathy for Liotta's character that seems all too absent in modern films today. No, this film is not for everyone, but if you can remember what it was like to be genuinely stringed along and interested in what happens at every twist and turn of those 90's film plots, then you should find yourself feeling that you got you're 9.50's worth on a Friday night.

I rented this on New Year's Eve to counter the boredom of Bowl games, and found the movie to be surprisingly good. There was a compelling and believable storyline (think of "Body Heat" set in a contemporary northeastern city instead of lazy Miami), it was well acted and a real thriller. I especially liked LL Cool J's performance, and Liotta was believable as the White urban politico. I also liked that the movie didn't shy away from comments (however simplistic) about race. Mekhi Pfifer was useful in his role and Taye Diggs was hilarious with his usual witty and sarcastic commentary. The female lead, Blalock also gives a believable performance as damsel in distress. The Desk Sgt. Drown character was quite funny. Comparable (but better) films would include "Double Indemnity" or The "Postman Always Rings Twice". This was a good yarn, well worth the 3 bucks I spent to rent it.

This wore out its welcome about 40 minutes into the movie and after the halfway point, about 10 minutes later, I totally didn't care if our girl here was innocent or guilty. The story just became plodding. I am so glad it wasn't just me, that the first review I see here - Mermaidbronze - felt the same way I did. I'll put it in simple terms: this film was not as "smart" and "clever" as it thought it was. In fact, it was stupid because it committed the ultimate sin for making a movie - it bored the hell out of its audience, and an audience that includes some "smart people" who can figure things out. A convoluted movie is just that, and not fun to watch no matter what any viewer's IQ might be. Movies that revolve around the big question "Did he/she kill the person or not" are either extremely interesting and involving or the opposite. I found it un-involving, and when you don't care about the characters, then you don't care who's innocent or guilty and the film loses all effectiveness. This movie was filmed in 2003 but not released until this year - four years later! Maybe they knew it was a turkey.