Silsila

Silsila(480P)

Silsila (1981)

This movie was just about everything I hoped it would be, except for the stupid tacked-on ending. Rekha and Amitabh are up there with Shah Rukh and Kajol as a great couple of Hindi cinema, and I loved seeing them together. (Jaya...not so much.) I just thought, like many here, that for a movie portraying adultery with such sensitivity and compassion--and adultery with true love on its side--the ending seemed totally contradictory and kind of like a bashful retraction. Even though it wasn't well explained, or at all explained, I at least understand the concept of him returning to his wife out of guilt and a sense of duty (I especially liked the line about him having to stay a god once he's decided to act like one), but the FAITH IS LOVE part at the end really seemed unnecessary. You can't tell me that after all of that, the relationship between Amitabh and Jaya was more lasting than the one between Amitabh and Rekha--not to mention more powerful or more sincere. I mean, seriously.

I always wanted to watch this movie as i am a huge fan on Amit ji and Rekha ji. Finally watched the movie and here is what I felt. Amazing movie, great dialogs and amazing poetry, every actor is fantastic. Hate for the character of 'SHOBHA from bottom of my heart!!! The ENDING makes no sense in present time but yah respect for the boldness of director and writer for creating such an unique story back then. Honestly I don't like the ending. Its so sad to see such stories where at the end social stereotypes win over human emotions and feelings.. I hate Shobha!!!!!!! She truly is the problem.

The only reason I saw this again was for Sanjeev Kumar's performance. It is one of the best movie on the subject out of Bollywood, way ahead of its time back in 1981. Writing is excellent and music is also exceptional. One of the few movies I know of where Amitabh sings to songs written by his father. Amitabh, Sashi, and Rekha are good in their roles. Jaya also excels as Sobha. But Sanjeev Kumar steals the show, although he barely has 15-20 mins of on-screen time in the movie. He is very effective in expressing his character in a very subtle way (as always). I don't understand how others can compare KANK with this movie, yes, there are characters who engage in extra marital affairs, but that is about it. The circumstances and the story lines are completely different to be able to make apple-to-apple comparisons between the two.

Review By Kamal K The film is good and the poetry in the film is very good. The love story of the film is great but I don't like the Ending of the movie. 'Amit' fall in love with 'Chandani' but he is sacrificed in End of the movie for 'Shobha'. I don't care for shobha. She is helpless, so Amit married with Shobha. It's just sacrificed for shobha. But if script writer was changed End of the movie then theme of the movie and new thought will be comes in society. I like the story, song ,poetry, acting everything but 'I don't like the Ending of the movie.' About acting and character I want to tell you, all the character and All actor are very good.

The subject of adultery is handled delicately in this movie. The movie has a different style compared to other Hindi movies. The acting by the lead actors looks natural and the movie has some great songs. Two songs in this movie "Neela Asaman" and "Ranga Barase" are sung by Amitabh himself. It is not very convincing why Amitabh and Rekha decide to go back to their respective marriages. The movie should have spent some time explaining that aspect and cut short some of the scenes in the beginning where they show Shashi Kapoor and Amitabh and Jaya together. Overall a very good movie. I would recommend it to anyone who wants to watch something different from the regular Bolywood fare.

Silsila-one of the most sensitive, humane and intense movies ever made. The film shows how a man's heart can work and how fragile a person's feelings can be... very beautifully made film-Worth watch Amitabh Bachchan's performance leaves a deep impact on the viewers when he gets angry, when he cheats his wife, when he recites poems, when he loved his babhi, when he enjoys with his bro, when he says "main aur meri tanhaayi....", when he plays safe in front of Sanjeev, When he asks Chandini(Rekha) to leave the place forever on their own, when he speaks to Shobha(Jaya) before leaving, when he last says to Shobha that (in Hindi of course)"the truth is that you are my wife and I am your shusband bakhi sab jhoot hai..."-You cant hate his character in the film. You understand his feeling and love him... Amitabh and Rekha- They just rock...best couple of Bollywood... Sensitive film for sensitive viewers... Big B's performance deserved the actor awards of the year for sure, but yes yet again-Another dirty rude joke played on him (after Deewaar)

Arguably emminent director Yash Chopra's worst self-indulgence ever. The only halfway interesting thing about this suffocating over rich piece of Indian junk food is the costumery and Amitabh's super stylish wardrobe -- notable are some of the flashy, dazzling, primary colored saris worn by Rekha in nearly every scene in which she appears -- (just stills of these would be a more rewarding than sitting through the whole film) -- Amitabh's carefully tonsured headdress --er -- hairdo.... and his white suits with flaired trousers, a homage to -- in fact a throwback to --mod American and English male fashions of the sixties (already out of date by 1981) -- The song picturizations on Amitabh and Rekha are not just bad --they are Sickening -- traipsing through fields full of Dutch tulips -- argh --embarassing -- Mister "Big B" is just not cut out for Romantic roles of this kind -- (a wide range as an actor he does have, but Romance is the one thing he does like a robot going through the motions) -- the whole thing looks like a prequel to Shahrukh Khan 15 years later! -- However ... the near-miss lip-sync kisses, and one kiss actually planted on Rekha's lips in long shot, are daring for the time --very daring, one might say ... But Amitjjii, flailing about on top of her and slobbering all over Rekhaji --just doesn't work for me --especially not on the heels of just having viewed SHOLAY -- Purely ridiculous, embarrassing -- Maybe if he slapped her around a little ...or maybe if there was a little more comic relief by Aswaniji ... The theme of the jaunty heroic jet pilot killed in action (previously the likes of Rajesh Khanna and Raj Kapoor -- in this case Shashi Kapoor.) has been worked so to death that it practically constitutes a sub-genre of Indan films on its own ... but there were some nice jet fighter landings and takeoff scenes -- somebody ought to make a compilation of just such dashing Indian fly-boy scenes! While eagerly looking forward to SILSILA because of the star cast, the star director, and all that has been written about the alleged kinky real-life triangle amongst Amitabh and Rekhaa/Jaya -- I started getting under-awed from the very first song/dance tulipy picturization opening the film and soon found myself saying --"What IS this? --This is absolutely NAUSEATING ... not to mention ridiculous -- one soap opera set piece after another following upon one comic strip coincidence after another.. (and just then ... while Rheka is at the wheel driving they happen to hit a kid crossing the street, and the cop at the station turns out to be Jaya's brother-in-law...Kulbhushan Kharbanda! -- c'mon, give us a break...) -- but I did dutifully watch it all the way to the family-values-must-prevail required ending, out of sheer determination ... with gritted teeth. The only halfway decent performance in the ENTIRE flick was Sanjeev Kumar as the look- the-other-way devoted surgeon husband of Mme. Rekha -- This flick while gorgeously mounted (as are all Yash-chop films) has just about every tired cliché in the book and caters SLAVISHLY to every salacious preconception the Indian public had about the stars at the time -- UGH-ugh, and Ugh! Three thumbs down. Only to be included in a "Worst of Bollywood" (and Worst of Bachchan) retrospective -- Incidentally -- this was made the same year (1981) as Rheka's sublime UMRAO JAAN -- and that's one to put in one's pipe and smoke it!

Good movie BUT i was sadly disappointed by the ending.The beginning starts off with Jaya and Shashi which i have to say they made a nice couple then he dies and all of a sudden Amitabh has to hold responsibility and break it off with Rekha..FOR WHAT! i didn't like Jaya's character she seemed very weak and helpless and not of the women like today. the movie didn't elaborate on why Amitabh went back to Jaya it just didn't make any sense and then love is faith and faith is love ...WHAT? when did we learn that from Amitabh and Jaya's pairing in this movie? if anything i think the story should have ended with Rekha and Amitabh.this movie depicts the real life situation it just didn't make any sense why it ended like that. I bought this move after hearing such great things about it ....but now i'm really disappointed with this film for me i give it a 9/10. I give it a 9/10 because of the ending which didn't tell you much about why they got back together.Faith is love but ........... Jaya Amitabh clearly did not prove that to me in this film . In the end though i feel that Amitbah and Rekha should have gotten together.