Season of the Witch

source: Season of the Witch

Trailer—Hungry Wives

Hungry Wives

This is one of my favorite films of all time. Joan, who seems to be suffering from a midlife crisis, breaks away from her world of therapy, bridge and cocktail parties and becomes involved in witchcraft. We never know if she REALLY has magical powers or not. Her nightmares and fantasies remind one of Roman Polanski's "Repulsion." In the end, Joan seems to finally have it all together. A definite must-see for any true Romero fan.

This early film from horror master George A. Romero is like a test run of various themes--alienation, identity, disaffectedness--that would mark his later work such as "Martin" and "Knightriders." For most of the way, it's a dated and talky production, but it ends with a tense and scary climax, which showcases Romero's brilliance in editing and directing to build maximum suspense. While one of Romero's weakest films overall, it still is interesting to watch and a lot better than its reputation would suggest.

Director George A. Romero is a smart guy. His movies usually have a lot more going on in them than what appears on the surface. SEASON OF THE WITCH is about a bored, disillusioned "housewife" who dabbles in witchcraft. It's also a study of the cataclysmic changes underway in the late 1960's and early 70's. It was a time when the more puritanical structure of the 1950's was collapsing under the weight of personal and social experimentation / freedom. Jan White's character is willing to accept new -actually, very old- ideas and a liberating lifestyle that will drive her emotionally-absent husband nuts. That is, if he even notices! This movie explores the sexual revolution, female awakening, and several other topics of its era. Witchcraft has always been a perfect metaphor for female power, causing terror in those who would much rather keep it buried. Too late. The spell is cast...

A thoughtful character study with supernatural tinges, misleading marketed as a straightforward horror film due to Romero's reputation, this film raises more questions than it can answer but is involving despite its leisurely pace. Certainly a more honest confrontation of suburban anomie than the likes of American Beauty, anyway, it boasts a well-modulated lead performance from Jan White, as well as arresting dream sequences and an overall well-sustained quiet tension throughout.

To get the most out of 'Season Of The Witch' ignore the horror tag and put Romero's zombie movies out of your mind. This is more of a character study * social document of an early 70s bored housewife's attempt to find meaning in her life. Faced with dull bourgeois conformity on one side, and a counter-culture that offers no real answers on the other, she eventually finds her own direction. Low budget, variable performances and all, I still found this to be a much more complex and accomplished movie than Romero's most recent effort 'Bruiser'. While it doesn't impress as much as his overlooked vampire gem 'Martin' (which shares certain similarities in approach and theme), it's not to be dismissed. It may not be entirely successful, but I highly recommend it.

Ranks right up there with "The Witch Who Came From the Sea" and "The Stepford Wives" in the obsolete sub-genre of 70's women's lib horror. Arguably George Romero's most unusual and underrated film, this is less a horror film than a sociopolitical bitchslapping of the male-dominated American dream. Although witchcraft does play a part in this, the focus is largely on our leading lady's middle-aged, menopausal anguish...a feeling of solitary confinement in a pseudo-sterile life with an abusive/absent husband, thankless daughter, and a circle of ingenuine, gossipy "friends". This is a very well done low-budget film, and comes highly recommended...although rigid horror buffs may end up disappointed. 7/10