Salt and Pepper

In a fun reversal, sammy davis is salt, and lawford is pepper! They even make that joke right in the first five minutes. The guys run a night club in london, with exotic dancers. When someone dies in their establishment, the coppers are all over them. Someone keeps dumping dead bodies there, and tipping off the cops. And the dead bodies are british intelligence! Sort of a spy thriller parody here; salt even buys a tiny, outrageous bright yellow car, which has gadgets built in to stop cars from following them. There's a fun sense of adventure all the way through... even salt and pepper aren't really taking this seriously. Keep an eye out for graham stark.. he was the silly waiter in victor victoria! Here, he's the inept copper who can never seem to catch the guys committing any crimes. It's clever! Even some fun wordplay, if you really pay attention. Not to mention some race jokes, but they pick on just about every race. Silly but fun. Directed by richard donner. Also directed superman and lethal weapon! Story by michael pertwee.

source: Salt and Pepper

At first it seems like this comedy starring Sammy Davis Jr. And Peter Lawford is going to be a total dud, but as you get into it, it becomes a hysterical romp of the exposure of treason from where you at least expect it. The film becomes a completely wacky trip into the minds of rat pack members Davis and Lawford as they go out of their way to expose a plot from which source they are not 100% sure. Michael Bates as the constable is their fough, a British version of Inspector Clouseau, trailing them at every moment, believing that they are up to something nefarious yet unaware that they are trying to expose a hideous plot against a government whom they're not sure of which government. The duo run a notorious London nightclub, filled with typical late 60's gaudiness, as demonstrated by a musical number which Davis performs. There are a lot of red herrings in this film so you have to pay attention to figure out who is really the mastermind, who is brought into distract the audience from the truth, and as things are revealed, one thing is clear, the author was having a great time writing this. It reminded me a lot of the later Inspector Clouseau film, "The Pink Panther Strikes Again", a film that goes down the road of zaniness and just gets wilder and wilder as it reaches its destination. Davis and Lawford are having a great time bringing the silliness to life, and while this may not appeal to non-fans of the rat pack, for those who have an open mind about the silly direction in which this is going, they will find themselves reaching for more popcorn or chips or snacks as the film saunters on to its delightful finale.

This movie actually has a very witty script. Several people have complained they didn't laugh. It's SATIRE, the slapstick may be lowbrow humor, but the script has several witty moments - you really have to pay attention closely to the dialogue. A humorous take on the spy movies and tv shows that were barraging the airwaves and theaters of 1968. This was a classic form of camp humor films of the mid 60's through early 70s. Unfortunately, the humor is a bit dated for those who did not live through the insanity of the times. Two nightclub owners are sucked into a web of espionage in which they must save the entire country of Britain. A bit convoluted, the film could have been edited down by a good 20 minutes and been a better film. That said, it was still a fun romp. Vaudeville, meets burlesque, meets 007, meets Rocky and Bullwinkle. James Welch Henderson, Arkansas 3/30/2021.

Salt and Pepper (1968) ** (out of 4) Charles Salt (Sammy Davis, Jr.) and Christopher Pepper (Peter Lawford) are friends who own a nightclub in Soho and after a woman is found dead there they are held on suspicion. Pretty soon the two are working as undercover spies to try and track down why so many other agents are being killed. The 1960s were full of various spy movies and Rat Pack member Dean Martin was having a major success with his series. It was an obvious idea to try and get others into the mix and with SALT AND PEPPER both Davis and Lawford got to get back up on the big screen. Sadly, the end result isn't nearly as good as one would have hoped for. For the most part SALT AND PEPPER is a mildly entertaining film that works largely because of the two leads and their performances. There's no question that they've got a nice chemistry together and their timing bouncing off each other is quite good. Davis is given an extended music sequence and Lawford gets to be that classic British charmer. The two of them make the film worth watching and especially if you're fans of theirs. With that said, outside of them there's really not too much going on here. The plot itself is rather routine, boring and it never offers up any fresh or original. I'd also argue that the direction is rather lackluster and there's not really much humor to be found in the screenplay. Technically speaking the film is well-made but there's just not enough entertainment here to make it worth recommending.

This abomination and the sequel ONE MORE TIME (no thanks) and the hideous Jerry Lewis disasters like Don't RAISE THE BRIDGE LOWER THE WATER (why not just flush instead) drove cinema owners to close their doors rather than be forced to run these films. True: in the 60s block booking of films was still enforced on hapless suburban and country cinemas... this means that in order to get a good film the cinema was forced to run woeful timewasters like these: I remember well in 1974 keen to screen FIDDLER ON THE ROOF or something good like that, I was bailed up in the United Artists booking office by some sozzled salesman who waved a sheet of flops before me and squinted, bellowing: "Now before we get to that one, lemme see ya date these ones first". which basically means: "book these duds and we will give ya a tired hit". This is how and why so many cinemas closed, forced to screen and annoy their waning audiences with these assembly line failures with lame comedians and bored talent. Cinema owners, exhausted with arguing simply closed, sold to a petrol station and saw the cinema demolished. These days the same type of films (eg: I NOW PRONOUNCE YOU CHUCK AND LARRY) get banished to the 20 seat cinema 99 in a mega google plex instead. Not much has changed. FREDDY GOT FINGERED... anyone?

I thought this would be worth watching: 60s caper movie with Rat Packers fallen on unhip times, trying to juggle their increasing fogeyness with the galloping modernity of the late 60s. I thought at least there'd be some unintentional ironic fun to be had in comparing their view of 60s London with Austin Powers, and that they'd both be similarly and amusingly inauthentic. But the fun stuff isn't there. There are too many scenes of Pete and Sammy in cheap hotel room/dressing room/cellar/police station shots, when Sammy Davis sings, it's not the knockout like Sweet Charity's Rhythm of Life that you're hoping for, and the copy of Crosby/Hope's Road series is never pulled off because neither of these blokes is a good enough comedian and the script is terrible anyway. It's like watching your dad trying to be funny. Also, there aren't enough pretty girls in pretty 60s dresses. For a better version of this sort of thing, you'd be better off watching the Man from UNCLE movies. Robert Vaughan is a little bit of an old git in them, but he's self-mocking and sexy, Ilya Kuryakin is genuinely dishy, and they have proper party scenes with proper pretty frocks and just enough plot to pay attention to. This movie, not funny, not pretty, and more than a little embarrassing, isn't even good enough to laugh at.

Christopher Pepper' are owners of a seedy Soho nightclub who get into trouble when a beautiful Chinese agent dies in Salt's dressing room. Then, one by one, V. I. P.'s start dropping like flies. Despite continual interference from the law, Salt and Pepper manage to uncover a diabolical plot by extremists to take over the country using a stolen nuclear submarine, H. M. S. Hercules. Its like watching a 'Matt Helm' picture without Dino. The opening scenes are atrocious, but as soon as Salt and Pepper are kidnapped by fake policeman, it perks up. Some of the action is surprisingly violent for a lightweight comedy, particularly the finale in a military academy in which an M. P. dies when.

This is just too goofy and corny to rate well. The editing and continuity are clunky, but that's not the worst of it. The goofy 50s sitcom musical cues are beyond cliche, the dialogue is fit only for 50s sitcoms, and the movie is so stupid that it can only be enjoyed by cultural deficients or hipsters who like their fare drenched in superficial ironies. It has historical merit as an exaggerated view of fashions, looks and behaviors of London's famous swingin' 60s. This film was meant to be hip at the time, so it can be viewed by modern eyes as a window into what director Donner thought would sell as 'cool.'

Around the time that Peter Lawford was officially declared persona non grata by Frank Sinatra from the famous Rat Pack, Sammy Davis, Jr. defied the chairman of the board and teamed with Lawford to do this spy spoof Salt And Pepper. And Davis lived to tell the tale. Salt And Pepper casts Davis and Lawford as a pair of club owners in the swinging Soho section of London in the Sixties. As cool a pair of hip dudes you'd ever want to meet. A working girl is killed in their club which brings the wrath of constipated police inspector Michael Bates down on them. Bates doesn't like them on general principles, I wouldn't with all the nasty cracks made about him being so uptight. But Bates is the least of their problems because the girl was an enemy agent and that gets Davis and Lawford involved in a plot to bring down the British government the details of which I won't reveal because they are truly to bizarre. The Sixties made London the hip capital of the world and at the same time Ian Fleming and his James Bond novels brought to the screen by Sean Connery put a new twist on the spy novel. Salt And Pepper combines both trends with Davis and Lawford constantly rolling witty dialog off their tongues. The film is fast paced and breezy with nary a bow to any reality. I did mention Michael Bates before who looks through the entire film like he needs a stiff shot of prune juice. His performance is a tribute to James Finlayson, the perpetually uptight foe of Laurel and Hardy in dozens of films. Bates gets quite a few laughs of his own. Salt And Pepper holds up well and was popular enough for a sequel One More Time to be made. You'll probably want to check that one out as well.