'Round Midnight

source: 'Round Midnight

"'Round Midnight" the song is a jazz standard by pianist Thelonious Monk. It is thought that Monk originally composed the song sometime between 1940 and 1941. However, Harry Colomby claims that Monk may have written an early version around 1936 (at the age of 19) with the appropriate title of "Grand Finale". "'Round Midnight" is the most-recorded jazz standard composed by a jazz musician. On the website allmusic.com it is listed on over 1000 separate albums. The FILM 'Round Midnight, was inspired by the lives of real-life jazzmen Bud Powell and Lester Young, combined into the character of tenor sax player Dale Turner, played by Dexter Gordon. The character of Francis Borler, a Parisian man obsessed with Turner's music who befriends him, is based on Francis Paudras who wrote Dance of the infidels: a portrait of Bud Powell about his friendship with Powell. It is director Bertrand Tavernier's audio-visual lament for the impending death of jazz. In 'Round Midnight, real-life jazz legend Dexter Gordon brilliantly portrays Dale Turner, a musician slowly losing the battle with alcoholism, estranged from his family, and hanging on by a thread in the 1950's New York jazz world. Turner gets an offer to play in Paris, where, like many other black American musicians at the time, he enjoys a respect for his humanity that is not based upon the color of his skin. There he meets an admirer who befriends him and tries to save Turner from himself. Although for Dale the damage is already done, his poignant relationship with the man and his young daughter re-kindles his spirit and his music as the end draws near. Considered one of the world's greatest tenor saxophonists, jazz legend Dexter Gordon (1923-1990) was once quoted as saying, "Jazz to me is a living music. It's a music that since its beginning has expressed the feelings, the dreams, hopes, of the people." Gordon Dexter's height was 6 feet 6 inches and his nickname was Long Tall Dexter and because he was so large, so was his sound. He was known for his tendency to play behind the beat. Growing up, his doctor-father introduced him to his patients Duke Ellington & Lionel Hampton. Dexter joined Lionel Hampton's band in 1940 and then went on to play for Louis Armstrong, Fletcher Henderson, Billy Eckstine and Lester Young. During the late 1950s he spent time in and out of jail and in the early 1960s recorded some landmark albums for Blue Note Records before moving to Paris for 15 years. Gordon found Europe in the 1960s a much easier place to live, saying that he experienced less racism and greater respect for jazz musicians. Upon his return to the states in the 1970's he was rediscovered and claimed a genius. Near the end of his life he turned actor and made the film ROUND MIDNIGHT that captured some of the similarities of his life story. He was Oscar nominated for the role. Gordon died of kidney failure on April 25, 1990, at age 67. He was voted musician of the year by Down Beat magazine in 1978 and 1980, and in the latter year was inducted into Down Beat's Jazz Hall of Fame. Back in 1986 I managed a small art theater in Dayton, Ohio and we played this film, ROUND MIDNIGHT. That's when I first discovered this amazing slice of life film that took me to a world I had only heard of. And this too is what film preservation is about, sharing the past of others… So sit back and enjoy this tribute to a by gone music, film and musician… in ROUND MIDNIGHT!

What the previous reviewer failed to mention is that this great movie is about BUD POWELL's life after he moved to France in 1959 due to his continuing health and mental problems. Powell, next to Monk, was the greatest jazz pianist in history, and is portrayed perfectly by tenor sax great Dexter Gordon. By the end of the film, I was left wondering what could have been for Powell. How much more of a brilliant career could we have seen ? Miles Davis always claimed that the electro-shock treatments that Powell received in the 1950s during his various stints in mental sanitariums, robbed the great pianist of his creativity and musical genius. Whatever the case, Powell joined the long list of sad endings to great, great jazz careers. Charlie Parker, Brownie, Lee Morgan, Eric Dolphy -- the streak of tragedy and greatness cut short runs like a bright orange thread throughout the history of this fine music. If you are a jazz fan, this movie truly is required viewing. If you are music fan, I suggest you give it a try. A moving piece.

"Round Midnight" is a movie that is self-selecting. After all, if you don't adore this sort of jazz, you're likely never to see the film in the first place. I'm certainly no fan of freeform jazz (like they have in the picture), but I saw it because I heard so many good things about it. In hindsight, I just don't think I'm the best person to see and review a film like this...unless you are looking for a review by someone who doesn't like this style of jazz! The film is a French product...even though most of the dialog is in English. With a French director, writer, actors and French setting, I assumed it would be in French. So, if you are worried about reading subtitles, you won't have to during most of the story. The plot involves the life of jazz sax player Dale Turner (Dexter Gordon) during his time in Paris. This jazz great has left the States for work there and whether or not he can actually perform is in doubt, as he's an alcoholic. One of his French admirers, Francis (François Cluzet), has taken it upon himself to help Dale through this terrible time and Dale spends much of the film living with Francis and his sad daughter. But the trip also heads to police arrests, involuntary hospitalizations and more. Is it just too late to help this musical genius? Dexter Gordon's performance is good but also very muted. He speaks in a raspy whisper and shows little energy in his delivery. This, combined with a very slow and deliberate pace, make this a tough film for the average viewer. It's not an easy movie to lose yourself in...unless you love this sort of music. For me, it just never piqued my interest...though I do think the movie was generally well made. For lovers of freeform jazz, 10. For most non-freeform jazz lovers, a 4. Overall, I'd give this one a 6.

While not particularly fast moving, the strength of this movie is the way it portrays and captures the atmosphere of the authentic jazz scene. Very enjoyable, and music is good too.

You don't have to be a jazz fan to love this film, but it helps! Seeing so many jazz greats was a pleasure, and hearing them jam was inspiring. Short on plot but long on carefully crafted acting -Dexter Gordon was magnificent.

I had never heard of this movie before, when I purchased the laser-disk by impulse. I like jazz and the title of it "Round' Midnight" grabbed my attention (also, it was on the bargain bin for only $7.99!). Wow...was this a pleasant surprise! It has become one of my favorite movies to watch (and listen to). I find that this is not so much a story, but an experience. You experience this movie & its atmosphere. If you have a good sound system, turn off the lights. Pour yourself a drink, Light up a cigar and turn the volume up! It's an experience that will move you. The music is the lead character here. It's a great movie about jazz for jazz lovers and I would now gladly pay five times what I bought it for!

It is perhaps telling that the two greatest non - American jazz musicians(Django Reinhardt and Michel Petrucciani)were both French because of all the European nations,France was the quickest to "get" jazz and recognise its validity as an art form,laud and give sanctuary to it's black pioneers.Certainly up until the early 1960s racism was fairly rare in France and many black musicians with international reputations took up residence in that country,happy to leave "Jim Crow" behind.From the mid 1930s there was a twenty year ban imposed by the Musicians' Union against American jazz musicians playing in the UK. Ludicrous when you consider that 20 miles away some of the best of them were performing every night. So when Dale Turner(Mr Dexter Gordon) begins his self-imposed exile in Paris he is following a well - established trail. A compassionate,sensitive and intelligent man,Turner has addiction issues that he is trying to address,but working in clubs is not the best environment for someone with his problems. But,above all,Turner has a God - given gift for playing the saxophone. Tired and worn out as he is,he is still capable of making music of great beauty.Respected by fellow musicians and revered by his admirers,"Round Midnight" tells of Turner's stay in Paris,and is a movie that loves jazz and loves the people who play jazz. Mr Dexter Gordon slips seamlessly into the Dale Turner persona,never quite drunk,never quite sober;in the end only wanting to play his saxophone,his whole life encapsulated in notes that sometimes seem to be more than mere music.He is clearly not acting,this is himself brutally exposed,a man almost but not quite beaten by life. People who love him try to save him from himself,but he is determined to go his own way.Jazz musicians do not,as a rule,have easy lives. Constant touring,at the mercy of different rhythm sections every night, always the "fan" with a connection...........it is not a recipe for longevity.In the end Dale Turner returns to America,reverts to drug use and dies soon after.Whether he would have survived had he stayed in Paris is problematic.I think in the final analysis it was just his time."Round Midnight"is very sad yet it celebrates the most life-affirming form of music on earth.Mr Gordon made an album for Blue Note entitled "Our Man In Paris";in it you will hear Long Tall Dexter at his muscular best,far different from the slightly halting playing of his later years. Never mind the moon landings,never mind the Internet or Henry Ford or Bill Gates,jazz is America's greatest gift to the world."Round Midnight" is France's way of saying "Thank you".

This movie should have been a jazz documentary. The music is excellent but the acting and the script are disappointing. Overlong, unnecessary characters (Francis' daughter, parents). Buy the soundtrack and listen to it but you might skip this movie.

Dexter Gordon plays Dale Turner, an aging tenor sax player at the end of his days. Beaten but unbowed by years of drug and alcohol abuse Turner arrives in Paris (1959) for a gig at a small, smoky, jazz club. Acknowledged as one of the greats he is joined by other stellar musicians as he quietly struggles to quell his demons and make great music. For a while, at least, he succeeds at both. Gently constructed without much plot this movie is a treat for all, and a grand slam home run for jazz fans.