Rooftops

This movie reminds me a lot of the kenpo school next to my house, they are expert in musical forms...what's the use of getting into martial arts if its to perform dance off... LOL This movie is stupid and ridicule at best.

A love struck roof-dwelling combat air dancer battles criminals in a Manhattan ghetto. From a decade of dance and pop, pre CGI, when the safety of actors doing stunts wasn't priority comes Robert Wise's Rooftops... With plenty of F' bombs, a few chases, fights and some moves from Breakin' and The Electric Boogaloo, the tone is inconsistent, it unrealistically sugar-coats the grim realities facing homeless teenagers. Wise echoes the atmosphere of New York reminiscent of like of The Equalizer TV series, Death Wish 2 and Wild Thing to name a few. Writers Allan A. Goldstein, Tony Mark and Terrence Brennan touch on abuse, gang crime and other serious problems of the day, many of which are still issues. The pacing is slow pace and plot thin but the cast are more than competent, leads Troy Byer Jason Gedrick are solid. Alexis Cruz is notable. However, the real star of the show is the location. With a fitting score and soundtrack, Wise offers the New York streets, abandoned buildings and 80s skyline. Showing the contrasting rich to the ghetto poor. Worth a watch if only from a nostalgia or time capsule perspective.

Are we supposed to believe any of this is much related to reality? Jason Gedrick is generally a pretty good actor but is ridiculously miscast here. He's far too pretty and far too sweet for this role of someone living on a roof. The dance-fighting? Whatever. Really the best thing here is the extensive and sometimes stunning views of NYC itself at a time now long past, making this a pretty good time capsule.

I have watched this movie over and over since it first came out. I was fifteen and even then, I knew it was cheesy. It had such great potential and I constantly rewrite the script in my head. The Capoeira ruined what could have been a good drama. I loved the fact that it was shot on location. Too bad that the characters were underdeveloped. It's like they wrote a first draft of a script then made the movie right away. At fifteen I could have written a better script!Some scenes and dialog seemed to come out of nowhere and you were left with a lot of unanswered questions. And was it just me, or did it seem like Lobo was sexually attracted to his cousin? "Elena's grown into some kind of woman!" And the way he was always touching her. Would have an interesting plot twist, Elena working for her drug dealing cousin who is also a perv. Too bad they missed the mark on this one.

There is something uncomfortable about 'Rooftops.' Perhpas it's the dreadfully slow pace and very thin plot. Characters threaten to foist revenge on one another, and each expects it, but none really seem to appreciate the danger. It comes off as young children bickering with each other about being on one another's property. It is meaningless and stupid. Rooftops, however, does have some merit. The story is about a bunch of homeless kids living in the slums of New York. They've made their homes and their territory on the rooftops of the abandoned buildings. They carry about with their own sort of culture, particularly noted by a variety of combat (which looks more like dancing) which I think is one of the more uncomfortable moments since there seems to be no point to it. "T" is the center of the story. Jason Gedrick's character is interesting at least in that he's not an annoying teenager (or older, I presume), but is actually a pretty smart, protective guy. Unfortunately, other than watching him go about his rather easy-going existence on the rooftops, there's not much to his character. His unrelenting antagonist is Lobo, a pimp and drug dealer who plans to move T out of his territory. Like 'Deuces Wild,' T and his friends vow not to let Lobo move in and mess things up for these kids. I suppose they've been pushed out of one too many families (T was homeless after his parent's died and so was his friend Amber; Squeak left home to avoid his mother's abusive boyfriend; and so forth), so they're determined to just to finally find a place of their own. Of course, getting rid of Lobo is no easy job. Especially when he patrols the rooftops with his gun toting goons,,going a little too far to get rid of a couple of homeless teenagers. Luckily, T's weird combat training and the rooftop kid's smarts make a pretty good match for Lobo. A little too unbelieveable, since Lobo was always threatening these kids with a gun. I bet a real drug dealer/pimp, intent on pushing his business no matter what, wouldn't think twice about killing these kids. Likewise, I doubt anyone would think twice about killing Lobo and his goons, since they never seemed to have connections to anyone else. There are just some strange qualities to the movie, mostly marked by the pace. It takes a long time for characters to be introduced and understood, for the plot to actually have something interesting going on, and so forth. A lot of the movie just seems to follow the kids and their rooftop lifestyles which is unfortunate, considering that this probably could've been a much better movie, considering the story. It sure does have a lot of weird junk going on, but I don't think it was too bad. There is just something entertaining about the whole mess. I may just be forgiving since I've seen one too many bad movies this week (at least when compared with this one). I think this one is just best recommended for die-hard 80s fans.

As production manager on Robert Wise's Rooftop, and with the news I received today that Bob had passed away, I want to tell everyone about this great film director. I worked on his last feature on the roofs of the lower eastside of NYC. No elevators to get to the roofs and Bob with a bad knee climbed with the best of us. He was a man who loved his crew, who thanked people and who could be a father to all. I was standing next to him as we just filmed a very complex scene with noticed flaws. He said move on, I said, only one take on such a long difficult scene, Bob replied, I am not going to use that part of the scene. A true editor who knew what he was doing, A man for all seasons, and who had more stories, but only when you asked. A true American and I am so glad and honored to have worked for him, God Bless Bob, thank you.

I was interested enough to watch this movie seeing that it was directed by Robert Wise, who years earlier had directed the great movie "West Side Story" - which like this movie was set in the gritty part of New York City and involved hoodlum youths. But the end results probably explain why this was Wise's last theatrical movie. Now, Wise does really capture the atmosphere of N.Y.C.'s slums, and the parts of the movie involving dancing and martial arts do have some energy. However, he seems unable to do anything with the sorry script. It's a slow story, taking forever to set up the conflict with the evil drug dealer, and not really picking up significantly in pace once that happens. Also making things a slog are the fact there are no real fleshed out (or memorable) characters; the character of "T" (played by Jason Gedrick), for one thing, reveals very little about himself and his past. Quite frankly, I was pretty bored with most of this movie, so it didn't come as no surprise when I learned not only that it didn't do much at the box office, it has also pretty much been forgotten since then.

source: Rooftops

Trailer—Rooftops

Rooftops