Romantic Comedy

source: Romantic Comedy

Romantic Comedy held all the earmarks of being a moving, heart-wrenching romantic drama. There was one scene in particular that was so well done, I felt certain that I'd be reaching for the Kleenex box. However, the way it ended (no spoilers here, don't worry) and the increasingly unlikable character of Dudley Moore made for a pretty unpleasant viewing experience. The acting of Dudley and Mary Steenburgen was very good, especially in the dramatic scenes. She wore some very sweet and tender expressions, and he radiated self-loathing and sabotage. If you felt When Harry Met Sally was too cutesy and needed more dramatic realism, this precursor will be a good fit for you. In my favorite scene, Dudley's wife, Janet Eilber, tells him she needs to have a discussion about their future. He naturally thinks they're going to split up, and he all but confesses his feelings for Mary (who has all but confessed hers). Instead, Janet announces she's pregnant. Dudley's facial expressions are perfect. He knows he has about five seconds in which to decide whether to leave Janet or stay. He knows his life is completely over, for if he leaves her, he'll be tied to her forever and carry the guilt of abandoning his child. Instead, he's stuck in a loveless marriage with massive incompatibility. Whatever budding feelings he had for Mary need to be squelched, and he needs to make this moment a happy one for his wife. All that is communicated to the camera in five seconds, and it truly breaks your heart when he embraces her. This movie really was a precursor to When Harry Met Sally. Two people have a great relationship but are destined to just be friends, even though there's obvious love beneath the surface. Years and years pass, and they remain in each other's lives through thick and thin. The difference is the comedic tone of Nora Ephron's script. This version has no pair of friends who are funnier and more likable, and there isn't the overall lightness of the leads' exchanges. This one is heavy, and Mary carries a lot of pain throughout the years she spends with Dudley. If you like her, you won't want to miss this one - even if you don't end up liking it.

The film consists of more than two hours of a couple of writers, somehow in love with each other but unable or unwilling to marry, fussing, fighting, and shouting. And in the end, even though their sexual escapade proved less than thrilling, they end in a clinch on a couch. Happing ending. The film is not very romantic and certainly isn't funny. The moral dimensions of the script are wholly secular and consistently depressing. Marriage and children are nothing when compared to sexual urges, booze, and fame. But there are some good lines in places. And the acting is superb. Dudley Moore and Mary Steenburgen are something to behold. The music is above average, and Arthur Hiller displays his usual excellence as a director. But even the stars of the film were unable to put life into a lame script that is at least 30 minutes too long. Overall rating: 7 out of 10.

I first ran across "Romantic Comedy" when it was on cable while I was in High School. (In 1984!!!) I found myself watching it over and over, loving the clever plotting and dialogue. I was just getting involved in acting and stage design then, and knew it was based on a play, having seen the superb "Same Time, Next Year" which is very similar.I love, love , love this movie. More so since I've now played "Jason Carmicheal" on stage. The 2 things that spoil this movie for me are big factors in what made "Same time...." so effective. First, they "open up" the movie to show New York. All well and good, but as with the previous film, the whole idea is that these characters are sealed in a world of their own making. The play takes place entirely in Jason's study. Second, and worse, the costume design, hair and makeup. The story begins in the 50's, and here's Phoebe in the opening credits, with long hair, no hat, no gloves, knee socks!! The only nod to the 50's is she's wearing saddle oxfords. She's a school teacher, not a school student.If they'd done the periods correctly, the changes in her character would have been even more evident. Think of the cast meandering through the 60's. Big hair, loud makeup, short dresses, then the 70's, the environment, falls, polyester, then into the preppy 80's which is pretty much where the entire film looks like it's set. A shame really, this film is so good, and would have been EVEN better if they'd stayed true. But, put that aside. There are great actors, terrific dialogue and wonderful music to be had here. Enjoy!!!!!

Famous New York playwright Jason (Dudley Moore) is getting married to Allison (Janet Eilber). His longtime writing partner left him for L. A. His agent Blanche Dailey (Frances Sternhagen) recruits school teacher Phoebe Craddock (Mary Steenburgen) to be his new writing partner. The first meeting starts off with an embarrassing naked misunderstanding. This open with a fun sitcom awkward meet-cute premise. It's a good start. I love both Moore and Steenburgen. I am eager to see their chemistry together. Suddenly, the story skips months and goes right to opening night. It skips over the important initial months of the connection. It's missing the set up to their lifelong relationship. It's also indicative of a constant skipping over sections of their relationship. It yadayadas some life transitions. This kind of jumping leaves the relationship a bit disjointed. It needs to flow better. I still like the two of them and this has some good sections. This could have been better.

Romantic Comedy was a 1983 comedy that is about as predictable and generic as its title and the stars definitely deserve better. The film stars Dudley Moore and Mary Steenburgen as Jason and Phoebe, a pair of writers who start writing together and become a very successful writing team while fighting an attraction to each other, despite the fact that they're married to other people. I don't know what even moved me to review this film because this was one of my most forgettable experiences at the movies. Arthur Hiller's pedestrian direction does no justice to Bernard Slade's screenplay, based on his own play. It's amazing that a playwright actually came up with such a dull movie about playwrights. The fact that Moore and Steenburgen have little or no chemistry with each other or with Janet Eiber and Ron Leibman, who play their respective spouses, who are both in deep denial about the fact that their married to people who are not really in love with them. I'm trying to think of something positive to say in a way of recommending this film, but I'm drawing a blank. Only hardcore Moore and Steenburgen fans should even bother.

The male actor is the shortest man in the world...the two actresses are both too similar. Not a funny comedy and too boring, too obvious to be a romantic story.

This is one of my favorite all time comedies. Dudley Moore is so funny! I could watch it 50 more times. And Mary is as sweet as ever. I love this movie!

The story involves Jason (Moore) and Phoebe (Steenburgen) as a couple of Broadway playwrights who collaborate on some hits and a few misses, while trying to overlook the fact that they have fallen in love at first sight. The following dialog i really liked and I really had my hopes up for this being an interesting film. He interviews her for potential partnership. Jason: "I have some questions Ms. Craddock do plan on getting married? Phoebe: Eventually Jason: That's not good enough. Phoebe: I'm sorry I didn't know this was an exam. Jason: The point is I don't wan't to invest in a partnership and then suddenly have you get the urge to become a nursing mother. Phoebe: I see. Jason: No you don't! You don't know a damn thing about the Theatre! The working conditions are intolerable the people you have to deal with are ego-centric maniacs and its filled with rejections on every level. When you're writing comedy the opposite of success isn't failure it's embarrassment and it's very public Ms.Craddock, they write HEADLINES". Rooted firmly in the early-1980's comedy mindset of "divorce plus adultery plus Dudley Moore equals entertainment," The two leads spark little chemistry together, Romantic Comedy is neither romantic nor comedic, but I give it 5 out of 10 only because Dudly Moore and Mary Steenburgen ARE good actors and fun to watch despite the weak plot.

Having seen Mary Steenburgen in the Butcher's Wife, I wanted so see what else she's done. The library had this film with Dudley Moore. Since I liked his work, I thought this would be a good flick. I was disappointed. The actors were ok, but the script was very thin and had to much patch work. The ending was dragged out poorly. The humor was generally good and was delivered well by the actors. This was the only saving grace for this movie.