Rich in Love

source: Rich in Love

Rich in Love

`Rich in Love' is one of those unfortunate middling films. If not for Kathryn Erbe, there would be little worth writing about--unless of course one loves to see the south in film. Perhaps an expansion and toughening up of Erbe's role and that of Jill Clayburgh's would make this a much better film. As it is there is too much stereotype in every character, and too much soap to support it. It's the plot's very few dark moments that most awaken the viewer. As does, of course, the very original, likeable and snappy acting of Kathryn Erbe. It is a flaw in the film, I think, that her independent life can be questioned, with effect, by the packaged entities around her. Her conforming to them makes her role less convincing--and takes something away from her superior acting.

Lucille Odom (Kathryn Erbe) is about to graduate from high school. One day she returns home to find her mother Helen (Jill Clayburgh) had run off. Her father Warren (Albert Finney) is a stubborn southern patriarch who can't accept it. Ethan Hawke plays Lucille's best friend who hopes to be more. Rae (Suzy Amis) returns with her new husband Billy McQueen (Kyle MacLachlan). It's a meandering low simmering family drama. There isn't much style in the directing. It has a lazy southern living feel in this slice of life. Albert Finney isn't playing a likable character. Kathryn Erbe is just too old for the role. It's really noticeable when she's paired up with Ethan Hawke. Overall there is some good actors doing material that wants to be better.

I have enjoyed Criminal Intent series of Law and Order for a long time. Kathryn Erbe, Det. Alexandra Eames, the female detective is rather hard and seems a bit bitter in the Criminal Intent Series. See her other side in this movie. This movie shows the marvelous soft side of this talented actresses and if you are a Criminal Intent fan this movie is a revelry in her acting and you get a pretty darn good yarn of family hardships in the South. I did not like Albert Finneys role in this movie because he did such a convincing acting job of the older Southern fellow that is hard headed and intolerant and unaccepting of change. He reminds me of so many men from my youth and the portrayal is divine, but you will likely find him hard to like in this movie. Katryn Erbe is easy to like in this movie and why I recommend it as a 10 star for Criminal Intent, law and order fans.

Director Bruce Beresford brings Josephine Humphrey's beautiful novel with sensitivity and amazing insight. His use of locations and the stunning backdrop is done with an eye for the landscape, just as his depiction of the characters is done with an instinct and empathy for humanity. Those characters are portrayed wonderfully by Albert Finney and Jill Clayburgh as very real people and not simply as caricatures of typical Southerners. Outstanding in the role of the young girl Lucille is the gifted Kathryn Erbe. She is nothing less than superb and would have been a true star making role if the film had been more successful at the box office. Although the film was not seen by many, Erbe's performance is some of her finest work and her incredible talent shines even among the members of this veteran cast. She is deeply moving in this film and Erbe makes Lucille one of the most memorable young women in cinema history.

As her family begins to unravel, young Lucille Odom (Kathryn Erbe) enburdens herself with the job of holding the whole deal together, including a casual father (Albert Finney) and a wild older sister (Suzi Amis). Erbe, a Chicagoan who does far too much work on stage and too little on film (What About Bob?), is wonderful, Finney, brilliant. The story does tend to wander, and each of the new characters that crosses our path (including Piper Laurie and Alfre Woodard) tend to show us as many weaknesses as strengths. Such is the honesty of the tale. The Southern (Charleston?) setting is wonderfully comfortable-we ride the visual images as much as the heartfelt characters. The whole thing has a Hallmark Hall of Fame feeling---with not the perfunctory payoff in the end I like this film very much.

"Rich in Love" is a slice-of-life film which takes the viewer into the goings on of a somewhat quirky Charleston, SC family. Highly romanticized, beautifully shot, well written and acted, "RIL" washes over you like a summer breeze as its plotless meandering breathes life into the characters such that at film's end you'll feel like an old friend of the family. A wonderfully crafted character-driven film from the director of "Driving Miss Daisy", "RIL" is a somewhat obscure little "sleeper" which will appeal most to mature audiences.