Princess Caraboo

source: Princess Caraboo

This film has been getting heavy airplay by Showtime for at least the past several weeks, which is a wonderful thing. (I was unable to see the film when it was released in theatres, and have been unable to find it in local video stores.) At any rate, this is a treat for anyone who enjoys the work of Kevin Kline, Jim Broadbent, Stephen Rea, and John Lithgow. Phoebe Cates is enchanting as the mysterious princess, her supporting cast is terrific, without exception, and Caraboo's story is hilarious, romantic, and poignant, all at once.

This film is a good story, and you do think more of it once it's ended than you might while watching it. One of the main points is that it is hard to be who you want to be. But it's also hard NOT to be who others think you are. Other than that, it's hard to talk about the actual story without influencing others viewing of it. I saw the film with no knowledge of it other than what was on the back of the video box. That's a good way to go into it. Mr. Gutch (Stephen Rea), the newspaper reporter, isn't who he wants to be. Mrs. Worral, the rich aristocrat who takes the Princess under her wing, isn't who she wants to be. The servants aren't allowed to be anything other than who they are supposed to be. Throughout the film, you see how the Princess inspires others- with jealousy, lust, greed, and also with admiration and love. Good story.

First the obvious plus points. Phoebe Cates is charming, and the character actors (notably Kevin Kline and Jim Broadbent) are all splendid fun; plus there's excellent cinematography from Freddie Francis. SPOILER ALERT: The film is based on a true story, in which early in the 19th century provincials around Bristol and the West Country in the UK were excited by the apparent appearance of a pretty, oriental princess who had allegedly been kidnapped by pirates and had made her escape to England, where she came under the protection of the Worralls (Mr Worrall being a magistrate - not a banker as portrayed in the film). Eventually, ten weeks later, she was revealed as a fraud - she was in fact a certain Mary Baker - yet Mrs Worrall, whose sympathy Mary kept even after being unmasked, arranged for her to sail to Philadelphia. The film implies that she had been facing the death penalty for her deception, and that she was to enjoy a new life in America. The truth, more prosaically, is that Mary Baker tired of life in the States after seven years and eventually returned to England in the 1820s, where she died in 1865. All this info can be found at http://en.wikipedia.org/wiki/Princess_Caraboo and at http://www.museumofhoaxes.com/hoax/Hoaxipedia/Princess_Caraboo/ All this rather underlines that the film-makers have taken this curious story and given it a harder spin against the English 'establishment', notably the aristocracy (in the form of the prince regent who is purposely made to look ridiculous, a point underlined as 'Caraboo' is apparently faced with the choice of the noble Irish journalist and the foppish and ridiculously dressed up prince). There's no evidence that the historic Caraboo came within spitting distance of the aristocracy, though the British press of the time gleefully had a field day over the gullibility of the local upper classes of Bristol and the surrounding region. Also I'm afraid the contrast of noble/innocent Irishmen (one of Caraboo's fellow inmates is - surprise, surprise - an innocent Irishman) versus evil English power-that-be (the only sympathetic English person who isn't a servant is Mrs Worrall) is becoming a tired cliché. Pity, because otherwise this is quite an enjoyable film.

"Princess Caraboo" is a wonderful, almost perfect film in the old-fashioned mode. It should have made Phoebe Cates a major star--but unfortunately (and mysteriously) she is still best known as the girl Judge Reinhold thinks about in "Fast Times at Ridgemont High". The movie is based on the true story of a mysterious girl who convinced a bunch of 19th century upper British Class men she was an Oriental princess. I'll leave the question as to whether she actually is or not up for you to find out. The performances, writing and direction are uniformly first rate, even magical in that old movie way. Unfortunately, the filmmakers tacked on a completely unearned and unwarrented "romantic" ending that mars the film. Not only does the romantic pairing of two main characters stretch believability, it is also SO OBVIOUSLY tacked on after the fact that it disrupts the flow of the film, almost ruining what had come before. I can't tell you what the ending is without ruining what pleasure the film will bring you when you see it, but I can say that it doesn't even make sense.

Who would have guessed that a film about a con artist could be so boring? Based IRL too. A Welsh beggar poses as a Javanese princess. She's obviously white, makes up a language from gibberish, and invents a religion and even the island "Javasu." Manages to fool local nobles, a reporter, and a so called scholar. Even the smallest research should have exposed her. She wasn't caught until other poor Welsh from her hometown recognized her. How do you make that dull? Con artists have had good films made about them starring DiCaprio, Steve Martin, and others. But here, the pacing drags incredibly. Lots of long shots of nobles homes. Dull parties with dull elites rambling. The film should have featured her real early life, her motives, and the ignorance and cultural stereotypes believed by nobles that let the "princess" fool them so long. Instead we get the least interesting part of the story, with fine actors trapped in it. Even after she's exposed, we get lots of dull talking from these same dull (both boring and stupid) elites, and very little from her.

This story is set several hundred years ago. A mysterious girl who apparently speaks no English is found begging in the streets. The magistrate wants to put her in jail, but the wife of one of the prominent men of the city wants to take her home to stay with her. Several people are consulted to determine what language the girl speaks, including one language expert played by John Lithgow who is very funny (especially when he tries to speak various languages). The girl doesn't look Asian or Middle Eastern, but if she's faking it (as some suspect) she's doing a good job. She has a tattoo and strange religious customs that provide clues, though the language in which she writes is not known to anyone. It is decided that she is speaking a dialect from Asia. When she does understand what is going on, she comes across as quite charming. Eventually, it is determined that she must be a princess, and her name seems to be Caraboo. Phoebe Cates gave a performance worthy of an Oscar nomination. Whether her character did as well I won't say. You'll just have to watch. I was worried when the movie wasn't funny at first, but the humor came in large doses after a while, and not the usual type of movie humor. This was quite a sophisticated film considering it often tried to be silly, and the costumes and the settings were very nice. The music was magnificent, whether highbrow classical or period music that sounded more like what ordinary people would enjoy. Everything about this movie was well done, and while it's not normally the type of movie I would watch, I enjoyed it.

Phoebe Cates was very cute in the lead role of "Mary Baker/Princess Cariboo." The story was a nice one, too, with no complaints about inappropriate language or behavior. Kevin Kline supplies many of the laughs, at least with me. I preferred him over John Lithgow or Jim Broadbent. This is supposedly based on a true story but I am going to assume they took a lot of liberties with it. Nonetheless, it's a story and a decent for "the whole family," as the cliché goes. However, I think this is mostly appealing to females. I found it pleasant, but more of a "chick flick" than a guy's film. Thus, I doubt I would watch it again, especially knowing the surprise ending. I definitely recommend this comedy-drama-romance for people who haven't seen it, and for most people who are not adult males.

"Princess Caraboo" is a rare breed of film these days -- aimed at adults, but highly respectful of the human soul and therefore safe for all ages. All viewers should find the historical angle fascinating, lovers of whimsical, offbeat humor will be delighted, "romantics" will be stirred by the powerful ending...and the ravishing color palette of the sets and costumes will enchant those who crave sheer visual beauty. I personally thought the wonderful ending was handled very well -- it was particularly powerful for being beautifully understated, and did not "take away" from the effectiveness of the story. Because it had been foreshadowed (with great subtlety) throughout the movie, it did not arrive as a shock but rather as a fulfillment. I must also put in a good word for the glorious music...another home run. See this film. As others have noted, it will stay with you long afterward.

I am a straight guy. Not only was this a good story, but the women in this film are beautiful. If you're looking for explicit stuff, go elsewhere, but if you find hints of sexuality a turn-on, there's plenty here. There are some liberties taken with the actual story, but so what? What movie doesn't do that? Princess Caraboo is not a sugar-sweet and syrupy G-rated story, and those looking for fairytale family fare may be taken aback at times. I am watching the movie for the second time (had to stop part way through last night) and it seems much different this time, as I know what's going to happen. The mystery may be gone, but there's some good laughs and of course, foxiness abounds. I started the reading the book on which this is based, but didn't finish it, at least not yet. Maybe I'll pick it up again, gotta have it around here somewhere. Kevin Kline does well as a butler, as does Stephen Rea as a journalist. Worth checking out, and if you like early 19th century British period pieces - well, this one is less puffy and ponderous than some.