Passion in the Desert

source: Passion in the Desert

This was a very strange film- I guess dehydration on the desert can cause someone to go slightly insane. Yet the leopard was beautiful and somehow connected with the soldier. There are stories about animals that befriend humans- the most famous is Incident at Hawks Hill by Eckert- where a badger protects a young boy- that is why Passion can be a believable movie. the cinematography is gorgeous and though the acting, not all that good, the leopard makes the story. Independent films like this give the audience a wider view of the filmmaking scene and this is a unique story set in a unique time. Worth a glance.

Those who distill "Passion in the Desert" down to "a guy falls in love with a leopard" actually miss the point. The interesting thing about this movie is not its unique and stark setting, or the strange match of its two protagonists, but the way the film manages to paint a metaphorical portrait of love and all the slings and arrows that go with it -- and it does so almost wordlessly. The resulting film is curiously pure, strange, and unforgettable. Even the first act, which is more or less a conventional portrait of two men lost in the desert in Napoleonic times -- has a richness and poignancy (one man, an artist, drinks his paints in thirsty desperation, and the image of his paint-stained lips is haunting). But ultimately this is a movie about love, a sensitively told fable, gorgeously photographed, about a man who is first mysteriously protected by -- and then drawn to -- a wild she-leopard, and of the way the leopard begins to draw him into her world. The movie isn't so much about men vs. leopards (or "men with leopards!" tabloid-style -- the movie stops short of portraying the affection between the two in the biblical sense, although there is some ambiguity there) as it is about the nature of love itself. The film paints some fresh, unsettling, and sometimes amusing portraits of the things people do when they're in love -- all the way down to the spitefulness and jealousy that come into play when that love is threatened. By the end of the film, the story has become almost Shakespearean in its depth and richness as the plot plays out to its haunting end. At this point, the roles have almost reversed -- the man has become wild and catlike, and the she-leopard seems strikingly human and thoughtful in her expressions and her actions. The film is the first I've ever seen which actually raises some uncomfortable and ultimately fascinating questions about the possibility of a human falling in love with an animal -- and it explores these questions gracefully and without sensationalism. All in all, "Passion in the Desert" was an exquisite film that really moved me -- the performances, both human and animal, are breathtaking and frankly amazed me, and the cinematography and music are glorious. (Too bad there aren't animal Oscars -- the she-leopard in this film really gives an incredible performance.) Bottom Line: If you're looking for something off the beaten path (no pun intended), this film's a keeper.

The story starts out with a soldier being transported to a desert town then goes back in time to tell the tale of how he came to this place. He started out as an officer in Napoleon's army fighting in Egypt but became separated from his unit. After nearly starving and/or dying of thirst he came upon a leopard which somehow became his bosom buddy. It brought him food and before long the soldier became almost totally wild so acute was his bonding with the animal. All things do end however and the man decided it was necessary for him to leave the critter. A very strange film, well written and portrayed. Beautiful scenery from Jordan and Utah which didn't always blend perfectly, but who cares.

"Passion in the Desert" (1998): Adapted from Balzac's novel, filmed on the AMAZING landscapes of Jordan, scored by Jose Nieto, filmed by Alexei Rodionov, and directed by Lavinia Currier, this is one seriously interesting, highly symbolic film. Napolean's soldiers are trying to cross the Sahara, with typical chauvinism to their imperial viewpoints. When two men become lost, all the old habits and rules are turned to cinders under the hot sun. THEN things get interesting… and not as linear or predictable as you will probably expect. Ben Daniels stars as the soldier whose spirit moves through many changes. DO think symbolically for this story. THAT is where the worthwhile meanings are found.

This is another film where the cinematography is the best thing to recommend it. That would be fine if the film were a travelogue, but as a dramatic exercise in cinematic artistry, that is not good enough. The theme of inter-species respect and co-operation ventures timidly into the forbidden world of inter-species love, but its approach is stereotypical, indicating a lack of understanding of the behavior motives of either species. As with many films, one always wonders what could have been achieved by a more innovative director and a more creative screenwriter. Alas, we probably will never know.

a mesmerizing film that certainly keeps your attention... Ben Daniels is fascinating (and courageous) to watch.

An excellent story well told by the film maker. The interactions between the man and the leopard brought many questions to the viewers mind about just who was being humane. The humans killed for no reason the animals only to survive. At the end of the movie you were left wondering just who the real "hero" of the movie was. A well told story. The human actor did an excellent job but the leopard stole every scene it was in.

My opinions do not flow with the majority in most cases. I tend to lean toward the artsy, imaginative, and different. This movie was reminiscent of Frances Ford's "The Black Stallion" wherein a fantasy situation is created to showcase the beauty of a magnificent creature who's not readily available to view performing at its peak except on these multitudes of documentaries ala natural. Unlike those nature films, this offering utilizes the finest movie making techniques the industry has to offer fit for a diva creating one of the most sensual super stars (the cat) on the screen. This fantasy depicting the love relationship that develops between a french soldier (he is very nice too) lost on the Egyptian desert and a female leopard he encounters when he chances upon an abandoned Egyptian temple is mesmerizing. I bought into it wholeheartedly. If you are the least bit open to fantasy and appreciate the grace, beauty, power and sensuality of the feline, you should enjoy it. The only flaw in my book was the ending. It was a perfect set up for a Romeo and Juliet finale - that would have taken me over the top.

I did not expect this kind of theatre in an independent film. At first I was intrigued and then I became mesmerized. Here is the spoiler: The "IDIOTS" shot off the nose of the Sphinx and yet for so many scenes afterward, the Sphinx had a complete nose!!! Hey guys. what the hell were you thinking??? Blow off the nose, take it off on the rest of the scenes. My question here was, "Too much Ouzo?" As for the rest of the movie. I felt this was a "perfect" romance. I LOVED the thought of a feline falling in love with a human. For the rest of those humans out there who HAVE fallen in love with a cat, I honestly believe this can happen, with ANY animal, be it dog, cat, rat, or horse, or whatever. I know someone who has fallen in love with a bird! And the Bird is GREAT!!! It's a great movie but I hated the ending. I think things could have happened better but, hey, this was the Napoleon Era.