Pakeezah

Pakeezah(480P)

Pakeezah 1972 Hindi DvDRip 720p x264 AC3 5.1...Hon3y

Moviecut—Pakeezah

Pakeezah Was Directed By Kamal Amrohi...Who Was Known For His Perfectionism....It Was Produced & Written Again By Him... Screenplay Is Fine With The Script... Story is About Sahibjaan Who Was Brought Up By Brothel Madame Nawabjaan.... She Grows Up & Becomes Popular Dancer/Singer.... Forest Ranger Salim is Enthralled By Her Beauty & Innocence, Convinces Her To Elope With Him But Trials And Tribulations Await As She is Recognized By Men Wherever She Goes With Salim.... When He Renames Her Pakeezah (Pure) Takes Her To A Priest To Be Legally Married, She Refuses, Returns To The Brothel..The Story Moves Further... Meena Kumari As Sahibjaan Is Best Part Of The Movie....She Is Brilliant With Acting & Dancing...Raj Kumar As Salim Is Fine ...He Is Good In Few Of The Scenes....Veena As Nawabjaan Does Well.. Music Is Composed By Ghulam Mohammad & Naushad....Ghulam Mohammad Died During The Making Of The Movie So Naushad Was In...It Has Some Classic Dance Numbers Like "Chalte Chalte" By Lata,"Inhi Logon Ne" By Lata,"Thare Rahiyo" By Lata..... Overall A Great Movie...It Took 14 Years To Complete The Movie...Many Changes Took Place During The Making But Final Output Was Brilliant ...The Film, Which Had Been Declared A Flop When First Released, Became A Success....Today Considered A Classic...Must Watch :)

This film opened to poor showings in the first few weeks. Then Meena Kumari died and it just brought the crowds rolling in. Songs on All India Radio, especially Inhi LogoN ne were played so often that I was sick of them at the time, despite recognising their beauty! Yes, it did take all those years to make. This was because the marriage was a very unhappy one and Kamal Amrohi also had difficulty finding the money to make the film; looking at the sumptous sets and costumes, not surprising!! Not only does Meena Kumari age and fall ill but listen carefully to Lata's voice. Inhi logoN ne has her 50's younger voice while songs that were re-recorded like Chalo dildar chalo show clear development. I only wish someone would find the Ghulam Mohammad songs that weren't included in the film, because of changing fashions that called for fewer though slightly songs and publish them. Lata in a recent interview (2007) rated Ghulam Mohammad as one of the best composers she had ever worked with, apart from Madan Mohan (a great personal friend). Notice also that you hardly see the actors at all in the Chalo dildar songs, very unusual. There is only a brief shot of Raj Kumar from the middle distance and you only see the back of the supposed Meena Kumari. Kamal Amrohi made a virtue out of necessity and focused on the stars and moon. Any other film, this song would have had close-ups of both of them. As for this being the finest film ever, I would beg to differ. It means you have missed a lot of Indian cinema, in no particular order, films like Barsaat (old), Devdas (older versions), Bandini, Do Bigha Zameen, Garam Hava, Dastak, Guddi, Aan, Pyasa, Kagaz ke Phool, Sahib Bibi aur Ghulam, Kabuliwallah, Abhimaan, Guide, Sujatha, Bombay ka Babu, Daag, Parineeta (old), Umrao Jaan, etc. etc. And if you valued music more than story the list would simply grow with beautiful scores from Barsat Ki Raat to Naya Daur, Teesri Manzil, Mahal, Aag, Jugnu, Anand, Mera Naam Joker: the list is really endless! So enjoy Pakeezah but don't miss out on any of the above...

I watched the film expecting stellar performances, dialogues, and story, something on the lines if Mughal-e-Azam, but was disappointed on all fronts. The songs while great, is no reason to rate a film as a masterpiece. The acting is very average and restrained, dialogues mediocre, and the story has absolute no sense or logic. And don't even get me started on the direction. The same scene switches between day and night so frequently, even someone with no knowledge of film would laugh at the idiocy. 🙄

A great film requiring an acquired taste. If you're into action, wham bam films and hate serious love stories then its not for you. Otherwise, if you like to sit in front of a good intelligent movie now and again I recommend this very highly. Easily the best film produced in Bollywood this century. The only other Indian film I would give 10/10 for is Dil Wale Dulhaniya Le Jayenge. Even then it comes second to this masterpiece.

The ultimate homage to a great film actress.The film is a masterpiece of poetry on the screen.Like great poetry it is timeless.Direction,cast,screenplay,music,lyrics,in fact all the norms for movie-making are perfectly chosen to suit the message of the film.The Muslim society in India has never been presented with such respect,nobility and reality.The script is memorable in the hands of Meena,Ashok,Raaj Kumar,Nadira etc to name a few.Personally i was most impressed by the regal looking Kamal Kapoor.The master movie maker Kamal Amrohi's lasting legacy to the sub-continent.A very beautiful film on a controversial theme that makes humanity look up and face the reality of the outcasts in the world.'In ka naam? Pakeeza! haan Pakeza'.Such acting is unheard of in this age of sex,dance and *.

This is definitely one of the best movies I've ever seen-- it has everything-- a genuinely touching screenplay, fine actors that make subtlety a beautiful art to watch, an actually elegant romance (it's a shame that that kind of romance just doesn't seem to exist anymore), lovely songs and lyrics (especially the final song), an artistic score, and costumes and sets that make you want to live in them. The ending was only a disappointment in that I was expecting a spectacular film to have a brilliant end-- but it was still more wonderful then the vast majority of movies out there. Definitely check this movie out-- over and over again. There are many details you miss the first time that deserve a second look.

Mina Kumari exhibits more style and grace just moving from standing, to sitting on the floor than you can find in most other movies. The director has produced more memorable scenes of touching beauty than it would seem possible. The music and dancing is of the highest possible quality. You may notice in the first dance scene the director has all sorts of things occurring in the background:other girl dancing, a drunk falling down stairs, much activity, but he knew that we would be watching Mina dance and I'll bet unless you viewed this many times, you didn't notice.All in all, perfection.J.Q.