One Touch of Venus

When Universal-International decided to film ONE TOUCH OF VENUS from the Broadway musical by Kurt Weill they dropped most of the songs, gave it the B&W treatment instead of Technicolor, cast AVA GARDNER in the title role (a non-singer dubbed by Eileen Wilson), and gave boyish ROBERT WALKER, then at the height of his earnest charm as a young leading man and produced it on a low-budget scale. Aside from giving viewers a generous look at AVA GARDNER's charms, it does little else but provide tepid entertainment depending on one memorable song for its sole distinction as a musical: "Speak Low". It's passable enough but the one joke theme of the plot whereby a department store mannequin turns into the real life "Venus" when an adoring employee kisses her, is about all there is to the so called book of this musical. If looking at Ava is enough, you'll have plenty of time to do exactly that--while DICK HAYMES, OLGA SAN JUAN and TOM CONWAY do little to stir things up in any other direction. Haymes is wasted on a couple of forgettable songs. Too bad the studio didn't have more faith in transferring the original to the screen including the Kurt Weill score. As it is, it definitely falls far short of the mark.

To me, the movie felt very dated, even considering it is a 40's production. The action developed very slow, and situations that were supposed to be funny, looked very forced like in a bad sitcom. I knew Kurt Weills music for the musical, and was hoping to see an equally genius context. This movie, however, was a bit disappointing...

Semi-musical romantic-comedy "One Touch of Venus" is rather one-dimensional, and looks like an old episode of "Playhouse 90" to boot. Robert Walker is a tough actor to get a hold on in this early role: striking a boyish, diminutive figure, his nebbish voice doesn't reveal anything deep, and there's no core of tension in his work (he tries hard, but he's a nervously self-conscious amateur); worse yet is a young Ava Gardner, not quite the dazzling Goddess of Love she's supposed to be. Based on the book "The Tinted Venus", film about a statue coming to life was previously done as a musical play and could actually use more singing to give it some lift (despite comedy vet Frank Tashlin as one of the screenwriters). It's cheaply-produced (even for 1948) and has little vitality. Only Eve Arden, as a sarcastic working girl, spices things up. ** from ****

When naïve young Eddie Hatch, a window dresser at Savory's Department Store, falls for a statue of Venus and gives her a chaste kiss, Venus steps off her pedestal and gives Eddie more than he bargained for. This creaking example of what Hollywood can do to a Broadway musical manages to emphasize the inane story and eliminate most of the first-rate songs. The purpose was to make a safe, popular movie without too much investment while capitalizing on Ava Gardner's upward mobility to super stardom. Robert Walker as Eddie gets lost in a thankless role. Eddie's not just naive, but dithering and hapless. Gardner is gorgeous, but the only things that give the movie any life are Olga San Juan as Eddie's loving but jealous girl friend, Tom Conway as the suave owner of Savory's and Eve Arden as Savory's long time, wise cracking secretary. It's a role Arden could play in her sleep, and she's good at it. The musical opened on Broadway in 1943 and made Mary Martin a big-time star. The only point of a musical, however, is to have music. Since One Touch of Venus was intended to be a social satire of sorts, Kurt Weill, composing, and Ogden Nash writing the lyrics, came up with a series of stylish, witty songs and one masterpiece. Without the satire, or the clever songs or Martin (or an equivalent showstopper), the movie becomes just a weak comedy fantasy where much of the comedy is predictable and the fantasy is worked to death. Not only did the producers of the movie toss out almost all the Weill/Nash songs, they brought in the movie's music director, Ann Ronell, to write new lyrics for one of the songs that survived, turning sharp observation into lovey-dovey romance. Ronell was no hack; she wrote Willow Weep for Me. Wonder what she thought about while she replaced or tweaked Ogden Nash's clever work. The one bright spot in the movie is that Weill/Nash masterpiece. "Speak Low" is as great a love song as anyone ever wrote. It's given one of those ultra-professional and lifeless treatments by Eileen Wilson dubbing Gardner. Dick Haymes contributes a chorus. As for Ann Ronell, she was one of the few women in Hollywood to become a major music director, as well as composer and lyric writer. Yours for a Song: The Women of Tin Pan Alley is a fascinating documentary of some of the women who made it in the business, including Ronell, Kay Swift, Dorothy Fields and Dana Suess. And for those who would like to hear what little of the Weill/Nash score was recorded by the original Broadway cast, you might be able to track down the CD, One Touch Of Venus (1943 Original Cast) / Lute Song (1946 Original Cast). The music is paired with Lute Song, another Broadway show that starred Martin.

I saw this movie on television and I was so happy when the video came out. Could there be a more beautiful cast and such beautiful songs! Ava Gardner personifies Venus with her beautiful face and body. No body stockings there, her beautiful body is there to be seen! Eddie Hatch is a windows dresser in a department store, kisses the statue of Venus who is on display, who comes to life and spends several hours with Eddie until Zeus calls her home at midnight. Made me cry, Venus didn't want to go home to be a goddess, she wanted to be a mere mortal! And the beautiful songs -- "Don't Look Now But My Heart is Showing" -- a beautiful waltz, which is sung by the cast in Central Park. And "Speak Low When You Speak Love" -- how divine! So, Ava comes back as "Venus Jones" who will be working at the department store, after all the Cinderella stories come true! Lots and lots of tears. I love this movie. Why isn't this on DVD yet? Don't get it!

This is, arguably, the worst of the major Ava Gardner films. Yes, she is gorgeous. But that can wear thin over time, especially after the corny and predictable movie ending. In this turkey, Robert Walker has to pretend that he's Eddie Bracken (which surely embarrassed him). Olga San Juan plays the Jane Powell (golly, gee) part. Dick Haymes plays a sort of dim sidekick (!), and Eve Arden plays Helen Broderick (and a host of other wise-cracking female semi-comedians). Yes, the film contains a major popular song, "Speak Low." But check out the other, entirely forgettable, pieces. Dick Haymes sings very well, of course, and so does the uncredited vocalist dubbing for Ava. The sets are cheap, the script is filled with clichés and failed humor, and Tom Conway looks as though he has been battling with liquor (as indeed he was). In short, if you want to see Ava in her prime, buy a photo and stay well clear of this movie.

I have seen this wonderful film again and again and it never fails to delight me. The photography, with its unusually deep blacks and whites, is as sensual as the lovely Ava Gardner herself. There is one thing that puzzles me, however, and perhaps other reviewers might be able to help me on this one: in the cast Hugh Herbert is listed as playing Mercury. I own a video of this film, and nowhere do I see such a character. Am I missing something here, or do I just have an incomplete version of the film?

One Touch Of Venus, touched my heart as a young girl who lived for the Black & White fantasy world that movie makers created. All the casting was perfection. The continuity of the movie was flawless. Robert Walker's portrayal of a young man muddling through life suddenly & totally captivated by the spell of love produced by the visage of the statue of Venus. Ava Gardner's classic beauty along with her very talented acting and voice. She was utter feminine charm encased in an absolutely beautiful body. She was a Goddess, she was 'The' Goddess that brings to mind the poetic line: She walks in beauty, like the night Of cloudless climes and starry skies; And all that's best of dark and bright Meet in her aspect and her eyes:A Poem by Lord Byron. (No actor today can capture the abilities of yesterday's greats.) Eve Arden's acerbic wit, which no one else since has ever done better (& believe me many have tried). Tom Conway as the suave womanizing store owner with the sexy voice. Dick Haymes was perfect as the backstabbing 'best' friend. This movie could possibly make a believer out of a cynic.

I had never seen this film in its entirety before today, I had only caught the end of it as a child, about 25 years ago. But even having only seen it fleetingly back then, it made an impression and I always wanted to see it from start to finish. Watching this film is quite a bit like falling in love! The 79 minutes seemed to pass so quickly, I was so enraptured by the audio and visuals! The stunningly beautiful Ava Gardner plays Venus to perfection, she's positively delicious to watch as she playfully taunts the shy but sweet Robert Walker, as well as his boss Tom Conway. The casting is perfect - the three stars mentioned above deliver spot-on performances, and also the parts of the girlfriend Olga San Juan and the boss' assistant Eve Arden are superbly played. My favorite scene is when the three girls get together while they are doing Ava Gardner's hair - it reminded me a little of the slumber party scene in Grease (interesting coincidence that Eve Arden is in that movie too - made 30 years later!). I got this movie on a Region 0 DVD from Spain and the picture and sound quality is about 8 out of ten, so if your player can cope with PAL DVDs, it's definitely worth getting as it is remastered from the original film source. But I hope they give this film the full restoration treatment it deserves one day! I highly recommend this film and give it 10 out of 10 as it's a truly delightful way to spend 79 minutes of your time, and I know I'll be watching it over and over again!

During and after World War II, fantasy was big in Hollywood. It wasn't just escapism; it was all the thinking about death as many loved ones were lost. It's no wonder we had so many people coming back ("Here Comes Mr. Jordan"), facing the pearly gates or the hotter ones ("Heaven Can Wait"), or meeting angels in human form ("The Bishop's Wife"). We also had a visits from the big goddesses. How fitting that two women closest to being goddesses in human form actually played them - Rita Hayworth as Terpsichore in 1947's "Down to Earth," and of course, Ava Gardner as Venus in "One Touch of Venus." "One Touch of Venus" is based on the Broadway musical of the same name that was revived in London a few years ago with Melissa Errico, but never came to New York. Alas, there aren't many songs in this version but the most famous song, "Speak Low When You Speak Love" remains. The film stars Gardner, Robert Walker, Dick Haymes, Olga San Juan, Tom Conway, and Eve Arden. Walker works in a department store where a magnificent statue of Venus is about to be unveiled. On an impulse, he kisses it, and she comes to life. He falls madly in love with her, while his girlfriend (San Juan) flips out for his friend (Haymes). When the statue is discovered missing, the police assume that Walker knows something about it, since he was fixing the presentation curtain and claims that she then came to life. Walker is an energetic delight as he chases Venus. After this film, he was institutionalized, and by 1951, his boyishness was gone as he entered what should have been the greatest part of his career with a magnificent performance in "Strangers on a Train." Instead, he only made one more film after that, dying in 1951. Looking at him in "One Touch of Venus," it's hard to imagine he had any demons. Eve Arden is hilarious as the secretary in unrequited love with her boss, Tom Conway. He's seen Venus sleeping in the home department and fallen for her as well. Haymes sings beautifully, and San Juan is pert and pretty as a young woman suddenly torn between two men. But all eyes are on Ava Gardner's dazzling beauty. She's a perfect embodiment of Venus with her flawless face, figure, and soft voice. Even though as a younger woman she had tried singing with a band, she wasn't a singer, so her voice is dubbed in this by Eileen Wilson. Like Hayworth, early in her career, she sometimes played roles that required vocals, and like Hayworth, she was always dubbed. The best scene in the film takes place in the park toward the end. It's exuberant and thrilling - you won't want it to end. That scene sums up this lovely fantasy with a divine Ava, and you can't get any better than that.