Taking my girlfriend to see a movie about a teenage boy that wants to final wish in life to be having a weekend with a supermodel was a really tough sell, but after watching the movie she thanked me! We found ourselves laughing and crying, traveling on emotional journey, and contemplating our own lives, sounds like a what a movie should do to me! Personally, I don't see what's so off about the premise, sounds like exactly what I would have asked for when I was 15, if I had the gumption to ask for it. I'm not much for naming all the names of the actors in the movie, read some of the other reviews for that, though I will say I didn't really get Ethan Hawk as Dylan's dad, but if I was making a movie and Ethan Hawk wanted to be in it make a cool cameo appearance, and he was my bud, I'd say sure what the heh, let's party! Sunny Mabrey (who keeps her clothes on) is plenty hot as the babe though I'm sure if the producers had been able to land say model turned actress ANGELINA JOLIE, you wouldn't be reading this review, you'd have already seen this flick now wouldn't you!

This is really more than you would expect. Not "American Pie" and not the ABC Cancer Movie of the Week, but a nice balance of the two. The movie has more heart and more depth then you would think by looking at the cover, dealing with issues of the past, regret, loss and the afterlife, all of the things you imagine an imminent death would bring. The cast is diverse and interesting. Writer Barry Stringfellow does an excellent job balancing comedy and drama without getting schmaltzy and cliché. I rented it thinking, "Yeah, time for some mindless entertainment," and instead was pleasantly surprised by intelligence and courage the film offers.

I thought it was awesome. Particularly the writing. At first, I was afraid that this would be some raunchy "American Pie" type of film with easy, crass jokes and gratuitous nudity. I think we have all seen enough shallow attempts at this type of entertainment. This movie however was fresh and revolved around genuine human emotion. The ups and downs of our life here on earth. In the face of death, what does a teenager do? Well, this one goes out swinging. While he cannot control what is happening to his body, this boy takes charge of the time he has left. It has a sweet, positive message. If this were a Hollywood film, I'm sure they would have found a way for the boy to miraculously live in the end. The truth is, we all die. This film embraces that and makes it entertaining. I found myself laughing one minute and crying the next. The themes in this movie were true to life. The scenes of reconnection with his father were especially touching, leaving the viewer with a bittersweet longing for a world where we live forever with those closest to us. I left the theater feeling pondering life and feeling inspired to make the most of it. Way to go!

As a made for TV movie, I would rate this an 8, but it ain't (made for TV) that is. I rented this, against my better judgment, based on a review from a credible newspaper reviewer. Normally, I would steer clear of cliché-d based features like this one, but decided to give it a chance, in the hope it would overcome its flimsy premise. Unfortunately, the writing lacked creativity and integrity, leaving the actors to do their best with some TV-quality material. The acting is fine, although I continue to fail to see any range in Cynthia Nixon. How any mature actor can fail to credibly portray a deep relationship with a dying child is beyond me. Her role is not helped by an unbelievable and shallow "relationship" with the football star/male model character. Watchable, but nothing more.

Michael Angarano plays a great part, he seems to be an up and comer (he was also in Sky High). There's even short scene with Joe Jr. (Michael Rispoli -- While You Were Sleeping). It's funny, sad, and is an all around great story. This is a must see date night movie!!! We got to meet Stephen Beatrice -- Production Designer and listening to him discuss the intricacies of making a low budget independent film was wonderful!!! The story takes place in Marcus Hook, PA and New York City, but hearing how the set for the house that Dylan (Michael Angarano) lives in was actually a different place for each room they shot was amazing.

One of the most wonderful and touching movies i have ever seen. I am not a crier at movies, but this one got me. The cast does a phenomenal job, and despite what some say, have an excellent feel for how to handle the film's dual genre. Michael Angarano does a superb job as the terminally ill boy, and his two buddies Slap and Ricky( Gideon Glick and Matt Bush) are in a way the best part of the movie, playing likable and hormone driven best pals. Cynthia Nixon as the young boy's grieving mother gives a deeply moving performance. The on screen relationship between Nixon and Angarano is authentic and a treasure to watch. I have seen some rather harsh critique of this film, and frankly cannot fathom it.The film splices comedy and drama well, and creates a beautiful portrayal of a young boy's last days around those who are closest to him, and his last wish(ill leave you to watch the movie to find out about this). The song at the end, Wyclef Jean's "Heavens in New York" is beautiful, and devastatingly poignant.

I was extremely disappointed by this film. I thought the very able cast did the best they could with truly poor material. The film couldn't decide if it was a melodrama, a teen-coming-of-age story, a comedy, a satire of America's love of celebrity, a New-Age/M. Night Shyamalan sort of mystical thriller, or a "message" film, and this wide variance in tone really ruined it for me. I saw it in a packed-house screening at the Philadelphia Film Festival, and from comments overheard as we exited I assume I am in the minority here, but I really thought it was not worth my time or money. Cynthia Nixon and Michael Angarano, along with the two best-buds Matt Bush and Gideon Glick (who both, apparently, have limited screen experience so far), did excellent jobs of defining and delivering their characters. It's not their fault that those characters are inconsistent and stereotypical.

I'm overjoyed - although not surprised - that this is an indie production; Hollywood tends to make comedies or schmaltz out of the subject matter for "One Last Thing ...". _This_ movie was breathtaking in both it's simplicity and subtle complexity. Each and every "actor" .... although I prefer participant ... played their role with honesty and a genuineness that is rare. Many people, myself included, have had experience with sever illness, seemingly unreachable dreams, and the odd twists of fate that surprise us. This movie explores these events with sensitivity, humour, brutal honesty, and genuine confusion without allowing the actors (or audience) to fall into a pit of "why me" and self-pity. This is _not_ a teen love story. This is a story about life, love, friendship, dreams, loss, hope, and the willingness to endure and _live_ life to the fullest regardless of what fate provides. It is a _MUST SEE_.

The concept for this little Indie film - the dying wish of a teenager opening spiritual doors - is far from original, but Barry Stringfellow's strong script as directed by Alex Steyermark (whose only other directorial venture was 'Prey for Rock and Roll', though he has been on the crew of some very fine films like 'Pieces of April' etc) results in a far from ordinary drama. For those who have not seen Cynthia Nixon expand beyond her 'Sex and the City' role, this performance will be enlightening! Dylan (Michael Angarano) is a young teenager diagnosed with terminal cancer, a fact that he shares with his loony buddies (Gideon Glick and Matt Bush) who support him with silly but genuine companionship. Dylan's mother Carol (Cynthia) is still reeling from her husband's death (Ethan Hawke) and facing the loss of the one remaining part of her family is devastating but her strength of character keeps a positive support for Dylan. When Dylan is informed by his doctor (Brian Stokes Mitchell) that further radiation and chemotherapy are useless, Dylan places his desire for living on one last thing...he is on a TV show where dying wishes are granted, and rather than the asking for expected fishing trip with football hero Jason (Johnny Messner), he opts for a weekend alone with supermodel Nikki Sinclair (Sunny Mabrey). Nikki, we discover, has problems and demons of her own and her agent Arlene (Gina Gershon), in trying to rescue her faltering career, advises the reluctant Nikki to visit Dylan in his home in Pennsylvania - for positive PR purposes. Once they meet Dylan is determined to have his one last thing, gains money and a room (a gift form Jason) in New York and travels with his sidekicks to the Big Apple to cash in on his prize. The Nikki he finds is the wasted girl down at heels and though she feels tenderness toward Dylan she tells him to just go home. Dylan's disease progresses to the point of final hospitalization when Nikki re-enters the sad room and changes things. The power that changes this predictable story lies in the extraordinarily sensitive performances of Michael Angarano, who plays Dylan with a twinkle in his eye and allows us to feel his burden with resorting to bathos, and the always-impressive Cynthia Nixon whose performance as Dylan's mother is the most understated and heart wrenching on film. She owns the screen whenever she is on. The supporting cast is strong (though Gideon Glick and Matt Bush are allowed to become obnoxious and would have benefited from some stronger direction). In all, this is a striking, simple, compelling film that rises well above its premise to become an important statement about death and dying and the power of hope and love and family. Grady Harp

I went to see this movie on the recommendation of a friend and didn't know what quite to expect - was it another 'teen flick' or something better. It certainly was better. It had humor but also some poignant sadness. The casting, performances, photography, all were balanced and worked well. More important, it dealt with the very real heartache of facing the loss of someone dear - something I had faced recently. The story characters displayed very 'real' reactions to the situation - not some phony approach. It touched on many of the questions one faces in this situation - ones that often strain your fundamental values. With all that, there were many good laughs. All-in-all, certainly well worth seeing and deserving of a wide audience.