Once Were Brothers: Robbie Robertson and the Band

source: Once Were Brothers: Robbie Robertson and the Band

Every time I watch or read something about musicians I end up disappointed, except for the Beatles & David Bowie. I liked a few of The Band's hits. I find it very sad that Robertson couldn't share his fortune from royalties. Levon Helm was right in being upset because without him the songs were only words on paper. Greed is a terrible thing.

Some younger reviewers criticize the generational, self aggrandizing tone in evidence. Fair enough. For us geezers the tone of reverance is not the problem. The problem is RR's (Judas') clueless, prideful attitude. Alongside the nice R&B history101 makes this a mixed bag. Some photos and footage that are new to me, many are redundantly familiar. On the generational topic; 50 years from now will there be a melancholy celebration of the now contemporary musical pop artist (fill the blank)? Put the load on you.

Greetings again from the darkness. Based on Robbie Robertson's "Testimony: A Memoir", documentarian Daniel Roher's film is understandably told from the lead guitarist's point of view, and in fact, Mr. Robertson spends a good deal of time recollecting directly to the camera. For those familiar with the acrimonious-filled history since The Band split in 1976, you won't be surprised that Robertson's recounting of events varies greatly from those in the 1993 memoir of his former friend and bandmate in "This Wheel's on Fire - Levon Helm and the Story of the Band." Mr. Robertson is now 76 years old, and in addition to his guitar skills, he has always been an articulate speaker, and one who comes across as prideful and mostly sincere. These days he is one of only 2 band member still living, and the other (Garth Hudson) has nothing to say publicly about The Band or its members. This is one man's version of reality, and from a perspective of music history, it's quite interesting and entertaining. "The Band was greater than the sum of their parts", says Bruce Springsteen, in one of many interviews used for the film - including Eric Clapton, Taj Mahal, George Harrison, Peter Gabriel, David Geffen, Martin Scorsese, and "Rolling Stone" magazine founder Jann Wenner. Some of the initial interview clips play over an opening live performance of "Up on Cripple Creek", including Clapton stating he was "in awe of their brotherhood." The film then traces the timeline and early years as the pieces of the band came together ... much of it centered around Ronnie Hawkins, who is not only the most insightful of those interviewed, but also the most colorful. We learn that Robertson was writing songs at age 15, and that it was meeting Bob Dylan that changed everything. A substantial portion of the film deals with those early years, and the tales of being booed by audiences as they backed the newly "electric" Dylan are especially fascinating. In 1967 when The Band moved to the pink house in Woodstock, communal living led to artistic and creative productivity, including The Band's masterpiece album, "Music from Big Pink" (1968). There are some terrific old photos included here which give us a feel for the times, and the aforementioned 'brotherhood' of this band that seemed more tightly connected than most. Of course, it was the late 1960's and heavy drinking and drug usage took its toll, and The Band began to unravel. In 1976, 34 year old Martin Scorsese was brought on to direct a documentary of The Band's final performance. THE LAST WALTZ was released in 1978 and included electrifying live performances from some of the all-time greats: Van Morrison, Eric Clapton, Neil Diamond, Joni Mitchell, and Bob Dylan, to name a few. The concert was held at Winterland Ballroom in San Francisco, which would later close after a 1979 New Year's Day marathon concert by The Grateful Dead. Scorsese's film included interviews with the band members, but it was his unique and varied camera placements that brought the stage show to life. Director Roher's producers on this film include Scorsese, Ron Howard, and Brian Glazer. While it is often the story of Robbie Robertson's personal journey, it also serves as his perspective on The Band - a group of musicians who were right in the middle of things as popular music evolved. Levon Helm, Richard Manuel, and Rick Danko have passed away, and reclusive Garth Hudson refuses to re-live the past, so it's Robertson who tells their story, and his. We do get to see The Band perform "The Weight", "The Night They Drove Old Dixie Down", and most fittingly, "I Shall Be Released", but if it's the music that most interests you, track down and experience THE LAST WALTZ. It was the final time THE BAND performed all together on stage, and as Robertson says, "everybody just forgot to come back."

I was in tears by the end of the show. I started out jaded. Thinking this is some Robbie puff piece...and it is. But so much more. It's a love letter to his friends.

The Band's music shall live forever. Watching this film all I could feel was the anger of betrayal. I saw this film Tuesday in San Luis Obispo, California. Beyond the visual intrusion of two women on their cell phones who fed their emotional deficit reminded me of how many people live a consistency of self-focus. Robbie lived through his self-value. Aging perhaps reveals a different value. Pain and regret do not fade away no matter who esteems you or your money. I grew up being backstage in Monterey as a young man at concerts and felt a beautiful kinship from much of the music we all heard. As in every facet of our heart diamond, to some, music is just a job and a way to make money. For those who love, their music remains transcending. And a true brother is one who remains.

The film is told from the vantage of RR. His story is very different from Levon Helms version of things. Great archival footage. The title--RR and the Band, to me is off-putting. Even more off-putting is the absence of the other surviving member of the Band, except in archival footage. garths opinions are more important than Eric Clapton. Who cares that EC was in the Last Waltz? 10 stars for most of the archival footage, 6 stars for the 'star gazing'--which is what some dismiss the Last Waltz as.

"Once Were Brothers: Robbie Robertson and the Band" (2019 release from Canada; 100 min.) is a documentary about the Band. As the movie opens, today's Robbie Robertson addresses the camera and talks about his music-writing process. We then go back in time to the origins of the Band, as talking heads like Bruce Springsteen and Eric Clapton comment on how tight these 5 guys were, "like a brotherhood". We then go back even further in time, to Robbie Robertson's upbringing in Canada and how he was exposed to music at an early age. At this point we are 10 min. into the movie. Couple of comments: this movie is directed by documentarian Daniel Roher, but more importantly executive-produced by Martin Scorsese (who of course directed "The Last Waltz") and Ron Howard. In the end credits, we learn that the documentary is "inspired by" Robbie Robertson's 2017 memoir "Testimony", and indeed this is very much Robertson's perspective on how things unfolded. The documentary is absolutely tops in its first half, where we revisit how Robertson, at age 15, wrote a couple of songs for Ronny Hawkins & the Hawks (where the drummer was a certain Levon Helms), and a year later he was invited to join the Hawks. Plenty of archive footage along the way livens up the big screen, and it's like sitting at the feet of a music history teacher. Indeed, Robertson proves to be quite the master story teller ("joining Bob Dylan was a detour but we decided it was a worthwhile detour"). The movie's second half is not quite as formidable, as we follow the Band's demise (leading to the brilliant 1976 farewell concert "The Last Waltz"), and the subsequent bitter falling-out between Helms and Robertson. But in the end, the proof is in the pudding: I couldn't believe how quickly the theater's house lights came back on, as the movie had simply flown by in no time. When in the last scene of the movie we watch them play "The Night They Drove Old Dixie Down" in "The Last Waltz" and we are reminded that it was the very last time these 5 guys ever played on stage together, I readily admit that I choked up. What a loss for rock music that was! "Once Were Brothers: Robbie Robertson and the Band" premiered last Fall at the Toronto International Film Festival to great acclaim. It opened last weekend at my local art-house theater here in Cincinnati and I finally got a chance to see it this weekend. The Friday early evening screening where I saw this at was not attended well (3 people, to be exact), and I can't see this playing much longer in theaters. But it you are a fan of rock music history or simply a fan of the Band, I'd readily suggest you check this out, be in the theater (if you still can), on VOD, or eventually on DVD/Blu-ray, and draw your own conclusion.

"I pulled into Nazareth, I was feelin' 'bout half-past dead." The Band's The Weight featuring Levon Helm With that song, the world of mid-century America became aware of a new sound, Americana: a country rock with soul and surpassingly genial musicians. Daniel Roher's Once Were Brothers: Robbie Robertson and the Band is a memorable documentary as well as a most engaging history of the colorful era of '60's and '70's rock, where loud, sensual music eclipsed any other form in previous cultural changes. With the producing guidance of Martin Scorsese, who helmed The Last Waltz about the Band's final concert, Robbie Robertson, guitarist and songwriter, guides us through his teen years and hookup with musicians who themselves would hook up with Bob Dylan, to help him tour to the boos of audiences that just didn't get the electric guitar: Dylan exclaims, "They were gallant knights for standing behind me." Deftly carrying us through photo album pics and original music, this remarkable doc makes it feel like we are there, reliving the charismatic troupe's glory days and eventually its struggle with drugs. As Robbie says, "It was so beautiful, it went up in flames." However, it's a story well told, even down to the homely shots of Robbie courting Dominique and their eventually blissful marriage. Heroin emerges (as it frequently seems to do) with devastating effect on the gifted Levon. Through it all, Robbie lets us know how much he loved this brotherhood, and we see the contribution he continues to make to the welfare of music and people. We have been blessed in the last few years with outstanding films about music-let Once were Brothers be at the top of the list: It was "a sound you've never heard before, but like they've always been here." Bruce Springsteen

"Once Were Brothers: Robbie Robertson And The Band" invites you to sit back and relax, while Robbie Robertson and other music royalty dive into the mystical journey of a great rock band. . In this documentary, singer/songwriter Robbie Robertson tells the candid story about the creation of one of the most enduring bands in the history of popular music, The Band. . There's something about The Band that always draws me in. Maybe it's the music, maybe it's their short lived musical journey, maybe it's how mysterious they seemed, but one thing is for sure is that not all bands have withstood what these guys have been through. Seeing Robertson tell personal stories about himself and the band is ultimately gratifying. I still think that Scorsese's "The Last Waltz" is the ultimate music doc and concert but this doc is a solid full framed story about these incredible musicians. The final moments of this film are nothing short of heart-wrenching and beautiful. Fans of music and The Band will enjoy this ride. . Follow @snobmedia for more reviews!