Omni Loop

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Your initial reaction, after the opening 10 minutes of "Omni loop", may well be "C'mon! We don't need another Groundhog Day after the two trillion lookalikes that came after it". You grievance, at that point, may be justified. But watch on. To being with, in this movie, the five-days (invariably) time loop is self-initiated, entirely controllable. The protagonist, upon doing poorly in a Princeton entrance exam, initiated the go-back-5-days loop. Lo and behold, you guessed it. The second time around, knowing the questions beforehand, she passed with flying colors and got into Princeton. I recount this is past tense because it happened in the past. This Princeton "cheating" incident is not shown as a flashback, but just comes out in a conversation, as told by the protagonist. When the movie starts, Zoya Lowe (Mary-Louise Parker) is 55, and about to die in a week or two because of "a black hole in her chest" as the doctor's picturesque diagnosis goes. What else can poor Zoya do but initiate this loop every 5 days, hoping that eventually she finds a cure for herself? These 5 days loops invariably ends with Zoya's nose bleeding, signifying that the end is coming. She goes into the bathroom, locks the door, takes out a bottle of pill and swallows one. The loop starts again with her waking up in hospital when the doctor, with the abovementioned picturesque diagnosis, declares that nothing more can be done and sends her home to spend her last days with her family. Surely, if you have read this far, you'll agree with me that this is not a Groundhog Day copycat. Even Christopher Nolan can do no better. Zola has a loving family comprising husband Donald (Carlos Jacott), daughter Jayne (Hannah Pearl Utt) with her significant other. Having reliving these 5-day loops with them again and again (the movie does not explain how the repeated 5 days unfold in these other people's lives), Zola decides to break out of the routine, sneaks out of the hospital to knock on the door of a science student named Paula (Ayo Edebiri). The trajectory then becomes a sort of buddy story between Zola and Paula, with some pretty far-fetched time-travel technical stuff (including a sub-atomic size "nano-man" who may be able to help solve the mathematical problems) that we are better off ignoring. There is sufficient emotion ingredients, in Zola's interaction with her family and with Paula, to chew on.

Generally a fan of low budget indie high concept sci-fi movies especially ones that are interested in time travel. Going by the casting of Ayo (one of the most employed movie actors in the industry right now) it was understood that this would lean more towards the comedic aspect rather than something like Coherence or Time Crimes that investigates the scifi premise indepth. This movie however fails to be a good ide driven scifi movie and as a comedy, even with a runtime of 1hr and 50 mins this feel thrice as long especially with the 2nd half of the film dragging excessively. Just straight up avoid it.

I just came here to say that, because another reviewer started by talking about Sally Fields... either she is extremely wrong, or I watched a different movie. As for the one I watched with Elizabeth Perkins, not Sally Fields...was a bore fest as everyone else mentioned same idea of Groundhog day, but this wasn't funny. It pretended to be one of those "brainy" movies that let you thinking about meaningful things, but that's it... just pretentious. One of the things that annoys me from many Hollywood movies is they not consider the people who live in the location they shoot the movie. I know that nobody cares because they don't live in the location, but in this case I do...and that cute scene with the rhino, is done in a park with CGI not a zoo. Did I mention that Sally Fields doesn't work in this movie?.

I am such a sucker for a good sci-fi movie especially when it involves time travel. The setup and conundrum you get within the first 10 minutes. You only have to listen to the doctor giving Zoya her prognosis to understand that we are going to be stretching reality a little bit so enjoy the ride. The use of the Groundhog Day time travel concept is not original. The use of it to save a life is not original. The message that it presents about parenthood and the choices one makes along the road of life however are wholly its own. Beautiful storytelling and the characters are well rounded and multi dimensional. As a fan of fantasy storytelling mixed with sci-fi tropes I loved it and recommend it wholeheartedly.

Excellent and often strange look into our human lives and how time impacts them, the fear of death, and what is worth spending our time doing. There's a slew of films lately that seem to be exploring motherhood in a smart SciFi manner. This is one of them. Mary Louise is a mom who is at the end of her life questioning what was life's meaning. There the movie takes a heavy magical SciFi tone that is more dedicated to symbolizing our struggles with significance than saying anything scientifically significant. This is a great framing device and gimmick. Everyone seems to be handling the script well and it keeps a sort of charming patter as we discover why motherhood is the purest form of immortality. Solid movie worth the suspension of disbelief to watch.

OMNI LOOP [2024] 720P | WEBRIP | 772MB

OMNI LOOP [2024] 720P | WEBRIP | 772MB

The movie is flawed from the start. The protagonist, played by Sally Field, states she can't go back in time further than a week earlier. And yet, she can easily do that by waking up a week earlier and taking a pill right then and there instead of waiting for a week to pass. All she needs to do is to know where the pills were a week earlier every single time, and she would successfully travel weeks, months, and years back in time. Even if ignoring this major flaw, it is hard to give this movie anything above 6. It is tedious, repetitive, too long, and it makes you sit around in a hope that something would finally happen but nothing does. If you are expecting a movie about time paradox, as I was, this is not it.

I found it difficult to sit through every "um.." and "uh...' from Ayo Edebiri. She utters those same words, in every season of "The Bear". It's quite annoying. She seems to be focused on making every response an awkward moment. The movie is just okay. While it relives the same week, over and over, it offers nothing new, to the point where it is exhausting, for us, the audience, to see the same things over and over. It really dulls. Mary-Louise Parker does a fine job, with what she was given. The way that they accept the existence of the "Nanoscopic Man", so casually, is very disappointing. In the end, the payoff is not worth all the time that we have invested.