Oasis of Fear

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source: Oasis of Fear

A couple of young hippies decide to make a quick buck selling * in Italy. They soon get into bother and eventually go on the run. They wind up in a villa inhabited by a friendly if somewhat odd older woman. Their problems are only just about to begin. This film is labelled as a giallo by many, although I'm not sure I necessarily agree that it is. It's more of a crime-thriller than anything else. It basically boils down to a cat and mouse game between three people. It feels relatively restrained for an Umberto Lenzi picture. It isn't very violent at all, although it does have some quite frank sexual scenes. While it is a thriller, it does feel very much more a product of the end of the counter-culture, with it's pessimistic ending recalling the nihilistic finales of Bonnie and Clyde (1967) and Easy Rider (1969). It's hippies gone bad idea is very much in line with the then hugely topical post Manson Family massacres. At one point a character even writes the word 'PIGS' in large letters on a mirror for no discernible reason other than that was precisely what the Manson girls did in the houses where they committed their infamous homicides; although admittedly, in reality these words were written in the blood of their victims, rather than in ketchup, as was the case in this movie! It's all-in-all a good enough genre picture, although not a great one. Like most other Lenzi flicks it is unashamedly salacious stuff, with enough unpretentious sleaze to ensure it's entertaining stuff on the whole.

In my personal quest to track down and watch every single Italian giallo ever made, I encountered Umberto Lenzi's "An Ideal Place to Kill" (a.k.a. "Oasis of Fear") many times already, but for some inexplicable reason I always deliberately postponed my viewing of this film. I don't know why, but it always felt to me as if this wasn't a 100% genuine and full-blooded giallo, or at least that Lenzi never intended for it to be one. Along with handful of other prolific Italian genre directors, Lenzi undoubtedly was one of the masters of the giallo-sub genre and he contributed some excellent titles ("Seven Blood-Stained Orchids", "Knife of Ice", "Spasmo"…) but I'm personally persuaded that he wanted to do something more and different with this film. Rather than a giallo, I'd say this is more of a "lovers-on-the-run" thriller inspired by the huge success of Arthur Penn's "Bonnie and Clyde"; yet predating several other tremendously popular films in this theme, like "Dirty Mary Crazy Larry", "Badlands" and "The Getaway". Also, this "An Ideal Place to Kill" is reminiscent to Lenzi's own previous "Orgasmo" although that latter one qualifies as giallo a lot more. Well, I perhaps refer to the two protagonists as "lovers on the run" but admittedly they aren't dangerous criminals at all. The handsome Dick and the more than ravishing Ingrid form a wayward and indecent hippie couple from England that are traveling through prudish Italy. They try to make some extra money by selling * pictures of the gorgeous Ingrid and committing a couple of other petty crimes, which naturally leads to a confrontation with the local police and the command to leave the country immediately. They ignore this mandate, head further south and stop at a secluded mansion to break into the garage and steal petrol. They are caught by the middle-aged lady of the house, but instead of informing the police the woman – Barbara – invites them to the house. She claims to be nervous because her husband didn't come home, but she also shows a love-interest for the much younger couple and arranges a wild night. The next morning, however, Dick and Ingrid begin to suspect that Barbara hides a few sinister secrets and that she might even try to frame them for something they haven't done. Lenzi's semi-giallo principally thrives on style, lurid atmosphere and the downright fantastic performances of the three lead players. You'd expect Caroll Baker in the role of the mysterious Barbara, but the slightly older Irene Papas does a terrific job as well. The casting of both Ray Lovelock and Ornella Muti was a great idea, since they are incredibly beautiful kids that live fast and careless and absolutely don't have any moral or traditional values. There are a few intense sequences, notably the one in the birdhouse, but the overall tone of the film is lush and free-spirited (also steered by the unusually joyous pop-soundtrack). The climax, on the other hand, is cynically harsh and relentless, and it once more states clear that the "love & peace" sixties are over and gone!

With having watched Umberto Lenzis fantastic paranoia film,the sadly under-rated Giallo Spasmo,I was extremely keen on seeing more films from this very intriguing genre.After picking up a good batch of Giallo DVDs,I started to anticipate all the (hopefully) great films that I would soon get the chance to view. A few days ago I was making breakfast in the morning,and I realised that I needed to get some Jam from one of our shelves.To my surprise when I went for the jam,I noticed some DVDs that had started to gather dust,which my dad had been passed a few months ago from a friend.Not being able to stop my curiosity,I looked at the now dusty titles and to my complete amazement,I discovered that one of the DVDs was a Giallo by Umberto Lenzi! View on the film: For the screenplay,writers Lucia Drudi Demby and Antonio Altoviti (with the story by director Umbero Lenzi) have written a surprisingly "bloodless" Giallo,which is able to give a great feeling of increased threat,as the relationship between the couple and Barbara starts to disintegrate into a battle of dominance,with the writers excellently showing the couple slowly change from being fun loving to becoming very sadistic. Although Lenzi's directing is not as weird and wonderful as it was with his underrated film Spasmo,he is still able to do some amazing things with this pretty original (no sign of any black gloves at all!) Giallo. During the section of the film, where Dick and Ingrid are trying to sell there amateur pictures at sight seeing spots,Lenzi shows with stunning fast-cuts the sightseers disgust of the naked photos,whilst they are standing around looking at accent stature's of naked men.Umbero also smartly changes the lighting of the whole film,with the first half being mostly very brightly lit,to match Dick and Ingrids care-free life,and the second half (especially the bird sanctuary scene) being very dark and grim,with Umbero revealing what the couple have gotten themselves into. Final view on the film: A very different Giallo,with a terrific tension-building screenplay and excellent dream-decaying directing from Lenzi.

A young Scandinavian couple are rousted by the Italian police for selling * photos of themselves. After, some strange misadventures with some gypsies (who rob them) they try to steal some petrol from the villa of a wealthy NATO colonel and are caught in the act by his wife. They charm their way into her house and seduce and victimize the older woman, but she has a surprising agenda of her own and soon the young couple find themselves embroiled in a murder and on the run from the law. This is one of a string of superlative gialli directed by the enigmatic Umberto Lenzi starting with "Paranoia" in 1968 and ending with "Seven Bloodstained Orchids" in 1972. After that, Lenzi seemed to lose interest in the genre directing much lamer entries like "Spasmo" and "Eyeball" before moving into violent police thrillers and eventually stomach-turning third-world cannibal films. The plot of this movie somewhat resembles Lenzi's first giallo "Paranoia" with a young, free-spirited couple victimizing a wealthy, repressed older woman, but the older woman is much more than a victim here, the couple is much more sympathetic, and the story is told from a very different point of view. The ending is also similar to the ridiculous deus ex machina ending of the earlier film, but is much more believable (albeit much more cynical). As the young couple, the movie features two of the most attractive actors of 70's European exploitation films in Ray Lovelock and Ornella Muti. But Lovelock, unfortunately, is dubbed and not speaking in his usual Scottish brogue and Muti was obviously too young to do the copious * scenes that are, for once, necessary to the plot, so an obvious body double is used and every cinematic trick in the book employed (of course, this doesn't stop Lenzi from making like Jess Franco with the zoom lens every time the real actress bends over in her short-shorts). Both actors are pretty good though despite these liabilities. Special mention must go to Irene Papas though, who almost outdoes Caroll Baker herself in the Carroll Baker role. I hate too admit it, but I kind of liked to pop music soundtrack too.

Another from the Shameless stable of exploitation films. They go on about how they've tracked down missing scenes, remastered it all and redone the soundtrack... it's like a kid telling you how they've done an amazing drawing and you then look at it... Oasis of Fear is a bit, well, rubbish. It's about a young couple who travel around Europe in a zippy yellow open top sports car flogging * mags to locals (that dates it). But once the movie settles down it hits you that it's just not very good, a bit amateurish. The trailer is the best thing about it. It starts off okay with a George Beatle type track, but soon becomes irritating. The bloke, all 29in waist and big hair, is from the Cliff Richard school of acting. Actually Cliff was a bit more charming than this. The girl is alright in a Kate Middleton kind of way. It belongs to an age where you had to make your own entertainment, when you only had Dixon of Dock Green on the black and white telly, while going to the movies to see a big colour film - and a woman get her kit off - was a real treat, real decadence. You rent these films for a bit of sauce and unPC fun - you don't really expect to be so bored by it all. It picks up for the last half hour, but really drags until then.

Most enjoyable outing from Mr Lenzi and whilst giallo-esquire is really quite a mixed bag. Starting off as a bit of a hippy drippy affair with a young uninhibited couple using their bodies and their guile to get a free holiday, this turns into something much darker. There is real suspense including a splendid Hitchcockian scene in an aviary, lots of nudity and some pretty nasty moments. Irene Papas ( 'Zorba the Greek' and 'Don't Torture a Duckling') lends considerable gravitas with her impressive performance as the mature woman with something of a problem to sort out. Ray Lovelock is appealing as the handsome young man who likes fast cars and faster women but it is the lovely 16 year old Ornella Muti who is always catching the eye. Apparently the almost too perfect * shots are of a body double but we still get plenty of up the shorts shots as she bends obligingly forward. All three are a great asset and with a decent script and Lenzi's constant inventiveness, this is a fine piece of exploitation cinema.

I watched this for the first time on DVD last night, at 84:34 minutes it is apparently the longest available version. The picture quality was pretty weak at times and occasionally the language switched from English to Italian but hey, this is all part of the joys of being a fan of Euro sex, sleaze, thriller and horror movies. Directed by Umberto Lenzi, the man who started the notorious cycle of gory Italian cannibal movies, Oasis of Fear is a much different genre, it does contain one or two suspenseful moments (the one in the bird aviary is good) but I would not call this a proper Giallo movie. More of a sexy and fun thriller. Ray Lovelock and his gorgeous girlfriend Ornella Muti play a very young couple (I make her a mere 16 when she filmed this) travelling across Italy, selling pornographic photos of themselves but when their delightful little British MG sports car runs out of fuel they seek refuge at a large villa, owned by the strange Irene Papas. This is where things start to get interesting. The movie is sexy, groovy, fun and at times suspenseful, I wouldn't call it a classic by any means but for anybody who enjoys Euro movies from this period then it is worth seeing. The sex and nudity aspect is quite tame. Watch out for the crazy guy on a motorbike who speaks an curious and amusing mix of English and Italian!

Oasis of Fear AKA: An Ideal Place to Kill AKA: Deadly Trap AKA: Dirty Pictures. The highlight here is the two leads. These are probably the two most likeable people to appear in an Umberto Lenzi film. They are well-written and well acted and have good chemistry together. It's also a film with largely a lighter tone and with more humor than you would expect for a thriller. Overall, it's a pretty well rounded film. However, it takes awhile for the main plot to kick in, and I did not like the ending. You can't win them all.