Novitiate

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source: Novitiate

I watched this at home on BluRay from my public library, my wife chose to skip it. This is one of the better, maybe the best, of the movies I have seen this year. Maybe part of that is being a lifelong Catholic and remembering Vatican II and the changes this spawned in the Church. I was a boy about the same age the girls are depicted here in the early 1960s. The movie deals with two distinct but interrelated stories. The most significant is the impact Vatican II changes had on cloistered Nuns. Melissa Leo, in a best-actress quality performance, is the Reverend Mother. She has not been outside the grounds for 40 years and she oversees the whole operation, only answering to the Archbishop. She is exact and she is stern, if she thinks a young girl does not have the right stuff she will send them home without review. When she gets instructions from the Archdiocese for changes she is stricken and saddened. The other story is about a teenage girl from a dysfunctional and mostly Atheistic family. For reasons only she knows she was drawn to this "marriage with Jesus." She is played extremely authentically by Margaret Qualley (daughter of Andie MacDowell) as Cathleen, eventually Sister Cathleen. The BD has a very informative "extra" showing the writer/director and 5 of the key cast being asked questions and their providing answers to the research and the making of the movie. Superb movie, a bit underrated in my opinion.

Well,i never ever thought that i should review a film about life in convents,and the education of nuns. it is a good film, very well acting by young actresses,very nice invictive musical score,and good filmography. it gave what i expected from reading the plot,but it could have been more docu-/informative, especially around the subject of ''vatican ll'',but that is what wikipedia are for. also the use of narrative in the beginning that quikly faded away,did take away some of the true sting of this movie. it is not a promotional movie for the nun-society,and i will hope that it does not scare to many away from trying a nuns life,cause we have all benefited the chores and efforts given to us,especially through health care services ,kindergardens and caretaking for the people living in the shadows. i still wonder what happened to the main character...........

This film tells the story of a young woman who enters a convent to be a nun, out of her own volition. Wow, the film may be slow to build up for the finale, but the finale is very profound. I am still rendered speechless and am very saddened by the unintended consequences of the reforms. Having the entire world and the entire reason of existence being invalidated is unimaginable. The film finished for twenty minutes already and I am still having a heavy chest. It is a very profound film.

In the mid-19th century, the widely popular "expose" book, "The Awful Disclosures of Maria Monk," which portrayed Catholic convents as places of torture and debauchery, helped fuel anti-Catholic bigotry. Although "Novitiate" doesn't completely fall into blatant Catholic bashing, its portrayal of its convent as a place of misery does make it seem like Maria Monk-lite. "Novitiate" attempts to be a 21st century version of Fred Zinnemann's fantastic 1959 film "The Nun's Story" which was about a Belgian nun's (Audrey Hepburn) struggles with her faith, profession as a nurse, and conflicting loyalties during WW2. "Novitiate" was so inspired by "The Nun's Story" that it has one of its characters make a direct reference to it. "Novitiate" is the story of "Cathleen Harris" (Margaret Qualley) the only child of a broken home being raised by her mother (Julianne Nicholson). Although not Catholic and being raised in a de facto agnostic household, shy Cathleen "falls in love" with God after being inspired by the devotion of one of her kindly nun teachers at the parochial school she attends on scholarship. At age 17 and against her mother's objections, she joins a cloistered convent with the intention of making it her life. However, it's 1964 and the Vatican II Council is under way with its intention of drawing Catholicism into the 20th century. That doesn't sit well with the convent's ultra-conservative Mother Superior (Melissa Leo). She's quite content with her Order's medieval traditions of public confessional debasement and self-inflicted scourging by the penitent. (Yeah, it's laid on a bit thick.) Most of the movie is about how Cathleen and her fellow rose-cheeked novitiates struggle with both their faith and convent's strict rules especially its enforced silences. Cathleen appears to adapt better than most, but then "Sister Emanuel" (Rebecca Dayan) joins the convent and that's where the movie really lost me. As stated above, the movie makes reference to "The Nun's Story" in which a novitiate admits that film was her inspiration to become a nun despite it being "unrealistic" because Audrey Hepburn was so beautiful. Unrealistic? In "Novitiate," most of the nuns range from very pretty to downright gorgeous! Also, this convent appears to have come stocked with a full make-up department because all the young sisters are always glammed-up! Yet, it really gets dumb with Sister Emanuel's entrance. Once Cathleen takes a few quick glances at the beautiful Emanuel (Ms. Dayan has former model written all over her) she suddenly decides that she belongs to the Pink Team. Her instant transformation from devout novitiate to starving (literally) for lesbian intimacy was just ridiculous. How dumb is it? Well, it reminded me of those 1990's straight-to-video "erotic thrillers" in which if two attractive women were alone in a room together then they wouldn't be able to keep their hands off each other. At least, those "erotic thrillers" usually had a few lines of dialogue to try to explain why two women became instantaneous lesbian lovers, but "Novitiate" doesn't even have that to explain why Cathleen and Emanuel are suddenly groping and giving each other passionate kisses. The only explanation is that Ms. Qualley and Ms. Dayan are both extremely attractive and the producers clearly thought it'd be "hot" to watch them "get it on." It's so blatantly prurient that it is insulting. Undoubtedly, the film-makers deluded themselves that they were making serious points as to the sexual tensions that had to exist in Catholic convents because after all everyone is obsessed with sex, right? So, we get scenes of sisters being unable to "master their domain" and the "nuns-gone-wild" stuff between Cathleen and Emanuel. It pretty much undercuts everything else including the Vatican II conflicts, Ms. Leo's and Ms. Nicholson's performances, and the shallow conversations as to faith. In sum: a stupid, prurient film with pretensions as to seriousness, depth and art.