Mope

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I was flipping through channels, bored with every movie on. Even though I have every channel to man kind. So I just left this movie mopes on. Not expecting much but it just was left on, so I could play on my phone. I thought it was stupid lame low budget film. Then I actually got into it. It's not raunchy sex stuff the entire time. It's about 2 best friends who want to be famous and make it in the * business. They get picked up after begging by a low budget * directors. Who pays them by allowing them to stay at crappy warehouse, take abuse and some sex scenes with these gross girls. But it gets interesting when they do have a chance and Steve impresses the director with his sword tricks. But Steve ends up blowing it for him and Tom. Steve has severe mental problems, who has all these great ideas and high hopes. But it's not even reality, he even calls his father a million times. Trying to get him to invest in their own * company, the father even said he wasn't even big. So why did he even pick * to make his dream, not to mention we find out Steve had so many other obsessions. He brings Tom along but finally Tom is just fine and happy being at the Mopes studio and working with low budget *. Tom starts to veer off and do his own thing and Steve still has all these ideas. Even brings in a homeless women into it, to meet his father no less. When his father begs him to come back home because he has mental problems. Steve storms off and also we find out Steve has horrible hygiene and doesn't take showers. Well the ending is so unexpected. Here I am watching a * star trying to make it with his best friend and he ends up losing it. After Eric does cuckhold video with the homeless women, Steve snaps by all the horrible words they all say to him. Especially his best friend Tom, who he thought they would * star hero's one day. Then takes his sword and literally attacks everyone and kills Tom. I didn't expect that ending at all and I would watch this movie again. It was extremely interesting and good. I couldn't believe it was based on a true story!

Today out came a strangely compelling oddball, something raw, filthy, bleak, for some perhaps even repulsive, but on the flipside the filth actually has a heart, and style. I had no clue of what "mope" meant in the * industry, but now I know, and not only that, also the true and seedy story behind "Mope" - a story the film stays quite true to, bringing to screen one of the possibly most grounded and pragmatic depictions of adult film industry. "Mope" introduces us to the tragic story of Steve Driver and Tom Dong, two low-end * actors that become best friends, and together seek opportunities and reach for fame, only to achieve infamy. Taking place in a physically and mentally seedy and otherwise deviant slice of this world, "Mope" feels confident and assuring within the confines of it. It's not an adult film though, in a sense that, despite being set in such universe, "Mope" is not an overly explicit flick. Having said that, it's not a movie to have somebody walk in on without proper context. Steven is an enthusiastic young man with couple of troubles on his shoulders, and his absolute American dream is to become an adult film star, and Tom Dong is all up for it - therein lies the heart of this movie, in the process of a friendship, one that ends in tragedy. "Mope" starts on an uplifting note and stays quite fun and funny for at least half the runtime, though I imagine the subject matter could a big "if" for some, for one might feel the urge to take a shower after seeing this filthy flagship carrying some sleazy and homely men. "Mope" calls for empathy, but there isn't a whole lot of that in the society it presents - this is something that really depends on the viewer. The comedy factor, however, is inarguable, and it's rare when a movie of such mood ends on a note so bleak and depressing. The seemingly nearly perfectly cast ensemble of actors do a great job and do not take away from the established authenticity of "Mope" - my personal highlights are Nathan Stewart-Jarrett as the energetic lead, and to many probably a seen face someplace, Brian Huskey, portraying the studio manager, writer, producer, director, the mighty leader. There isn't really a bad performance around, and if "Mope" hasn't been sold yet, horror fans might be pulled in by David Arqutte. "Mope", by all means, feels and looks like a low budget feature, but once again, it seems to be the least of problems for B flicks nowadays. The camera work is decent, cinematography's easy to digest, easy to enjoy, and, small thing, but I personally like movies with no black bars nowhere. As for FX, there's one sequence of real violence, one that carries weight, and likely could've carried more of it if it wasn't shying away with so many cuts and close-ups. Wether it's a story that needed to be adapted or not might be up for some discussion, but personally I enjoyed it, found it to a well-executed and odd mix of things, and actually compelling, so it is a 6/10 from me. This being director Lucas Heyne's full feature directional debut, I'm intrigued for what comes next, because "Mope" is a proof that the man knows how to find heart and substance in demanding scenarios.

You have never seen this movie before. It's original, funny, sad and the best film I've seen in my 5 years at Sundance. It's this strange combination of drama and comedy, orchestrated so methodically that it leaves me wondering how it could be better. The acting was amazing, the score was amazing, the directing was amazing. Most importantly, the scenes were so impactful. During the survey of the studio I was laughing so hard I could barely hear what they were saying. During the pitch to Steve's father I was so distraught that I couldn't help but appreciate how human the characters where. During Tampa's sex scene I was angry and sad. No matter what the scene, I was fully engaged - and loved every minute of it.

Hands down the best film AND experience I have ever had at the Sundance Film Festival in my past 5 years attending. IMDB lists this movie as a Drama, and I would have to disagree with that primary label. While it does tell the dramatic true story of 2 low end * actors, mope's as they are called in the industry, this movie is very much in a unique genre of comedy and drama, in its' own right. Throughout the film I found myself laughing so hard, that at times I was crying and almost had to step out of the theater, as the comedic situations and dialogue were too much to take in. The film's fantastic pacing and approach to its unique genre allowed for the story arc to perfectly transition from that of a comedy to a drama. As the film approached its climatic and very dramatic ending, I was in awe that I could find myself empathizing with the character of Steve Driver, when merely 20 minutes ago I was outright laughing at his quest and approach to situations he would find himself in. While watching, you can't help but laugh at the situations the two main characters find themselves in, as well as their devotion and dedication to their 'craft'. The serious demeanor of the characters, in their absurd and degrading positions within the industry, pushes the viewer to root for them in their plight for fame, while also pitying them at the same time. The motivation by both Steve Driver and Tom Dong is admirable, even if what they are seeking is downright degrading and laughable. The film provides a perfect mixture of both absurd comedic situations and dialogue, as well as the dramatic humanization of the characters as they interact with family, friends and crack whores about their hopes and dreams. After the film ended, even the Q&A with the director was hilarious to listen to. One viewer asked; 'why there weren't more dick's in the film', stating that the director seemed to have more female body parts shown than male, at which point the director answered: "You want more dicks? I can add more dicks" and then proceeded to take a poll from the audience asking whom among us wanted more dicks to be added to the film, with everyone's hands promptly being raised. I really hope that this movie gets a wide release soon, as I cannot wait to see it again in theaters. And along with the Sundance audience's demands, hopefully with more dicks this time.

Not a story I was aware of. Well acted, probably cut down a bit for time like most films. The key characters are reasonably well explained, perhaps one fringe character isn't, but they are being used for effect. It's done well, but moves fast towards the finish....which makes sense considering the mental health of the main character.....it doesn't dwell on the stuff that is thrown in to pad it out. Also I like that it doesn't create overly sympathetic characters, nor monsters. It's not a faithful to every detail biopic, it's going for a feeling of what happened and possibly why it happened