Miranda

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source: Miranda

Tinto Brass. The Italian Master of eroticism is at it again. Leading ladies with hairy armpits putting their assets on show for all who care to see and the camera work will be almost the same in all the movies that you actually know what will follow next. Mr. Brass is certainly fond of women's rears, hairy genitals and armpits, top heavy females and show all this from different angles thru mirrors and massage. The scenes and situations are so alike that it is safe to say that if you have seen one you have seem them all. But at the same time, his choice of heroins is vary good and so far all the leading ladies had real bodies (no fake or silicone). He is also vary best at showing the nudity which can be called erotic and sensual. And the music in his films is also good. In Miranda the dance number played at the beach is quite good and I think the same number is tried again in his another movie as well. All in all you actually enjoy watching and he grips you with his camera work and entertain you fully.Because outside Brass the soft * flicks made are hopeless. 7 out of 10 from me. go and enjoy on a weekend.

Ah, the mature Tinto Brass! After twenty odd years of trying to make difficult, compelling and erotic films, of seeing his work cut to shreds by clumsier, less artistic hands, of working on huge sets with vast unweildy international casts and of the insufferable dictation of linear narrative and intelligible dialogue enough was enough. From now on it would be back to basics, back to his first love. From now on all of his films would be about women with fat arses. Like Walerian Boroczyk or Russ Meyer ( albeit a Russ Meyer who is a foot shorter and facing the wrong way ) Brass' chief concern is the capture of the female form, as often as possible and from suprisingly intrusive angles. To this end he has established a series of erotic props, his own sexual shorthand. There will always be an oval mirror over any bed, there will invariably be a camp dancing sequence during which the heroine will feel compelled to flash her baggy french knickers. There will be a dream sequence, usually on a beach and usually as a tribute to Fellini, and every time a character goes to the cinema it will be to see another Tinto Brass film. And finally, and perhaps most importantly for Tinto, any woman, no matter what the circumstances and appropos of nothing must be allowed to urinate as and when she pleases, preferably backlit and preferably in public. This is the plot of Miranda. Not in essence, this is not a thumbnail sketch or a five word pitch. THIS IS ALL THAT HAPPENS:Miranda ( Serena Grandi ) the landlady of an Italian taverna has to choose between three men: a rich pensioner, an aggressive GI or the lowly waiter who carries a torch for her. Guess which one she goes for!

Tinto Brass erotic dramedy which, I felt, embraces the joys of sex as Serena Grandi gleefully portrays Miranda, a sexually adventurous war widow, operating a café/bar in a little village with a lush countryside as a beautiful back drop to the film's seedy leanings. I can't recall a camera embellishing the female * as much as Tinto's lens hones in on Grandi's. Didn't care for the arm pit hair, but I chalked that up to realism. Various men Grandi's Miranda has bedded wish for hand in marriage yet she's having too much fun screwing to actually take those longings from her suitors seriously. I don't think there's an angle Tinto Brass doesn't try in capturing Grandi's crotch in all it's hairy glory. There's a whimsical score to the film which I feel also captures the spirited joy Brass had behind this film's merry naughtiness. Lots of sex and perversion. To give you a taste of what this film is like..there's a scene between Miranda and her pal(..who lost her husband to the war, also)where they interpret what men's asses look like behind their swimming trunks..and Tinto Brass being the provocateur that he is, shows us. I must admit, though, that after looking at a * long enough, it was growing a bit tiresome, but I do realize that the director was operating without restraint showing the aspects of woman..the curvaceous Grandi in this case..he enjoys, spreading his love to us.

Moviecut—Miranda

source: Miranda

Tinto Brass erotic dramedy which, I felt, embraces the joys of sex as Serena Grandi gleefully portrays Miranda, a sexually adventurous war widow, operating a café/bar in a little village with a lush countryside as a beautiful back drop to the film's seedy leanings. I can't recall a camera embellishing the female * as much as Tinto's lens hones in on Grandi's. Didn't care for the arm pit hair, but I chalked that up to realism. Various men Grandi's Miranda has bedded wish for hand in marriage yet she's having too much fun screwing to actually take those longings from her suitors seriously. I don't think there's an angle Tinto Brass doesn't try in capturing Grandi's crotch in all it's hairy glory. There's a whimsical score to the film which I feel also captures the spirited joy Brass had behind this film's merry naughtiness. Lots of sex and perversion. To give you a taste of what this film is like..there's a scene between Miranda and her pal(..who lost her husband to the war, also)where they interpret what men's asses look like behind their swimming trunks..and Tinto Brass being the provocateur that he is, shows us. I must admit, though, that after looking at a * long enough, it was growing a bit tiresome, but I do realize that the director was operating without restraint showing the aspects of woman..the curvaceous Grandi in this case..he enjoys, spreading his love to us.

Tinto Brass. The Italian Master of eroticism is at it again. Leading ladies with hairy armpits putting their assets on show for all who care to see and the camera work will be almost the same in all the movies that you actually know what will follow next. Mr. Brass is certainly fond of women's rears, hairy genitals and armpits, top heavy females and show all this from different angles thru mirrors and massage. The scenes and situations are so alike that it is safe to say that if you have seen one you have seem them all. But at the same time, his choice of heroins is vary good and so far all the leading ladies had real bodies (no fake or silicone). He is also vary best at showing the nudity which can be called erotic and sensual. And the music in his films is also good. In Miranda the dance number played at the beach is quite good and I think the same number is tried again in his another movie as well. All in all you actually enjoy watching and he grips you with his camera work and entertain you fully.Because outside Brass the soft * flicks made are hopeless. 7 out of 10 from me. go and enjoy on a weekend.

Ah, the mature Tinto Brass! After twenty odd years of trying to make difficult, compelling and erotic films, of seeing his work cut to shreds by clumsier, less artistic hands, of working on huge sets with vast unweildy international casts and of the insufferable dictation of linear narrative and intelligible dialogue enough was enough. From now on it would be back to basics, back to his first love. From now on all of his films would be about women with fat arses. Like Walerian Boroczyk or Russ Meyer ( albeit a Russ Meyer who is a foot shorter and facing the wrong way ) Brass' chief concern is the capture of the female form, as often as possible and from suprisingly intrusive angles. To this end he has established a series of erotic props, his own sexual shorthand. There will always be an oval mirror over any bed, there will invariably be a camp dancing sequence during which the heroine will feel compelled to flash her baggy french knickers. There will be a dream sequence, usually on a beach and usually as a tribute to Fellini, and every time a character goes to the cinema it will be to see another Tinto Brass film. And finally, and perhaps most importantly for Tinto, any woman, no matter what the circumstances and appropos of nothing must be allowed to urinate as and when she pleases, preferably backlit and preferably in public. This is the plot of Miranda. Not in essence, this is not a thumbnail sketch or a five word pitch. THIS IS ALL THAT HAPPENS:Miranda ( Serena Grandi ) the landlady of an Italian taverna has to choose between three men: a rich pensioner, an aggressive GI or the lowly waiter who carries a torch for her. Guess which one she goes for!