Man of the World

Moviecut—Man of the World

source: Man of the World

The pre-code where William Powell meets Carole Lombard. story by Herman Mankiewicz. Harry Taylor (Guy Kibbee) is in Paris, and doing things he doesn't want known back in the states. Powell is Trevor.. he pretends to help these americans get out of a jam, but is really blackmailing them. but he falls for Mary (Lombard). and his co-conspirator Irene sees it (Wynne Gibson), and the irony when she says "you've fallen in love with that kid." since Powell really did fall for Lombard. and they got hitched. Some speed bumps in Trevor and Mary's plan for a wedding. Irene throws wrenches into the works, so things aren't what they were just a short time ago. lessons learned. or are they?? It's good. and kind of exotic, since it takes place in a "foreign country." Directed by Dick Wallace. died quite young of a heart attack. was a founding member fo the Directors Guild. probably his best known works are the Girl, the Guy, and the Gob and Bombardier. and Carole Lombard was tragically killed quite young as well.

Not every vintage film from Hollywood's Golden Era is a classic, and "Man of the World" exemplifies this. Michael Trevor is the shady operator of a scandal sheet that blackmails Americans who are in Paris. Trevor meets a young woman, who is visiting the city with her fiancee, and who is also the niece of his latest target. Despite the complications, he quickly falls for her, experiences a change of heart, and wants to clean up his act. Unfortunately, the plot plods, and the cast coasts. Ordinarily, viewers would expect much from a film that stars William Powell and his then-wife, Carole Lombard, who plays the American tourist; however, the cast disappoints. The script is credited to Herman J. Mankiewicz, whose name also raises expectations; however, the pedestrian story is strange and un-involving. While Powell is competent in his role, he seems uninterested, and his character never comes alive; although he and Lombard reportedly met on the set, his romantic interest in Lombard is tepid and lacks sparks. Lombard's Mary Kendall is bland as well, and the part could have been played by any number of young actresses of the period. Guy Kibbee as Lombard's uncle is always fun to watch, and Wynne Gibson and George Chandler as Powell's partners in crime are professional. Director Richard Wallace, whose credits are somewhat underwhelming, does not distinguish himself here, and the entire film seems tired. Within a few years, Powell would hit his stride with "The Thin Man" and Lombard would develop her comic style in "No Man of Her Own;" however, "Man of the World" does little for the reputation of anyone.

This is a story, set in Paris, about a con artist falling in love, resolving to reform, and then despairing about his chances and moving on. William Powell plays the con artist, and his love interest is Carole Lombard who plays Mary Kendall, daughter of a wealthy business owner from the U.S. But, Powell isn't just any con artist. He's a master who runs a sophisticated yet simple scheme. Wynne Gibson plays an accomplice of Powell's Michael Trevor. As Irene Hoffa, she carries a torch for him. She's jealous and is torn by love-hate feelings for the guy. Some other supporting cast do their parts well. The story is just a version of many others one has read, heard or watched on film. Bad guy meets girl, falls in love and goes straight. I don't mean to make it sound like a trifle, but something isn't quite right about this film. It's supposed to be a romantic drama. There is no chemistry between the two leads. Powell shows no emotions at all. His character has no life. He just seems to mope from one scene to another – head down and eyes toward the floor. It seems like Powell hasn't yet shaken that acting method from the silent films he made. He is capable of much better as we see in his many later films. The script isn't very good and the direction is lacking. It's a fair film for folks who enjoy Powell and Lombard movies. But it's nowhere near the considerable repertoire of very good films made by either star. I rate it six stars mostly for the good look it provides of some of the top supporting cast actors from the first decade of the talkies.

I just do not care for this movie. It is not because William Powell ( Michael) was bad, it is just he did nothing for me good or bad, and he played a character he could play in his sleep. Powell is at his best in two kinds of movies comedy and crime and there was no comedy and the crime was secondary. The only one I did like was Wynne Gibson ( Irene) his former partner in crime. She gives a very sophisticated and measured performance ( so much better then Kay Francis who I detest)., Carole Lombard is in the film as well and she just did nothing for me. I admit to not being a fan of hers ( especially when compared to Myrna Loy). Finally, If you want to see a great film from Powell's Paramount period I would highly recommend Shadow Of The Law, now there is a very different Powell performance. I will give it 5/10 stars all for Gibson.

In what seems to be a promising drama of rich and poor, noble and naughty Americans in Paris, William Powell and Carole Lombard rise above a dull screenplay and add class to a mediocre project. Powell is a society blackmailer, an American novelist down on his luck who sets his money hungry sights on the niece of one of his victims. That lovely lady is Lombard, probably the most likable young actress every in the movies. Her natural beauty and charm betray her 21 years, making her a delightful surprise among a list of barely legal thespians who seem artificial on screen. Lombard has much chemistry with the older Powell, and in this (their first of three films), the age difference is one that never distracts. Powell's seemingly not so noble rogue is hiding a big heart that only hardens when forced by his jealous ex-lover (Wynne Gibson), his partner in crime that can't believe that Powell would actually fall in love with Lombard. Guy Kibbee is Lombard's wealthy fun-loving uncle who longs to see her with the more age suitable Lawrence Gray, while veteran sleazy portrayer George Chandler is Gibson's equally nefarious cohort. Viewers will find the film delightful as far as the performances, sets and costumes are concerned, but the dull dialog isn't as snappy as other similar pre-code films. A brief view of minor characters (wealthy older male and female American with obvious "working" members of the opposite sex) is amusing, particularly the stout woman's reaction when her gigolo suddenly runs off after a warning from Powell. At 71 minutes long, you'd think this would fly by, but for some reason, it seems longer and is therefore a dull disappointment. Powell and Lombard don't get much of an opportunity to utilize their tremendous comic talents, but on occasion, the magic does slip out (with some nasty dialog crispy sneered by the underrated Gibson) and for that, this is worth a viewing.

Similar to the same year's Ladies' Man, William Powell plays a scoundrel and the object of Carole Lombard's (his wife at the time) affection. In this one, rather than a gigolo, he plays a professional blackmailer. Carole is the niece of Guy Kibbee, a wealthy but imbecilic man on vacation in Paris. She's engaged to a suitable, kind, ethical man, but when she's introduced to Bill, her head gets turned. This is one of those old movies that make people criticize old movies for being boring. Not much happens in the plot. There's neither witty banter nor emotional monologues, and the love triangle doesn't prompt the audience to really prefer one side over the other. It isn't any of the cast member's finest hour, so feel free to skip this one and pretend you saw it if anyone asks.

Having ordered Disc 1 of The Carole Lombard Collection from Netflix, I just watched the first of two films on it-Man of the World. She plays the young niece of a rich uncle in Paris who's trying to avoid a scandal. William Powell is a former reporter who actually is the blackmailer but doesn't let anyone know about that. That changes when he meets Ms. Lombard and her fiancée. I'll stop there and just say that while some dialogue exchanges are interesting, the pacing was lethargic to the point of me recognizing when the backgrounds were film projections whenever things threaten to get dull. I guess the fact that this was an early talkie had something to do with that. Still, it was interesting enough so on that note, Man of the World is worth a look if you're interested in this sort of thing.

Man of the World (1931) suffers from dreary pacing and uncertain tone. If this were a B- picture starring unknowns, I'd say it had a lot to recommend it—A lovingly rendered fake Paris, a bittersweet romance, charismatic actors... but for a Powell-Lombard picture, it's a disappointing slog. The primary issue is pacing. Editing is sluggish —static medium shot after static medium shot—and the dialogue really drags. In a film about romance between con-artists, and socialites, you'd expect witty dialogue to come fast and furiously, but in Man ofThe World, actors deliver their lines at a solemn and stately pace, so what should be an exciting whirl of romance and scandal becomes weirdly glum. Further, there's not nearly enough time spent on the courtship between Lombard and Powell. Sure, he seems suave and sophisticated, while she seems pleasant and attractive, but they don't share much screen time. And when they do, there's no electricity. They don't bandy or bicker,they just fall into a pleasant little romance because the script tells them to. Weirdly, far more time is given over to the unhappy relationship between Powell and ex-lover Wynne Gibson (a stiff, unappealing performer). Despite the movie's premise—an adventurous socialite falls for a charming blackmailer—this isn't really a Lubitsch-style romantic comedy. It's not nearly fun enough. So I guess it's a failed drama? I did like the story itself, particularly the unexpected ending (which I won't reveal). This is one from the vaults that deserves remaking morethan reverence.