Magnificent Doll

Producers: Jack H. Skirball and Bruce Manning. Copyright 9 December 1946 by Hallmark Productions, Inc. A Jack H. Skirball-Bruce Manning production, released through Universal-International. New York opening at Loew's Criterion: 7 December 1946. U.S. release: November 1946. U.K. release: 5 May 1947. Australian release: 29 May 1947. 8,710 feet. 96½ minutes. Australian release title: MAGNIFICENT LADY. SYNOPSIS: Quaker's daughter, forced into an unwilling marriage, is freed by the death of her husband to pursue political ambitions in Philadelphia. Time: around 1790-1814. COMMENT: The stills from the film look great - Ginger, radiant in lavish period costumes with feathered hats, set against colorful backgrounds crowded with picturesque props - but the film itself is something of a disappointment. Borzage's slow, turgid direction does nothing to enliven Irving Stone's embarrassingly pedestrian script which reduces the sweep of major historical events to common¬place domesticities. Mind you, we should be grateful - for the one time Mr Stone attempts to demonstrate the sterner facts of Constitutional freedom, he veers into unintended parody. Nonetheless, despite the handicaps of unsympathetic direction and a soap-operettish script, the players manage to provide some measure of interest. Admittedly, actual acting is often poor. Ginger gives one of the least convincing impersonations of her career and often seems to be floundering in too-deep waters (although it's doubtful if even a Helen Hayes could carry off the contrived oratory of the climax). And David Niven too seems ill-at-ease with Aaron Burr. The transition from charming patriot to psycho czar is handled with a fair degree of skill but doesn't quite succeed. Even a normally solidly reliable actor like Burgess Meredith has obvious difficulty with such unworldly dialogue (particularly in his scene with Rogers in the empty Hall of Congress). Usually, having chided the principals for minor shortcomings, the critic can point to the support players as faring better. Oddly enough, with only one or two exceptions (Peggy Wood, Francis McDonald), this is not the case here. Most of the character cast seem even more uncomfortable and less-suited to their roles. Some are nothing short of inept. Despite its major problems in script, direction and acting, Magnificent Doll has been produced on a remarkably lavish budget. Photography, sets and costumes are always so attractive that even at its dullest or most juvenile, the picture is worth watching. In a way, all the money was wasted. The sets and the big crowd scenes could have had much more impact in the hands of a stronger, less jaded director. (But then what forceful director would agree to film such amateurish, historically laughable tosh as Magnificent Doll?)

The Great director Frank Borzage does it again with this magnificent film. Ginger Rogers not only looks sumptuous in it but what a performance ,especially as the climax of the movie. Definitely one of her best dramatic performances and a revelation, as this movie was a financial flop at the time and what a great shame. Universal obviously pulled out all the stops with this and everything about it is top notch. It was just a pity that they didn't film it in Technicolor which would have been the icing on the cake. Great performance too from David Niven who really at times seems very sinister in his unlikable role which was a very unusual role for him to play. Burgess Meredith is likewise very good and gives very admirable support to the main leads. Interesting to see Peggy Wood in it, as Dolly's mother, and , of course, she played Mother Abbess in the film version of "The Sound of Music". The movie, as always from the director, is beautifully photographed and wonderful direction to the actors obviously bringing out the best in all of them. Costumes, too, created by the great Travis Banton as well as Vera West. All in all great entertainment that one can now appreciate, despite awful reviews at the time as often happened from some of those so-called expert critics, whom one wonders sometimes if they even watched the film.

Ostensibly set in the late eighteenth century, MAGNIFICENT DOLL is a biopic of Dolley Madison (Ginger Rogers), who is forced into marriage with her first husband John Todd (Horace McNally); suffers a bereavement due to the plague, and encounters dashing senator Aaron Burr (David Niven). The two of them fall in love, but Dolley discovers to her cost that Aaron is not quite the romantic hero she first assumed. His ambition often gets the better of his reason, so much so that he is prepared to flout the constitution to achieve his ends. Eventually Dolley marries Senator James Madison (Burgess Meredith) and condemns Aaron to a life of perpetual isolation - a free man yet with no one to support him either politically or personally. Released in the year immediately following the end of World War II, Frank Borzage's film underlines the importance of the constitution, especially the parts focusing on freedom, the rule of law and social equality. There are long sequences involving Madison, Dolley and Aaron which discuss such topics: sometimes it seems that the film has sacrificed plot-development for propaganda. Aaron is a superficially attractive character, but he believes in despotic rule in which everyone should submit to his will. He needs to be ousted in order for the American way of life to continue. Stylistically speaking, MAGNIFICENT DOLL oscillates between love- scenes involving Dolley and Aaron (with H. J. Salter's lush score appearing somewhat intrusive), and sequences of political intrigue and/or debate. Dolley's first supper-party is impressively staged, with Dolley and Madison sat at either end of a long table, flanked by congressmen and their spouses. Borzage's camera intercuts between the two protagonists, making us aware of their burgeoning relationship which was both personal and political in scope. David Niven was a highly versatile actor who often seemed to be typecast in romantic leading roles. By the mid-Forties his career as a leading man was on the skids, due in no small part to his military service in the British army. As Aaron, he has the chance to demonstrate his capacities, especially when he tries (and fails) to conceal his frustrations both in love and politics. Meredith makes a convincing Madison; the kind of person whom everyone can trust and hence an ideal presidential candidate. Rogers doesn't have much to do, except for a climactic speech delivered at the end of the film to the Virginian people where she emphasizes the importance of the rule of law. This she delivers with élan. MAGNIFICENT DOLL is a watchable film, even if its didactic purposes sometimes get in the way of its dramatic development.

In this loose political biopic, Ginger Rogers stars as a pre-first lady Dolly Madison. She runs a respectable boarding house, and when David Niven comes rolling in with tangible charm, bravado, and guts, she agrees to go out with him one evening. His idea of a good time is far from hers, though; he takes her to a seedy bar and gets into a fist fight. Plus, when Ginger finds herself drawn to the quiet, studious fellow in the corner named James Madison (played by Burgess Meredith), it's pretty clear she isn't ending up with David Niven. While I don't really find it believable to see Ginger Rogers's heavy makeup and blonde hair in a period piece, this is still entertaining for a bit of light politics and romance. I'll watch anything with David Niven, and I love seeing him in cavalier, playboy roles. If you're a Ginger fan, it's a must-see, and if you like "woman behind the man" themes, you'll love it.

Twenty years before playing matchmaker Dolly Levi, Ginger Rogers played a real-life Dolly, the famous Washington hostess who eventually became first lady and the name on a donut box. She's a feisty young lady whose father promised her hand in marriage to a man she didn't love, and after a marriage where she doesn't utter "I love you" until its too late, she finds herself involved with two rising politicians, both on opposite sides of the spectrum in government. Aaron Burr (David Niven) is handsome and charming, but his ambitions go far beyond the ideals of early American freedom. James Madison (Burgess Meredith), "the father of the constitution", is quiet and idealistic, even though he quietly manipulates Burr into an introduction to the lovely Dolly. As she learns the truth about each man, her feelings towards both of them change, even though her loyalty towards a traitorous one remains as far as praying that they will see the error of their ways. But evil ambitions rarely change, and Dolly will have to make a drastic decision based upon her own conscience rather than what lies deep in her heart. If you get past the casting of Ginger Rogers as Dolly Madison, you've won half the battle. She's much more attractive than the real Dolly, but that's Hollywood for you. Another issue is the fact that Ms. Rogers didn't play any other period roles than this one, so her acting may make the character seem a lot more modern than the colonial days this was set in. Getting past all that, she's very sincere in her portrayal and makes Dolly a vibrant force to be reckoned with. Meredith's James Madison is played with quiet dignity, while Niven's Aaron Burr is a force of nature, and one to be reckoned with. Probably the only time Niven ever played a villain, it seems like a role more likely for someone like Vincent Price or George Sanders, but it is a nice switch to see someone as dashing as Niven playing somebody totally despicable. As the devoted first husband longing to hear the words "I love you", Stephen McNally is very effective and Rogers believably allows her feelings to change from hatred to admiration and later on an unspoken love. If this doesn't really reflect who the true Dolly Madison was, it at least gives the viewer a chance to see what life may have been like at the time and to see Rogers in a different type of role than they are used to. The real power of the drama is in watching Niven's Burr literally go mad with his desire for power and how he is ultimately destroyed by it. Rogers is powerful in her final scene where she begs a mob out to hang Burr not to do so otherwise make him a martyr. The scene is obvious fiction as is the speculation of a romantic connection between Dolly and Aaron, so on that level, this isn't a historical document but a speculation by the writers. It is still enjoyable on a fictional level utilizing real life historical events to cap its story around legend.

Plot spoilers—Dolly's father forces her into an arranged marriage, and, as a result, she willfully hates her husband. After the death of her husband and child, she becomes the toast of Washington and the object of the most powerful politicians. She vows to truly love the next man she marries. This film is a political romance with Dolly looking for love and fulfillment among Washington's most powerful men. She proves to be their equal intellectually and politically. I've seen many Ginger Rogers films, and I've enjoyed them all. Some are frivolous and entertaining, some are musical and entertaining, and some are dramatic and entertaining. This movie is powerful and provides historical background to an intense drama. Just as Dolly's intellect and influence equaled the politicians of her time, Rogers' performance equals the skill of the other stellar actors in the cast. Some movies I can't wait to end, but with Magnificent Doll, I wanted it to continue beyond "The End." Captivating, entertaining, and a Rogers hit. Must see viewing.

Recently I moved and as I was doing so, I threw some films into a few boxes I wanted to watch but never got around to watching for one reason or another. A few days ago, while unpacking some items, I found one of the boxes-- a treasure trove is more accurate-- and inside was a copy of MAGNIFICENT DOLL. I have had a copy of this film for several years and I was saving it-- who knows why. And what a treat to save. I love this film and only wish I had seen it ages ago. Just look at the cast of this historical drama. David Niven and Ginger Rogers are top-billed. And altogether, they appeared in three films-- MAGNIFICENT DOLL was the second pairing for them. Their other efforts were BACHELOR MOTHER (for RKO) and OH MEN! OH WOMEN! (for Fox). One of the things I love about this film is that it's the second time Burgess Meredith gets the girl in a Ginger Rogers movie. Previously, he was the lucky guy in TOM, DICK AND HARRY. So though Niven is higher billed, he is essentially playing a supporting role, because Meredith is the one holding Rogers in his arms as the final fade-out occurs. MAGNIFICENT DOLL was a flop, probably because Universal didn't know how to market it and audiences were not ready to see Ginger do anything but musical comedy or tearjerkers. But watching this film convinces me that she was at her best when she was working in other genres, pushing herself as an actress. The set decoration is top-notch in this film; and Ginger gets to wear gowns by Vera West and hats by Lilly Dache. The always exceptional Frank Borzage is the director and rabbi turned Hollywood executive Jack Skirball is the producer.

Dolly Madison's life as it was would seem to provide plenty of interesting material for a Hollywood Biopic, but the makers of MAGNIFICENT DOLL (script by Irving Stone, direction by Frank Borzage) apparently didn't think so. What we get of her life is dominated by a fictional love triangle between Aaron Burr (David Niven), Dolly (Ginger Rogers) and James Madison (Burgess Meredith). In reality, there's no reason to believe that Burr was any more than an acquaintance of Dolly Madison's. There is also little reason to believe that she was particularly unhappy in her first marriage. Her first husband and young child did, indeed, die of yellow fever, but there was another son who survived and grew up to become an alcoholic, a major embarrassment for Dolly and her second husband, James Madison. And she certainly had nothing to do with Aaron Burr's treason trial, or its aftermath! Indeed, nearly everything dramatized in MAGNIFICENT DOLL is nonsense while those events quickly passed over and accompanied by Dolly's voice-over narratives are generally accurate. One would have thought that there would be much of interest in Dolly's efforts as Thomas Jefferson's de facto First Lady, her accomplishments in whipping the new White House into shape, and her rescuing of the Declaration of Independence and Washington's portrait during the War of 1812, but Hollywood had other ideas. Alas, the drama that they did give us is rather sluggish and not very dramatic at all. Being short himself and giving off an intelligent air, Burgess Meredith was a good choice as James Madison, in real life a brilliant and scholarly fellow lacking much in the way of social graces. Today we would call the 'Father of the Constitution' a nerd. Ginger Rogers may seem unlikely casting for a 'Founding Mother', but in fact she was a first cousin of no less than George Washington himself, and if Dolly Madison was anything she was one 'Vivacious Lady'. Indeed, it would have been better if Ginger had allowed much more of her own natural vivacity to shine through, but she appears to have approached the role of an American Heroine with too much reverence for the movie's good. She also had a tendency to rush through her lines, possibly noticing the inherent dullness of the many long speeches with which she was saddled. MAGNIFICENT DOLL actually belongs to the character of Aaron Burr, played more or less as a Byronic Hero (which wouldn't be anachronistic) by David Niven, a rare descent into villainy for that fine actor. He gets the Satanic charm down pat, but I'm not sure that the character's eventual madness really became this normally droll thespian. Burr is a difficult historical character to pin down, and such an interpretation of him is perfectly defensible. Though these are all marvelous actors and the history is ripe for storytelling, MAGNIFICENT DOLL is mediocre at best. It would be nice to see another shot taken at telling the story of Dolly Madison.

I saw this movie 45 years ago on the "Fabulous 52", a late night show dedicated to old movies. I was a teenager at the time and would stay up very late while babysitting. It made a big impression on me and I never forgot it. I especially enjoyed the story line of her first marriage although, I later found out it was not accurate. I searched in recent years to find it on DVD to no avail. To my delight, I recently was able to watch the entire movie on the Internet, 45 years later! What a treat! I remembered a lot of it. I would love to have a copy of it. Although the story line is not quite accurate, the movie got me interested in Dolley Madison and her life. I thought it was very well done for a movie of its time. I would recommend it to old movie buffs.

Dolly Madison is a truly fascinating character from American history. Unfortunately, while "Magnificent Doll" does center on her life, it also is filled with historical inaccuracies...enough so that it's not a particularly good history or civics lesson. The biggest problem is that romance between Madison (Ginger Rogers) and Aaron Burr (David Niven) as I could find no indication that they ever dated or had any sort of relationship apart from taking a room at her mother's rooming house. There also is no mention of a child from her first marriage...one that did NOT die from Yellow Fever. And, sadly, what we know Dolly DID do was generally omitted or given only brief mention. Apart from the inaccuracies, the film is a mildly entertaining but occasionally stuffy film. In particular, the latter portion of the movie seems to go off the rails...and boredom set in as I watched. Not terrible...but Dolly sure deserves better than this tepid plot.