Mad Love

source: Mad Love

Trailer—Mad Love

Mad Love

I really enjoyed "Mad Love," it moves well and is a lot of fun to watch. It's certainly the most substantial role I've seen Colin Clive in other than his immortal portrayals of Dr. Frankenstein. Peter Lorre was such a great actor, he does scene after scene as the creepy Dr. Gogol with such natural ease, it doesn't seem like he's acting at all. Yet Dr. Gogol comes across as more pathetic than evil, which is crucial to this film, which has a very simple plot and a predictable ending. Peter Lorre is great to watch! Even the most simple, corny line spoken by him rings with meaning and truthfulness, Lorre really knew how to play for/to the camera. This movie is only a little over an hour, highly recommended if you're going to do a double feature, and you're looking for a short feature as an appetizer.

This adaptation of Renard's The Hands of Orlac is quite good, yet a bit on the stagy side. It is one of Peter Lorre's early films and his first for Hollywood. Lorre is quite good, and almost sympathetic in a way, as a surgeon who has hopelessly fallen in love with the wife of a great pianist. Colin Clive of Frankenstein fame plays the musician, and Frances Drake plays his rather annoying, overacting wife. The visuals of the film are first-rate, as it was directed by great cameraman Karl Freund. Ted Healy adds some unnecessary comic relief. What I liked best about the film was the staging of the story against some beautiful expressionistic sets and Freunds expressive camerawork.

Peter Lorre's bald, creepy looks as "Dr. Gogol" are memorable in this film. The story is fairly interesting with a few twists, although a bit far-fetched and a little corny in spots. Then again, it is 70 years old. The black-and-white cinematography is very good in parts. I really liked the closeups on Lorre and the shadows in the hallway. Frances Drake is a pretty woman except for those weird eyebrows, the style of the day, unfortunately. I saw this on a fair-to-poor quality tape. I imagine this looks pretty good on DVD and I'd like to see it again now that it's out on that format.

The inimitable Peter Lorre plays Dr. Gogol, an incredibly gifted surgeon. He has a weakness, however. He has fallen for an actress whose being rules his life. When she tells him she is married he is crestfallen. Her husband is a renowned classical pianist. He is injured in a train wreck, his hands crushed. Lorre works to cure him, but until he transplants the hands of a murderer, a knife thrower, the man cannot be whole. Of course, he now has the hands of a murderer and they want to kill, using knives. He thinks he will get the girl, but he disgusts her. Her rejection sends him over the edge. Great vehicle for the wonderful Lorre as he expresses madness and pain. Very well done horror tale.