M*A*S*H

Trailer—M*A*S*H

This is truly the best military comedy ever made. It is funny, yet it realistically depicts the savagery of war and the non-chalance it gradually inspires in its victims. For example, some of the funniest, yet also most disturbing, moments in the film come when the doctors are operating on wounded soldiers, complete with gruesome sound effects, yet are discussing extremely trivial matters. The film also benefits from some great performances. Donald Sutherland and Elliot Gould were excellent as Hawkeye and Trapper John. They both had a streak of good movies during the 70s. Robert Duvall is amusing as a pious major whose fanaticism drives our heroes to extreme measures. Sally Kellerman and Tom Skerrit also put in good performances in their roles; it is a pity that these two actors are not better utilized nowadays.

Some people may think I'm insane for saying this. But this is one of the greatest movies ever made. It was so shockingly different back in 1970 and it influenced war films in the 70s (the "war is insane"-type atmosphere of the film was used by "Apocalypse Now".) The black comedy elements are as original as Dr Strangelove. I have watched this film over ten times and I get astounded each time by it's amazing originality. It's too bad Robert Altman doesn't get as much as recognition as Kubrick or Fellini though I feel he is in the same league. Today the admirable but inferior TV series is more well-known than the movie but I feel the movie is one of the great achievements in film history.

No, not the very wonderful TV series. The Robert Altman film with Donald Sutherland as Hawkeye, Elliott Gould as Trapper John, and Radar as Radar. This is a dark comedy, but it's a delight from beginning to end. And even more effectively than the TV show, the movie illustrates the complete insanity of war. (But even the movie doesn't depict Jesus on the cross hanging from a helicopter. For that you'll need to read the book.) Like most Altman films, this one is episodic. It's also gritty, grim, bloody, offensive, and charming. And Frank Burns (Robert Duvall) is not a character watered down and humanized for television. This is an example of a film so rich in detail (like Altman's "Popeye," come to think of it) that it demands multiple viewings.